I have recently been introduced to Sabrina Carpenter via online media commentary about the image of her new album cover Man’s Best Friend. Whilst some claim the image is playing with satire, the image appears to have been interpreted by others as being hyper-sexual and pandering to the male gaze.

I am not sure why this specific album cover and artist has attracted so much attention given that the hyper-sexual depiction of women is well-represented within the music industry and society more generally. However, because Sabrina’s main audience base is apparently young women under 30 it did leave me thinking about the module CRI1009 and feminist utopia, as it left me with questions that I would want to ask the students like: In a feminist utopia should the hyper-sexualized imagery of women exist?
Some might be quick to point out that this imagery should not exist as it could be seen to contribute towards the misogynistic sexualisation of women and the danger of this, as illustrated with Glasgow Women’s Aid comments about Sabrina’s album cover via Instagram (2025)
‘Sabrina Carpenter’s new album cover isn’t edgy, it’s regressive.
Picturing herself on all fours, with a man pulling her hair and calling it “Man’s Best Friend” isn’t subversion. 😐
It’s a throwback to tired tropes that reduce women to pets, props, and possessions and promote an element of violence and control. 🚩
We’ve fought too hard for this. ✊🏻
We get Sabrina’s brand is packaged up retro glam but we really don’t need to go back to the tired stereotypes of women. ✨
Sabrina is pandering to the male gaze and promoting misogynistic stereotypes, which is ironic given the majority of her fans are young women!
Come on Sabrina! You can do better! 💖’
However, thinking about utopia is always complicated as Sabrina’s brand appears to some a ‘sex-positive feminism’ by apparently allowing women to be free to represent themselves and ‘feel sexy’ rather than being controlled by the rules and expectations of other people. For some this idea of sexual freedom aka ‘sex-positive feminism’ branded via an inequitable capitalistic male dominated industry and represented by an incredibly rich white woman would be a bit of a mythical representation. As while this idea of sexy feminism is promoted by the privileged few this occurs in a societal context where many feel that women’s rights are being/at risk of being eroded and women are being subjected to sexual violence on a daily basis.
I am not sure what a workshop discussion with CRI1009 students would conclude about this, but certainly there would need to be a circling back to more never- ending foundational questions about utopia: what else would exist in this feminist utopia? Whose feminist utopic vision should get priority? Would anyone be damaged in a utopic society that does promote this hyper-sexualization? If so, should this utopia prioritise individual expression or have collective responsibility? In a society without hyper-sexualisation of women would there be rule breakers, and if so, what do you do with them?
