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Home » #BlackenAsiawithLove » For the Trayvons, Since Blackface is a weapon #BlackenAsiaWithLove

For the Trayvons, Since Blackface is a weapon #BlackenAsiaWithLove

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2 April 2012 Hanoi

 

The real Blackface that’s the weapon is the minstrel show,
The Blackface that labeled me out,

Showing people a side of me never seen

But projected onto me,

Such that when so many see my own Blackface,

They see that other

They see that other one.

The one told to them over their kitchen tables.

The one sold to them at the movie show –

Hoop dreams

Baller creams

Holla dolla-dolla bill, y’all.

‘Cause we also know that there are real Black faces

That see those minstrel black faces

Staring them back in the face,

So blinded by the light that they cannot see their own.

 

That’s one side of Trayvon’s story-

Then we all know how precious of a story this really is

That a mother lost her darling son

That a grandmother lost the one who used to babysit for the other gran’kids

That the little cousins are still unclear about where that dear boy is.

 

Blackface means that as soon as your voice starts to drop

As soon as that fuzzy hair starts to sprout all over

As soon as your knock knees start to look bold

You’re no longer a kid

Your childhood is lost

And you must learn to act in ways that would make most sane adults stumble

You learn how not to offend white people

How to speak in a soft voice

Or perish

How to walk slowly, with an unassuming gate

Lest you appear as a threat

With the knowledge that any of these threatened folks can annihilate you

Wipe you from this earth

Where only a generation or two ago

Men hanged like tree-ripened fruit

Aged on a rope in an instant

From kid prankster

To adult menace in a matter of moments

We’ve all seen that photo of one of America’s last lynchings

Not nearly the first

Not nearly the haste, carnage and human waste that made people cease.

 

In 1930, not in anywhere near the deep south

Not from one of our southern willows that sway

But in the mid-west

In Indiana, less than a 150 miles from where Michael Jackson was born

And less than 30 years before he came to be,

So that years later when he sings about hate in our multicultural hearts

Or smashes a window in the video

Enraged with anger

Mad from hypocrisy

The sort that we all know all too well

The gap between the promise and dream.

The reality versus the verses etched all around the capital,

Versus the slave hands that laid those very stones.

The women folk whose very gender made them slaves

And the Black women whose faces made them chattel –

But exploitation of a sexual kind

Yes, we all know too well

What a Blackface can do

How a Blackface can scare you

Even when it’s yours.

So, we now the rage Michael felt,

The hate he seemed to have fought though lost,

Internalized but never giving up.

Yet he was born into a world that hated Blackfaces

Where his was a real threat,

Lest he learn to sing and dance.

The hate is real life minstrelsy.

 

It’s that same song and dance that we as boys learn to perform

And I am tired of dancing

Trying to make nice when people approach me as cold as ice

Smiling and trying to behave

While all their body language tells me that they are scared to death of me

And that they see my Blackface as chilling.

We all know that all the Trayvons in this place

Learn from an age too early to have to teach kids such harsh cruelties of life

That by 13, he could be nearly 6 feet tall and that factor alone endangers his life

Were he to play sports and his body develop.

He would stand no chance of being treated like anything other than a gladiator.

So it’s even more ironic that Trayvon was a scrawny boy they called “Slim”

Seems there’s no real way to win

Though I think that if we as a people can get through this

If we as a nation can have this conversation

The one mothers like Trayvon’s have with their sons

For we all know how people react to Black

 


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