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Summer is here and as we try to destress from another annus horribilis …let us play a game. This is one of the mental games we play in a way to understand a discipline shrouded in mystery and speculation. You will need no pen, nor paper, just your imagination and a few minutes.
Clear you mind, isolate your thoughts and give yourself 5 minutes of time to complete. It is all about your imagination.
Think of a criminal. Try to think of their face first. What do they look like? Imagine their face, their eyes, the nose and the cheekbones. Hair colour and style. How’s the neck, the body type, the hands, the legs. Can you tell their gender, age and their race? Any other features? What are they wearing?
Now try to keep that image in your mind. You have conjured your criminal and you ought to give them a crime. What crime has this person committed? Was it their first crime or have they done the same crime before? What made them do the crime(s) they did?
How do you feel about them? What do you wish to be done about them? What is your solution to your imaginary villain? Do you think there are others like them, or was this the one that once removed from your imagination will become unable to generate more images?
Our mind is truly wonderous. It can conjure all sorts of images and for those of you, who, managed to engage and to get through the questions and to develop your criminal, well done.
This approach was used when investigators tried to help people to recall events following a crime, usually involving violence. The questions are reasonable, and it allowed you, at least those who tried, to form an image and a backstory. This approach was later discredited, purely because it allowed our stereotypes and prejudices to come to the surface. You see this game is not about crime; it is about your perception of crime. It is not about those who do crime, it is simply about you.
Bring back to mind your criminal. Your details and characteristics are the projections that you make on what you think about the other, the criminal. For example, did you think of yourself when asked to imagine a criminal? What you don’t think you are a criminal? Ah, you are one of those who think they have never committed a crime. Ever! Are you sure? Not even drinking in the park in your teen years, or a little bit of speeding away from speed cameras?
Still you do not consider yourself as a criminal, but as a person. Which is why criminality takes such a hold of people’s imagination. Criminals are always other people. Crime is something unthinkable. Our representation of crime is to evoke our fears and insecurities, as when we were kids entering a dark room. The mind is truly wonderous, but it can also make us imagine the most horrible things. Not that horrible things do not happen, but the mind reinforces what it hears, what is sees and what it experiences. If any of you have experienced crime before, the face of the person who victimised you may become traumatically etched in your consciousness. Part of that trauma will become fear; it is interesting to note that similar fear is experienced from those who have never been victims of crime.
Previously, I mentioned investigative processes. Our fear of crime and our desire to control crime has generated a number of approaches in crime investigation that have tried to unmask the criminal. Unfortunately, many of those were based on imagination rather than fact. Why? Because of how we feel about crime. Crime causes harm and pain and invokes a lot of our emotions. Those emotions when tapped by investigators blind us and release our darker stereotypes about the others!
As you know from our last #CriminologyBookClub entry a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Building on on what has quickly become standard practice, we’ve decided to continue with all seven bloggers contributing! Our latest book was chosen by all of us (unanimously) after we fell in love with the first instalment. Without more ado, let’s see why we all adore Inspector Chopra (retired) et al.:
What a great read! I was extremely excited to read another book in the Baby Ganesh Agency Series and once again I was not disappointed. There was more mystery, a rich subplot and of course my favourite baby elephant. Vaseem, charmingly immerses the reader into the colourful and picturesque Grand Raj Palace. The way the book is written sets your mind up as though you are watching a film. The story allows you to escape from the uncertainty and mundane realities of life. Which is always welcome! And thrusts you into a mystery within a mystery. I would advise any reader that is interested in reading the series to definitely consider starting at the beginning, with the Unexpected Inheritance of Inspector Chopra. Although the stories do not pick up from each other, you definitely get an appreciation for the characters as they grow and change throughout the series. I liked the way Poppy is taken out of her supporting character role and is put centre stage, while investigating her own mystery. With laugh out loud humour, dark revenge and whacky characters, this is a book that will entertain you from start to finish.@svr2727
In this instalment of the baby Ganesh Agency investigates a homicide of a very important person in a very important hotel. Inspector Chopra (retired) is on the case with his very unusual sidekick, investigating the world of corporations, big business and luxury. In the meantime, the Chopra universe is expanding and the characters are becoming more intricate and multifaceted. The household, now apart from the striking tenacious baby elephant, has little Irfan a child Chopra and his wife Poppy so desperately wanted. The story takes us through a different world paying homage to some corporate crimes that made it to the news. The conclusion of the drama is a reveal of whodunit in a very classic revelation scene. One thing you are left wondering, what will happen when the baby elephant grows to his full size?@manosdaskalou
So far I have loved each of the Baby Ganesh Agency books. They have brightened my day and taken my attention away from life in a pandemic. As ever, with @vaseemk2’s series, you get the heat, the smells, the tastes, the views of India, attacking your senses. In this book, there is a striking contrast between light and dark in the cases resolved by Inspector Chopra (Rtd) and the wonderful Poppy. For me, the exploration of institutional violence caught my attention, the parallels to the Bhopal disaster, drawn clear and bright. Even in fictionalised form, institutional violence takes your breath away in the harm perpetuated and the complete absence of official interest. Lives lost without remark, without empathy. Without giving away any spoilers, equally striking was the almost Agatha Christie-like sleight of hand, where readers are encouraged to embrace their prejudices, only to have them destroyed with the denouement. At this point, I have the 5th book in hand and whilst I am excited to get started, I am also seriously worried. I really don’t want this series and its wonderful characters to come to an end….@paulaabowles
Murder at the Grand Raj Palace was by far my favourite of the Baby Ganesh Agency novels! I particularly enjoyed the closeness of both cases, the uncomfortableness of Chopra in the presence of a beautiful woman who was not his wife, and Poppy’s strong and independent, yet interconnected, storyline. The twist on who committed the murder at the Grand Raj Palace, and why: I can honestly say I did not see coming! Without trying to give too much away: it is a must read which entwines themes of justice, family and social ills! Inspector Chopra does not disappoint: YET AGAIN!@jesjames50
What is there to say about this series that we haven’t already? I love these books! They are vibrant and colourful and genuinely immerse you in another place with characters that feel like old friends now. The fourth book was possibly my favourite of the series so far: the setting of the Grand Raj Hotel, the monkey movie star’s assaults on Ganesha, spending more time with Poppy as she solves a mystery of her own, Chopra’s uncompromising resolve to crack the case and his grand unmasking of the criminal at the end. I didn’t want it to be over – bring on book 5!@saffrongarside
This book includes my favourite sub-plot of the Chopra series so far. Poppy herself plays detective! I thought that it was great that the sub-plot and the main plot were based within the same setting, this made the book seem action-packed. Usually with the Chopra books I enjoy reading at a steady pace but I found this book difficult to put down, and this is not a bad thing. Sometimes when I read books I am disappointed by the ending, with this Chopra series this has not happened yet. Perhaps this is why these books are so pleasing to read. I was very pleased with what happened at the end with the women in red.@haleysread
As the newest member of book club, I had missed out on the previous books in the Chopra series. Although the book is part of a series, I never felt as though I had missed anything or that I needed to catch up. I immediately liked the characters, particularly Poppy and the baby elephant, Ganesha. I identified with Poppy as a strong woman and Ganesha, despite being an elephant has the personality of a human. Secondly, I enjoyed the way in which the author wrote about India and how his fictional version reflected reality. Having been to India I was instantly reminded of the sights, sounds and smells. Members of the royal families and the fuss around the wedding recalled memories of my sister’s Indian wedding. Indeed, it was Poppy’s investigation which engaged my attention more than the murder. In the end, I was more concerned with the whereabouts of the bride than I was the uncovering of the murderer. This was a joy to read during the Christmas after a frantic first term of lecturing in the pandemic. I have already made a start on the final Chopra episode but I will definitely return to the first few books.@amycortvriend
In November 2016, I had an idea that the Criminology team should create and maintain a blog. To that end I set up this account, put out a welcome message and then life (and Christmas, 2016) got in the way…. To cut a long story short, @manosdaskalou, @5teveh and I decided we’d give it a go, and on the 3 March 2017, @manosdaskalou broke our duck with the first post. This, of course, means we are celebrating the blog’s 4th birthday and it seems timely to reflect both on the blog and the (painful) art of writing.
Since that early foray the blog has published almost 500 times and has been read by almost 23,000 people from across the globe. As you can see from the map below, we still have a few areas of the globe to reach, so if you have contacts, be sure to let them know about us 🙂
To date, our most read individual entry comes from a current student @zeechee, followed closely behind by one of @manosdaskalou‘s contributions and then one from @treventoursu. But of course, the most popular page of all is the front page where the most current entries are. That’s not to say that some entries don’t crop up again and again, for instance @manosdaskalou‘s most popular entry went live in May 2017, @zeechee‘s in January 2020 and @treventoursu‘s in February 2020. Sometimes these things take time to find their audience, but it shows you can’t hide excellent writing and content finds a way through.
Over the past 4 years we have had contributions from a wide range of people, some have contributed just one or two, others more frequently and the three founding members (once started) have never stopped blogging. During this time, bloggers have covered an enormous range of different topics, some with more frequency than others. Of course, this year much of the content, whether intended or not, has had connections to the ongoing global pandemic. The blog for both writers and readers has offered some distraction, even if only 5 minutes escape whilst waiting for the kettle to boil, from the devastation wrought by Covid-19.
All of the above gives us much to celebrate, not least our stamina and perseverance, but says nothing about the art of writing which I’d like to reflect on now. By the time it’s live on the blog, the process is forgotten, until the next entry becomes due. For some people writing comes easily, for me, it doesn’t. I find all kinds of writing painful and often like pulling teeth. I know what I want to say, I have a reasonable vocabulary, knowledge of my discipline and a keen eye on current affairs. All of this is true until I start the writing process….
Some of my reluctance relates to my individual personality, some to my social class and some to my gender. It is probably the latter two which create the highest barriers and I find myself in a spiral or internalised argument around who would want to read this, why should they, everyone knows this and on and on ad nauseum until I either write the sodding thing or very rarely, give up in disgust at my own ineptitude. I know this is irrational and I know that I have written many thousands of words in my lifetime, most largely forgotten in the fog of time, but still, every time the barriers shoot up. What makes it worse is that I can generally fulfil what ever writing brief I am confronted with, but only after a gargantuan battle of wills with myself.
Despite this a couple of things have helped considerably. The first is a talk originally give by Virginia Woolf in 1931. In this very short piece, entitled ‘Professions for Women’, Woolf details similar struggles, much more eruditely than I have, in relation to writing as a women.
The obstacles against her are still immensely powerful—and yet they are very difficult to define. Outwardly, what is simpler than to write books? Outwardly, what obstacles are there for a woman rather than for a man? Inwardly, I think, the case is very different; she has still many ghosts to fight, many prejudices to overcome. Indeed it will be a long time still, I think, before a woman can sit down to write a book without finding a phantom to be slain, a rock to be dashed against.Woolf, 1931
She also names the internal conflict the ‘Angel in the House’. For Woolf, this creature has to be murdered in order for the female writer to make progress. For someone, like me committed to non-violence/pacifism, killing, even of an imaginary creature, is challenging, so instead I get in a few nudges, make my ‘angel’ agree to be quiet, even if only for a short time. As Woolf alludes, some days this works well, other times not so much, acknowledging that even when dead, the angel continues to undermine. Nevertheless this short essay helped me to understand that my so-called foibles were actually shared by other women and were formed during our socialisation. Because of this, I have regularly recommended to female students that they have a read and see if it helps them too.
The other thing that has really helped is the blog. The commitment to write regularly, to a deadline, has helped considerably. Although I know that I’m part of a team equally committed to the success of the blog, makes a difference. It ensures accountability. Of course, I could call on anyone of my colleagues to cover my slot, but I would be doing that knowing that I am adding to another person’s workload. Alternatively, I could opt not to write and leave a gapping hole on the blog that day/week, but again that would be letting down everyone on the blogging team, we all have a part to play. So sometimes reluctantly, other times with anger, still more times with passion, the words eventually come. I cannot speak for my fellow bloggers but I can say with some certainty blogging has done wonders for me in terms of accountability, not to mention the pleasure of working with a group of interesting and exciting writers on a regular basis.
Why not join us?
When I think back to thinking about choosing a degree, way back when, I remember thinking Criminology would be a good choice because it is specific in terms of a field: mainly the Criminal Justice System (CJS). I remember, naively, thinking once I achieved my degree I could go into the Police (a view I quickly abandoned after my first year of studies), then I thought I could be involved in the Youth Justice System in some capacity (again a position abandoned but this time after year 2). And in third year I remember talking to my partner about the possibility of working in prisons: Crime and Punishment, and Violence: from domestic to institutional (both year 3 modules) kicked that idea to the curb! I remember originally thinking Criminology was quite narrow and specific in terms of its focus and range: and oh my was I wrong!
Whilst the skills acquired through any degree transcend to a number of career paths, what I find most satisfying about Criminology, is how it infiltrates everything! A recent example to prove my point which on the outside may have nothing to do with Criminology, when in actual fact it could be argued it has criminological concepts and ideas at its heart is the 2015 film: Jurassic World. It is no secret that I am a huge lover of Crichton novels but also dinosaurs. But what I hope to illustrate is how this film is excellent, not just in relation to dinosaur content: but also in relation to one of my interests in Criminology.
Jurassic World, for those of you who have not had the pleasure of viewing, focuses on the re-creation of a Jurassic Park, sporting new attractions, rides and dinosaurs in line with the 21st century. The Indominus Rex is a genetically modified hybrid which is ‘cooked-up’ in the lab, and is the focus of this film. Long story short, she escapes, hunts dinosaurs and people for sport, and is finally killed by a joint effort from the Tyrannosaurus, Blue the Velociraptor and the Mosasaurus: YAY! But what is particularly Criminological, in my humble opinion, is the focus and issues associated with the Indominus Rex being raised in isolation with no companionship in a steeled cage. Realistically, she lives her whole life in solitary confinement, and the rangers, scientists and management are then shocked that she has 0 social skills, and goes on a hunting spree. She is portrayed in the film as a villain of sorts, but is she really?
Recently in Violence: from domestic to institutional, we looked at the dangers and harms of placing individuals in solitary confinement or segregation. Jurassic World demonstrates this: albeit with a hybrid dinosaur which is fictitious. The dangers, and behaviours associated with the Indominus Rex are symbolic to the harms caused when we place individuals in prison. The space is too small, there is no interaction, empathy or relationships formed with the dinosaur apart from with the machine that feeds it. The same issues exist when we look at the prison system and it raises questions around why society is shocked when individuals re-offend. The Indominus Rex is a product of her surroundings and lack of relationships: there are some problematic genes thrown in there too but we shall leave that to one side for now.
There are a number of criminological issues evident in Jurassic World, (have a watch and see) and all of the Jurassic Park movies. Criminology is everywhere: in obvious forms and not so obvious forms. The issues with the prison system, segregation specifically, transcend to schools and hospitals, society in general and to dinosaurs in a fictional movie. Criminology, and with it critical thinking, is everywhere: even in the Lego Movie where everything is awesome! Conformity and deviance wrapped up in colourful bricks and catchy tunes: have a watch and see…