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Learning and teaching is a complex business, difficult to describe even by those in the process of either/or both. Pedagogy, as defined by Lexico is ‘[t]he method and practice of teaching, especially as an academic subject or theoretical concept’. It underpins all teaching activity and despite the seemingly straightforward definition, is a complex business. At university, there are a variety of pedagogies both across and within disciplines. How to teach, is as much of a hot topic, as what to teach and the methods and practices are varied.
So how would you feel if I said I wanted Criminology students to quake in their boots at the prospect of missing classes? Or “literally feel terror” at the thought of failing to do their reading or not submitting an assessment? Would you see this as a positive attempt to motivate an eager learner? A reaction to getting the best out of lazy or recalcitrant students? A way of instilling discipline, keeping them on the straight and narrow on the road to achieving success? After all, if the grades are good then everything must be okay? Furthermore, given many Criminology graduate go on to careers within Foucault’s ‘disciplinary society’ maybe it would be useful to give them a taste of what’s to come for the people they deal with (1977: 209).
Hopefully, you are aghast that I would even consider such an approach (I promise, I’m definitely not) and you’ve already thought of strong, considered arguments as to why this would be a very bad idea Yet, last week the new Home Secretary, Pritti Patel stated that she wanted people to “literally feel terror” at the prospect of becoming involved in crime. Although presented as a novel policy, many will recognise this approach as firmly rooted in ideas from the Classical School of Criminology. Based on the concepts of certainty, celerity and severity, these ideas sought to move away from barbaric notions and practices to a more sophisticated understanding of crime and punishment.
Deterrence (at the heart of Classical School thought) can be general or specific; focused on society or individuals. Patel appears to be directing her focus on the latter, suggesting that feelings of “terror” will deter individuals from committing crime. Certainly, one of the classical school’s primary texts, On Crime and Punishment addresses this issue:
‘What is the political intention of punishments? To terrify, and to be an example to others. Is this intention answered, by thus privately torturing the guilty and the innocent?’(Beccaria, 1778: 64)
So, let’s think through this idea of terrorising people away from crime, could it work? As I’ve argued before if your crime is a matter of conscience it is highly unlikely to work (think Conscientious Objectors, Suffragettes, some terrorists). If it is a crime of necessity, stealing to feed yourself or your family, it is also unlikely to succeed, certainly the choice between starvation and crime is terrifying already. What about children testing boundaries with peers, can they really think through all the consequences of actions, research suggests that may not be case (Rutherford, 1986/2002). Other scenarios could include those under the influence of alcohol/drugs and mental health illnesses, both of which may have an impact on individual ability to think through problems and solutions. All in all, it seems not everyone can be deterred and furthermore, not all crimes are deterrable (Jacobs, 2010). So much for the Home Secretary’s grand solution to crime.
As Drillminister demonstrates to powerful effect, violent language is contextual (see @sineqd‘s discussion here). Whilst threats to kill are perceived as violence when uttered by young, black men in hoods, in the mouths of politicians they apparently lose their viciousness. What should we then make of Pritti Patel’s threats to make citizens “literally feel terror”?
Beccaria, Cesare, (1778), An Essay on Crimes and Punishments, (Edinburgh: Alexander Donaldson), [online]. Available from: https://archive.org/details/essayoncrimespu00Becc/page/n3
Foucault, Michel, (1977), Discipline and Punish: The Birth of the Prison, tr. from the French by Alan Sheridan, (London: Penguin Books)
Jacobs, Bruce A., (2010), ‘Deterrence and Deterrability’, Criminology, 48, 2: 417-441
Rutherford, Andrew, (1986/2002), Growing Out of Crime: The New Era, (Winchester: Waterside Press)
Avoid loud and aggressive persons,
they are vexations to the spirit.
If you compare yourself with others,
you may become vain and bitter;
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans
(Max Ehrmann, 1927)
Last week marked International Poetry Day (21 March 2019, to be precise) and it seems only right to consider this form of narrative in more detail. When I was younger (so much younger than today)[i] poetry left me rather cold. Why read short, seemingly impenetrable bursts of language when you could read whole books? To me, it seemed as if poetry was simply lyrics that no-one had got around to putting music to.[ii] Looking back, this may have been the folly of youth, alternatively, I simply was unable at that time to see the value, the beauty of poetry, both written and spoken.
Poetry isn’t meant to be consumed whole, like fast food to be gobbled in between anything and everything else, fuel to get you through the day. Neither is it like googling facts, just enough to enable you to know what you need to know at that instant. Instead, it’s meant to be savoured, to stay with you; like many good things in life, it takes time to ponder and digest. In turn, it takes on its own distinct and entirely personal meaning. It offers the opportunity for all of us, individually, to reflect, ruminate and interpret, at our own pace, according to our own place in time and space. The extract which opens this entry comes from Desiderata which carries particular resonance for me and my academic journey. It may or may not do the same for you, but it’s worth having a look at the entirety of the text, just in case.
An obvious criminological place to start to explore poetry, was always a favourite. Long before I discovered criminology, I discovered the work of Oscar Wilde (1854-1900). Starting with his novels, it wasn’t long before I stumbled upon his Ballad of Reading Gaol. With its haunting refrain; ‘each man kills the thing he loves’ it is difficult not to captured by its innate melody, as well as the story of the murderous soldier. After studying criminology and spending time in prison (albeit not serving a sentence), the verses take on a different dimension. It is difficult not to be moved by his description of the horror of the prison, even more so, given his practical experience of surviving in this hostile and unforgiving environment:
With sudden shock the prison-clock
Smote on the shivering air,
And from all the gaol rose up a wail
Of impotent despair,
Like the sound that frightened marshes hear
From a leper in his lair
(Oscar Wilde, 1898)
On the surface, poets like the Greek, civil servant C. P. Cavafy (1863-1933) have nothing to say about my life, yet his words make my heart ache. Cavafy’s tale of a mystical and mythical journey to Ithaka which seems to me to represent my educational journey in ways that I am only just beginning to appreciate. Replace the mythical Ithaka, with my all too real experience of doctoral study and you get the picture.
Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich
(C. P Cavafy, 1910/1911)
Furthermore, The Satrapy appears to represent ambition, desire and above all, the necessity of educating oneself in order to become something more. To truly realise your humanity and not just your mere existence, is a constant struggle. Cavafy’s words offer encouragement and a recognition that individual struggle is a necessity for independence of thought.
Your soul seeks other things, weeps for other things;
the praise of the public and the Sophists,
the hard-won and inestimable Well Done;
the Agora, the Theater, and the Laurels
(C. P. Cavafy, 1911)
Poets like Maya Angelou celebrate gender and race (among many other aspects), identifying intersectionality and the struggles fought and won, and the struggles still ongoing. Despite historical and contemporaneous injustice, to be able to shout from the rooftops Still I Rise in answer to the questions she poses, is truly inspirational:
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?
(Maya Angelou, 1978)
Likewise, Hollie McNish utilises her anger and frustration to powerful effect, targeting racism with the linguistic gymnastics and logic of Mathematics , demonstrating that immigration is one of the greatest things to happen in the UK. To really get the full force, you should watch the video!
Cos sometimes one that comes makes two
And sometimes one can add three more
And sometimes two times two is much much more
And most times immigrants bring more
(Hollie McNish, 2013).
To conclude, you have nothing to lose by immersing yourself in a bit of poetry, but everything to gain. The poets and poems above are just some of my favourites (what about Akala, Cooper Clarke, McGough, Plath, Tempest, Zephaniah, the list goes on) they may not be yours, but it doesn’t matter. Don’t rush it, read a little something and read it again. Let the words and imagery play around in your head. If it sings to you, try to remember the name and the poet, and you can return again and again. If it doesn’t sing to you, don’t lose hope, choose another poet and give their work a chance to inveigle its way into your life. I promise you, it will be worth it
Angelou, Maya, (1978/1999), And Still I Rise, (8th ed.), (London: Virago Press)
Cavafy, C. P., (2010), Collected Poems, tr. from the Greek by Daniel Mendelsohn, (New York: Alfred A. Knopf)
Lennon, John and McCartney, Paul, (1965) Help!, [CD], Recorded by The Beatles in Help!. Parlophone, [s.l.], Apple
Wilde, Oscar, (1898), The Ballad of Reading Gaol by C. 3. 3., (London: Leonard Smithers)
[i] Lennon and McCartney, (1965).
[ii] Not always the case, as can be seen by the Arctic Monkey’s (2013) musical rendering of John Cooper Clarke’s I Wanna Be Yours