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My favourite TV show - I am not really one for television, but I recently stumbled upon a 1960's series, called The Human Jungle, lots of criminological and psychological insight, which I adore. I also absolutely loved Gentleman Jack (broadcast on BBC1 last summer) My favourite place to go - Wherever I go the first thing I look for are art galleries, so I would have to say Tate Modern. Always something new and thought provoking, alongside the familiar and oft visited treasures My favourite city - I love cities and my favourite, above all others, is the place I was born, London. The vibrancy, the people, the places, the atmosphere....need I say more? My favourite thing to do in my free time - Read, read, read, read, read, read, read, read...... My favourite athlete/sports personality - This is tricky, sport isn't really my thing. However, I do have a secret penchant for boxing, which isn't brilliant for someone who identifies as pacifist, so I'll focus on feminism and pick Nicola Adams My favourite actor - (Getting easier) Dirk Bogarde My favourite author - (Too easy) Agatha Christie My favourite drink - Day or night? If the former, tea.... My favourite food - Chocolate, always My favourite place to eat - So many to choose from, but provided I am surrounded by people I love, with good food and drink, I'm happy I like people who - read! I don’t like it when people - claim to be gender/colour blind....sorry mate, check your privilege My favourite book - (oooh very, very tricky) Virginia Woolf's A Room of One's Own primarily because of the profound effect it had and continues to have on my understanding My favourite book character - (Easy, peasy) Hercule Poirot My favourite film - (Despite my inner feminist screaming nooooooooo) The original Alfie with its wonderful swinging sixties' vibe My favourite poem - (Decisions, decisions, so many wonderful poems to choose from) I'll plump for Hollie McNish's Mathematics My favourite artist/band - The Beatles My favourite song - (Given the previous answer) it has to be Dear Prudence My favourite art - I love art, but hands down Picasso's Guernica is my favourite piece. To stand in front of that huge painting and consider the horror of war is profound My favourite person from history - The pacifist, suffragette Sylvia Pankhurst, a beautiful example of the necessity to be confident in your own ethics and principles
So why the love of clocks, well I’m sure some of it has to do with my propensity to logic. Old clocks are mechanical, none of this new fangled electronic circuitry and consequently it is possible to see how they operate. When a clock doesn’t work, there is always some logical reason why this is so, and a logical approach needed to fix it.
This then gives me the opportunity to investigate, explore the mechanics of the clock, work out how it ought to operate and set about repairing it. In doing so I am often handling a mechanism that is over a hundred years old, in the case of my current project, nearly three hundred years old.
There is a sense of wonderment in handling all the parts. Some appear quite rudimentary and yet other parts such as the cogs are precision pieces. Many of the parts are made by hand but clearly some are made by machines albeit fairly crude ones. How the makers managed the precision required to ensure that cogs mesh freely baffles me. What is clear though is that the makers of the clocks were skilled artisans and possessed skills that I dare say have all but been lost over the years.
Messing around with clocks (I can’t say I do more than that) also allows me to delve into history. The clock I’m currently tinkering with only has an hour hand, no minute or second hand. Whilst the hours and half hours are clearly marked on the dial, where you would normally expect to see minutes, the hours are simply divided up into quarters. A bit of social history, people didn’t have a need to know minutes, they were predominantly only concerned with the hour.
My pride and joy, a grandfather clock, dates to the 1830s. When I took it apart I found several dates and a name scratched into the back of the face plate. The dates related to when it had been serviced and by whom. I was servicing a clock that had been handled by someone over a hundred and fifty years previously. I bet they weren’t standing in a nice warm house drinking a hot cup of coffee contemplating how to service the clock. We take so much for granted and I guess the clocks allow me to reflect on what it was like when they were made and how lucky we are now. Although I do also wonder whether simple notions such as not having the need to concern ourselves with every minute might not be better for the soul.
“Did you just look at me?” says Queen Anne to the footman and, as he shakes his head staring into oblivion clearly hoping this was not happening, she shouts “Look at me”. He reluctantly turns his head, looking at her in obvious discomfort when she screams “how dare you; close your eyes?” A short vignette from the television commercial advertising the award-winning film ‘The Favourite’ and very much a case of damned if you do and damned if you don’t for the poor hapless footman.
A few weeks ago, I accompanied my wife to a bear fair in London; she makes vintage bears as a hobby and occasionally takes to setting up a stall at some fair to sell them. As I sat behind the stall navel gazing and wandering what the football scores were, when I was going to get something to eat and when would be an appropriate time to go for a wander without giving off the vibe that enthusiasm was now waning, my wife said, ‘did you see that’? ‘What’ I asked peering over a number of furry Ursidae heads (I’m told they don’t bite)? ‘That woman in the orange top’ exclaimed my wife. Scouring the room for a woman that had been Tango’d, I listened to her explaining that a 30ish year old woman had just come out of the toilets wearing a bright orange top and emblazoned across her generous chest were the words ‘eye contact’. ‘I suppose it’s a good message’ said my wife as I settled back down to my navel gazing.
I thought about the incident, if you can call it that, on the way home and that was when the film trailer came to mind as a rather good analogy. I get the message, but it seems a rather odd way to go about conveying it. From a distance we are drawn to looking but then castigated for doing so. A case of look at me, why are you looking at me? And so, it seems to me that the idea behind the message is somehow diluted and even trivialised. The top is no more than a fashion item in the sense of it being a top but also in a sense of the message. The message is commercialised; I wonder whether the top was purchased because of the seriousness of the message it conveyed or because it would look good and attract attention?
I discussed this with a colleague and she brought another dimension to the discussion. Simply this, where was the top made? Quite possibly, even likely, in a sweat shop in Asia by impoverished female workers. And so, a seemingly innocent garment symbolises all the wrong things; entrapment, commercialism and inequality. I can’t help thinking on this International Women’s Day that it’s a funny old world that we live in.