My favourite TV show - I am not really one for television, but I recently stumbled upon a 1960's series, called The Human Jungle, lots of criminological and psychological insight, which I adore. I also absolutely loved Gentleman Jack (broadcast on BBC1 last summer) My favourite place to go - Wherever I go the first thing I look for are art galleries, so I would have to say Tate Modern. Always something new and thought provoking, alongside the familiar and oft visited treasures My favourite city - I love cities and my favourite, above all others, is the place I was born, London. The vibrancy, the people, the places, the atmosphere....need I say more? My favourite thing to do in my free time - Read, read, read, read, read, read, read, read...... My favourite athlete/sports personality - This is tricky, sport isn't really my thing. However, I do have a secret penchant for boxing, which isn't brilliant for someone who identifies as pacifist, so I'll focus on feminism and pick Nicola Adams My favourite actor - (Getting easier) Dirk Bogarde My favourite author - (Too easy) Agatha Christie My favourite drink - Day or night? If the former, tea.... My favourite food - Chocolate, always My favourite place to eat - So many to choose from, but provided I am surrounded by people I love, with good food and drink, I'm happy I like people who - read! I don’t like it when people - claim to be gender/colour blind....sorry mate, check your privilege My favourite book - (oooh very, very tricky) Virginia Woolf's A Room of One's Own primarily because of the profound effect it had and continues to have on my understanding My favourite book character - (Easy, peasy) Hercule Poirot My favourite film - (Despite my inner feminist screaming nooooooooo) The original Alfie with its wonderful swinging sixties' vibe My favourite poem - (Decisions, decisions, so many wonderful poems to choose from) I'll plump for Hollie McNish's Mathematics My favourite artist/band - The Beatles My favourite song - (Given the previous answer) it has to be Dear Prudence My favourite art - I love art, but hands down Picasso's Guernica is my favourite piece. To stand in front of that huge painting and consider the horror of war is profound My favourite person from history - The pacifist, suffragette Sylvia Pankhurst, a beautiful example of the necessity to be confident in your own ethics and principles
Exciting news! I’m thrilled to reveal that Agatha Christie Goes to War, a book of essays I
co-edited with Dr Rebecca Mills, has been
published by Routledge. You can get it in hardback or e-book form, for your library or yourself. My author copies arrived last week, and they’re quite a thing to behold.
Agatha Christie has never been substantially considered as a war writer, even though war is a constant presence in her writing. This interdisciplinary collection of essays considers the effects of these conflicts on the social and psychological textures of Christie’s detective fiction and other writings, demonstrating not only Christie’s textual navigation of her contemporary surroundings and politics, but also the value of her voice as a popular fiction writer reflecting popular concerns. Agatha Christie Goes to War introduces the ‘Queen of Crime’ as an essential voice in the discussion of war, warfare, and twentieth century…
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For most of my life, I have been an avid reader of all types of books. As my family will confirm, from childhood, I was never without a book. As an adult, I have regularly selected coats with large pockets and bags purely on the basis that they can hold a book. As many students will attest, my answer to most academic questions is “read, read and read some more”. Despite the growth of the internet and other media, which as @drkukustr8talk has noted recently, diverts and subverts our attention and concentration, reading remains my first and truest love.
This, my third ‘Love Letter’, focuses on my favourite author, above all others, Agatha Christie. I have previously dedicated ‘Love Letters’ to poetry, and art. Both of these forms took a long time for me to develop my understanding of and my love for. This ‘Love Letter’ is slightly different.
I first discovered Christie’s novels when I was about 12, since then they have formed a regular backdrop to my life. They act as a comfort blanket when I am tired, stressed, sad or away from home. I have read and reread everything she wrote and know the stories inside and out. Despite my decades of adoration, it remains challenging to know exactly what it is that appeals to me so much about Christie’s novels.
Perhaps it is the symmetry, the fact that for Christie every crime has a solution. Conceivably, given my pacifist tendencies, it could be the absence of explicit violence within her books. Maybe it’s Christie use of stereotypical characters, who turn out to be anything but. You don’t have to look very far to find the oh-so suspicious foreigner, who turns out to be a caring father (Dr Jacob Tanois) or the shell-shocked former military man trained in violence, who metamorphosises into a rather lonely man, who suffers from epilepsy (Alexander Cust). In all these cases, and many others, Christie plays with the reader’s prejudices, whatever they might be, and with deft sleight of hand, reveals that bias as unfounded.
To be honest, until relatively recently, I did not think much about the above, reading Christie was so much part of my life, that I took it very much for granted. All that changed in 2017, when I spotted a ‘Call for Chapters’
It seemed too good an opportunity to miss, after all I had spent a lifetime reading Christie, not to mention a decade studying war and crime. After all, what did I have to lose? I submitted an abstract, with no real expectation that someone who had never studied fiction academically, would be accepted for the volume. After all, who would expect a criminologist to be interested in the fictional writing of a woman who had died over 40 years ago? What could criminology learn from the “golden age” of “whodunnit” fiction?
Much to my surprise the abstract was accepted and I was invited to contribute a chapter. The writing came surprisingly easy, one of very few pieces of writing that I have ever done without angst. Once I got over the hurdle of forcing myself to send my writing to strangers (thank you @manosdaskalou for the positive reassurance and gentle coercion!) , what followed was a thoroughly pleasant experience. From the guidance of the volume’s editors , Drs J. C. Bernthal and Rebecca Mills, to the support from many colleagues, not mention the patience of Michelle (Academic Librarian) who patiently held restrained from strangling me whilst trying to teach me the complexities of MLA. Each of these people gave me confidence that I had something different to say, that my thinking and writing was good enough.
Last week, my copy of the book arrived. It was very strange to see my chapter in print, complete with my name and a brief biography. Even more surreal was to read the editors’ introduction and to see my work described therein, with its contribution to the volume identified. I doubt many people will ever read my chapter, it is published in a very expensive academic book destined for academics and libraries. Nevertheless, I have left the tiniest of marks in academic literature and perhaps more importantly, publicly acknowledged my love for the writing of Agatha Christie.
The finished article:
Bowles, Paula, (2020), ‘Christie’s Wartime Hero: Peacetime Killer’ in Rebecca Mills and J. C. Bernthal, Agatha Christie Goes to War, (Abingdon: Routledge): 28-45
I lead a module (CRI3003) which centres on institutional violence. Based on pacifist, feminist and zemiological principles, the module focuses on several institutions including social services, the police, prison and the military. The module is discussion based and seeks to understand the complexity of institutions, identifying recurring themes across a variety of different violences through the critical analysis of official inquiries. Through engagement all participants are challenged to disrupt everyday narratives around such processes.
Garver insists that violence ‘occurs in several markedly different forms, and can be usefully classified into four different kinds based on two criteria, whether the violence is personal or institutionalised, or whether the violence is overt or covert and quiet’ (1968: 257). His definition offers a road map for understanding a variety of violences, allowing scholars to navigate their way through extreme complexity.
This week saw the publication of phase one of the Grenfell Inquiry (Moore-Bick, 2019). The subject of much conjecture (and some leaks), the report runs to four volumes and c. 900 words. As with many reports of this type, there is the combination of the procedural and the extremely personal. At times, it makes for harrowing reading, at others, it reads like a technical manual. Nevertheless, its publication is a landmark for all involved and offers some potential answers for the traumatised survivors, families, fire fighters and others.
Although, phase 2 of the Grenfell Inquiry is not due to begin until early 2020, it is evident that some early conclusions and recommendations have been reached. Some of these centre of London Fire Brigade [LFB] and particularly, the judgement of their commissioner, Dany Cotton. Such an approach is typical of inquiries into crime, drilling down to analyse individual decisions and behaviours, cause and effect. If an individual had walked down from the top floor of Grenfell tower, pouring petrol outside every flat, and then lit a flame, such processes would be part and parcel of any investigation. However, the disaster at Grenfell tower cannot be answered through individual blame and naming and shaming.
It is important to note that the men and women that make up London Fire Brigade did not:
- start the fire
- did not manufacture the fridge-freezer which is believed to have started the fire
- were not responsible for sourcing, supplying or fitting the cladding
- have any input in the business decision(s) that led to choosing that cladding
- have any say in political decisions to embrace the ideology of “austerity” which included reducing safety checks on manufacturing, trading standard officers, fire officers, fire appliances and closing fire stations
All of the evidence to date indicates that the disaster at Grenfell was not unexpected. With the benefit of hindsight, it is clear that there were many warning signs, repeated concerns amid a general feeling that some people matter more than others, that some people are less worthy of consideration, that some people deserve to live in safe housing. Furthermore, discussions in the UK focus on the need to support businesses, not ever acknowledging that business and countries are comprised of people. Until official inquiries have terms of references which allow them to focus on the lived experience in all its complexity, any conclusions can only be partial. Additionally, any recommendations are incomplete.
While, as a society we continue to treat people as commodities, a “human resource”, with no worth beyond their economic value, we ensure that horrific disasters such as the fire at Grenfell Tower (to name but one of many) continue to happen. We can also expect many more official inquiries which never quite explain what those affected need to know. We can continue our handwringing, the oft-repeated mantra of “never again”, spending vast amounts of money in attempts to apportion blame, costs that can, as in the case of the Grenfell Inquiry, far surpass the original money saving. Or we can begin to respect the dignity of humanity, regardless of where we are born, our income or the amount of money we’ve stockpiled in the bank.
It seems apt to close with the words of Dr Martin Luther King, Jr
An individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of all humanity (1959: 25)
Curtin, Deane and Litke Robert, (1999b) ‘Preface’ in Deane Curtin and Robert Litke, (Eds), Institutional Violence, (Amsterdam: Rodopi): xi-xv
Garver, Newton, (1968), ‘What Violence Is’ in A. K. Bierman and James A. Gould, (1973), Philosophy for a New Generation, (New York: MacMillan): 256-66
King Jr, Martin Luther, (1959), The Measure of a Man, (Philadelphia: Christian Education Press)
Moore-Bick, Martin, (2019), Grenfell Tower Inquiry: Phase 1 Report: Report of the Public Inquiry into the Fire at Grenfell Tower on 14 June 2017, (London: The Stationery Office), [online]. Available from: https://www.grenfelltowerinquiry.org.uk/phase-1-report [Last accessed 2 November 2019]