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“Did you just look at me?” says Queen Anne to the footman and, as he shakes his head staring into oblivion clearly hoping this was not happening, she shouts “Look at me”. He reluctantly turns his head, looking at her in obvious discomfort when she screams “how dare you; close your eyes?” A short vignette from the television commercial advertising the award-winning film ‘The Favourite’ and very much a case of damned if you do and damned if you don’t for the poor hapless footman.
A few weeks ago, I accompanied my wife to a bear fair in London; she makes vintage bears as a hobby and occasionally takes to setting up a stall at some fair to sell them. As I sat behind the stall navel gazing and wandering what the football scores were, when I was going to get something to eat and when would be an appropriate time to go for a wander without giving off the vibe that enthusiasm was now waning, my wife said, ‘did you see that’? ‘What’ I asked peering over a number of furry Ursidae heads (I’m told they don’t bite)? ‘That woman in the orange top’ exclaimed my wife. Scouring the room for a woman that had been Tango’d, I listened to her explaining that a 30ish year old woman had just come out of the toilets wearing a bright orange top and emblazoned across her generous chest were the words ‘eye contact’. ‘I suppose it’s a good message’ said my wife as I settled back down to my navel gazing.
I thought about the incident, if you can call it that, on the way home and that was when the film trailer came to mind as a rather good analogy. I get the message, but it seems a rather odd way to go about conveying it. From a distance we are drawn to looking but then castigated for doing so. A case of look at me, why are you looking at me? And so, it seems to me that the idea behind the message is somehow diluted and even trivialised. The top is no more than a fashion item in the sense of it being a top but also in a sense of the message. The message is commercialised; I wonder whether the top was purchased because of the seriousness of the message it conveyed or because it would look good and attract attention?
I discussed this with a colleague and she brought another dimension to the discussion. Simply this, where was the top made? Quite possibly, even likely, in a sweat shop in Asia by impoverished female workers. And so, a seemingly innocent garment symbolises all the wrong things; entrapment, commercialism and inequality. I can’t help thinking on this International Women’s Day that it’s a funny old world that we live in.
In a number of blog posts colleagues and myself (New Beginnings, Modern University or New University? Waterside: What an exciting time to be a student, Park Life, The ever rolling stream rolls on), we talked about the move to a new campus and the pedagogies it will develop for staff and students. Despite being in one of the newest campuses in the country, we also deliver some of our course content in the Sessions House. This is one of the oldest and most historic buildings in town. Sometimes with students we leave the modern to take a plunge in history in a matter of hours. Traditionally the court has been used in education primarily for mooting in the study of law or for reenactment for humanities. On this occasion, criminology occupies the space for learning enhancement that shall go beyond these roles.
The Sessions House is the old court in the centre of Northampton, built 1676 following the great fire of Northampton in 1675. The building was the seat of justice for the town, where the public heard unspeakable crimes from matricide to witchcraft. Justice in the 17th century appear as a drama to be played in public, where all could hear the details of those wicked people, to be judged. Once condemned, their execution at the gallows at the back of the court completed the spectacle of justice. In criminology discourse, at the time this building was founded, Locke was writing about toleration and the constrains of earthy judges. The building for the town became the embodiment of justice and the representation of fairness. How can criminology not be part of this legacy?
There were some of the reasons why we have made this connection with the past but sometimes these connections may not be so apparent or clear. It was in one of those sessions that I began to think of the importance of what we do. This is not just a space; it is a connection to the past that contains part of the history of what we now recognise as criminology. The witch trials of Northampton, among other lessons they can demonstrate, show a society suspicious of those women who are visible. Something that four centuries after we still struggle with, if we were to observe for example the #metoo movement. Furthermore, from the historic trials on those who murdered their partners we can now gain a new understanding, in a room full of students, instead of judges debating the merits of punishment and the boundaries of sentencing.
These are some of the reasons that will take this historic building forward and project it forward reclaiming it for what it was intended to be. A courthouse is a place of arbitration and debate. In the world of pedagogy knowledge is constant and ever evolving but knowing one’s roots allows the exploration of the subject to be anchored in a way that one can identify how debates and issues evolve in the discipline. Academic work can be solitary work, long hours of reading and assignment preparation, but it can also be demonstrative. In this case we a group (or maybe a gang) of criminologists explore how justice and penal policy changes so sitting at the green leather seats of courtroom, whilst tapping notes on a tablet. We are delighted to reclaim this space so that the criminologists of the future to figure out many ethical dilemmas some of whom once may have occupied the mind of the bench and formed legal precedent. History has a lot to teach us and we can project this into the future as new theoretical conventions are to emerge.
Locke J, (1689), A letter Concerning Toleration, assessed 01/11/18 https://en.wikisource.org/wiki/A_Letter_Concerning_Toleration
Angela Packwood is the Subject Leader for Criminology and Criminal Justice
When I suggested writing for this blog to certain colleagues I was told that this topic would be of no interest and nobody would read it as it is not relevant. I consider the topic very relevant to me and to every woman. The term used is ‘women of a certain age’ (I hate the expression) to explain the menopause.
I am a 55-year-old woman who is going through the menopause and I make no apologies as there is nothing I can do about it. There is acceptance of women starting their periods and the advertisements for period poverty. There are extensive adverts, promotions, books all on pregnancy but very little about the menopause. At last, just this evening, I have seen an advert by Jenny Éclair on TV about a product for one symptom of the menopause. I fail to understand why this subject is not discussed more openly?
Having reached the menopause, I can honestly say this is the worst I have ever felt both emotionally and physically. The brain fog, not being able to put a sentence together sometimes, clumsiness, the lack of sleep, loss of confidence, weight gain; aching limbs. The list goes on. I know that each woman is different, and their body responds differently so I speak for me. I know that I am not alone though just by the conversations I have with other women and on the menopause chat room.
In accepting my situation and desperately trying to work through these symptoms I reflect on an incident where my mother was arrested for shoplifting. She would have been my age at the time. I was so angry at her as I was a serving police officer and I was so embarrassed. I never tried to understand why she did it. Did the menopause contribute to the theft of cushion covers she did not need? To this day we have never spoken about the incident and never will.
Also, my thoughts around this situation extends to the research I am conducting around the treatment of transgender people in prison. Researching the prison estate, I find that the prison population is getting older and the policies link to women in prison, catering for women and babies, addictions, mental health etc but there is no mention of older women going through the menopause?
I served in the police at a time when women were not equal to men and I would never have raised, and written this blog entry exposing ‘weaknesses’. To write this is progress for me and I can even see that the police are addressing the issues of the menopause through conversations, presentations and support groups. They have come a long way. All family, friends, colleagues and employers need to try and understand this debilitating change in life for us ‘women of a certain age’.
Jessica is an Associate Lecturer teaching modules in the first year.
Unlike the episode from Family Guy, which sees the main character Peter Griffin present a segment on the Quahog news regarding perhaps ‘trivial’ issues which really grind his gears, I would hope that what grinds my gears is also irritating and frustrating for others.
What really grinds my gears is the portrayal of women without children being pitied in the media. Take a recent example of Jennifer Aniston who has (relatively recently) split from her partner. The coverage appears to be (and this is just my interpretation) very pitiful around how Jennifer does not have any children; and this is a shame. Is it? Has anyone bothered to ask Jennifer if she feels this is a shame? Is this something Jennifer feels is missing from her life? Who knows: It might be the case. But the issue that I have, and ultimately what really grinds my gears, is this assumption that as a woman you are expected to want and to eventually have children.
There are lots of arguments around how society is making progress (I’ll leave it amongst yourselves to argue if this is accurate or not, and if so to what extent), however is it in this context? If women are still pressured by the media, family and friends to conform to the gendered stereotype of women as mothers, has society made progress? I am not for one minute saying that women shouldn’t be mothers, or that all women should be mothers; what I am annoyed about is this apparent assumption that all women want to be mothers and more harmful, the ignorant assumption that all women can be mothers.
It really grinds my gears that it still appears to be the case that women are not ‘doing gender’ correctly if they are not mothers, or if they do not want to be mothers. Families and friends seem to assume that having a family is what everyone wants and strives to achieve, therefore not doing this results in some form of failure. How is this fair? The human body is complex (not that I have any real knowledge in this area), imagine the impact you are having on women assuming they want and will have a family, if biologically, and potentially financially, having one is difficult for them to do? Is it not rude that you are assuming that women want children because their biology allows them the potential to have them?
In answer to the last question: Yes! I think it is rude, wrong and ultimately irritating that it is assumed that all women want children and them not having them somehow means their life has missed something. As with all lifestyle choices and decisions, not every lifestyle is for everyone. Therefore I would greatly appreciate it if society acknowledged that women not wanting or having children does not mean that they have accomplished less in life in comparison to those who have children, it just means they have made different choices and walked different paths.
For me, this just highlights how far we still have to go to eradicate gender stereotypes; that is, if we even can?
Charlotte Dann is a psychology lecturer in the Faculty of Health and Society, researching women’s tattooed bodies. You can find out more and get in touch via Twitter – @CharlotteJD
Whenever I discuss my tattoo research, I always frame it historically, because I think it’s important to consider how we have come to the point we are at with how tattoos are perceived and understood. And you know, it’s good for a laugh.
In the late 1800s, Lombroso researched deviancy and criminality, and as part of this, came to the conclusion that people who had tattoos were criminals and prostitutes. However, this research was conducted on – you guessed it – criminals and prostitutes. Despite the poor correlation that was presented, his research was influential in how we perceive deviancy and deviant bodies, to the point that those negative connotations towards tattooed bodies still ring true today. Tattoos may be ever rising in popularity (figures indicated one in five has a tattoo, and the number of studios rose by around 170% in the last decade in the UK), but tattooed bodies can still be found to be associated with deviancy.
Let’s consider the influence of the media in this. Over the past few years, there has been a flurry of articles that express shock for the fact that ‘normal’ people are getting tattoos, and why tattoos are becoming more popular for women. It only takes a quick gander at the comments left on these articles to see that public opinion hasn’t changed that much, and that these articles perpetuate negative perceptions about tattoos (i.e. they’re not meant for ‘normal’ people). Newspaper articles such as this often make reference to the ‘normal’ people who are now adorning their bodies – normal being white, middle-class, ‘respectable’ people. The narrative of such newspaper articles often seems to rely on a discourse that positions tattooing as the proper domain of ‘the other’, associated with deviant, problematised, and generally male bodies. Newspaper articles often reflect a certain moral panic about the rise of tattoos among so called ‘normal’ people, whilst at the same time, normalise the practice of tattooing itself.
The media does not do a good job in quelling negative connotations regarding tattooed people, as they tend to focus more on the extremes – the eye-catching headlines, the things that make you wince and tut, not the everyday person who is tattooed. In recent years, newspapers have reported on tattooed teachers as being ‘inappropriate’ for children, on young adults who get cheap ‘joke’ tattoos on holidays in Magaluf, and present morality tales such as those who regret their tattoo choices. In addition, they also frame our understandings of ‘who’ this ‘normal’ tattooed person is (look – even Samantha Cameron and David Dimbleby have them!)
I think what we need to do is question the idea of what a ‘normal’ body is, and really think about the assumptions we make about that body based on frankly outdated perceptions. There is no longer one particular type of person who is tattooed – the availability and accessibility of tattoo studios, designs, and techniques, has meant that you cannot stereotype all tattooed people as one homogenous group.