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#CriminologyBookClub: The Guest List
As you know by now, a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Hence the creation of #CriminologyBookClub! Building on on what has quickly become standard practice, we’ve decided to continue with all eight bloggers contributing! This title was chosen by @svr2727and is our 12th book. Read on to find out what we thought….
I took one look at the cover and didn’t think the book would be for me. The cover gave the impression it would be scary, and I don’t do scary. One of the reasons for book club is to read things we wouldn’t ordinarily go for so I started reading – and couldn’t stop. The bitesize chapters not only enabled me to pick the book up more frequently, but they also made me want to keep reading. I would tell myself ‘just one more, another, last one now, this is definitely the last one then I’ll make tea/go to sleep/get out of bed. The second thing I liked about it was that the narrative viewpoint changed each chapter, flitting between the perspectives of each character. However, what was odd that I felt no strong connection to any of the characters. I am a pacifist and would not wish anyone dead in real life, but I desperately wanted Will to be the one to die. It was quite obvious he was a wrong ‘un early on. Each of the characters had been victimised in one way or another by Will at some point in their lives but it was almost as if the author wrote in barriers to building empathy with them, either in their personality or their actions. Jules was stuck up and pretentious, her sister wouldn’t tell us what was wrong with her for a long time, Johnno was complicit in the death of a child and we didn’t know about Aoife’s connection until the end. I liked this. It ties in nicely with one of my favourite concepts in victimology, Christie’s (1986) theory of the ‘Ideal Victim’, the idea that people will not fully be accepted as a victim unless they exhibit particular characteristics and behaviours. The book therefore tied right into my criminological interests. They say never judge a book by its cover and in this case the phrase could not be more accurate.
Christie, N., 1986. The Ideal Victim. In: Fattah, E. (Ed.), 1986. From Crime Policy to Victim Policy: Reorienting the Justice System. Basingstoke: Macmillan
@amycortvriend
The most recent read for Book Club was very hard to put down, and equally difficult to pick up. Let me explain. Once reading, the story is interesting, swapping between narratives is ingenious but also frustrating as you don’t ever get a full picture. The characters are vile, so once the book was put down, I wasn’t in a hurry to get back to them: I did not warm to any of them, even the ones I think I was supposed to like. However the story was well worked, I did not see the many twists coming and I was exceptionally satisfied with who the unfortunate ‘victim?’ was. Overall it was a brilliant, fast-past read: I just wished I liked the characters! Looking forward to reading more of her work!
@jesjames50
The Guest List is a good book for those that enjoy reading books of the thriller genre. Whilst reading this book you really feel that anticipation that you get from wanting to know what will happen next. The book illustrates some interesting themes about wealth and privilege. This is not really a book that is suited to my own tastes, as I tend to read books where the characters are likeable. Although, with a thriller, disliking the characters means that its feels ok if any of these dreadful characters are then brutally murdered.
@haleysread
The story is told from the point of view of several different characters and has some clever twists that keep the reader guessing until near the end. Whilst I liked the style of writing, I wasn’t as enamoured with the storyline or the characters who seemed to display some very stereotypical traits. An enjoyable book but it just wasn’t different enough for me to consider it a ‘must read’.
@5teveh
This is a proper old school “whodunnit”, reminiscent of Agatha Christie, particularly in terms of tying up most of the loose ends. The atmospheric island, full of dangerous hazards and damaged people takes you on a journey. Clues aplenty abound and you get the chance to explore each of the characters in terms of their back story. Like many of the others in the Criminology Book Club, I didn’t like the individual characters, far too reminiscent of the Bullingdon Club. and other arrogant influencers…. Nevertheless, I enjoyed using my wits to follow the clues and work out who was going to be murdered and who did the deed. Ideal reading for holidays, or during a pandemic lockdown!
@paulaabowles
I really enjoyed losing myself in this story and read it very quickly. It was very atmospheric and I could really picture the island and the venue and the stormy weather. It all added up to create a real sense of foreboding. I enjoyed the way the story was paced – the flashes of the present interspersed with the back stories and leading up to the conclusion. It was also interesting to be trying to solve the crime and figure out who was the victim simultaneously (I didn’t solve it, I’m terribly bad at whodunnits but I still really enjoy them anyway!). I didn’t feel much empathy towards any of the characters however, and so by the end I didn’t really mind who did it!
@saffrongarside
This was an enjoyable read. We follow a group of characters that are going on a very secluded island, off the coast of Ireland to attend a super exclusive and lavish wedding. The groom is portrayed as handsome charismatic man and he is also a reality TV star. The bride is portrayed as a smart, successful, and rich women……It appears they have everything one would desire.
The story is regressive as it starts with a murder at their wedding, but then you are quickly thrust back to the events leading up to the point of the murder. Each chapter is written as a point of view from the guests at the wedding. This is a great addition, as you see the development of the characters and the secrets, mysteries, and tensions between them. I would like to point out that none of the characters were particularly likeable. I won’t give away any spoilers, but based on their behaviour throughout the book, I would not have felt sad if any of them were the victims of the murder and it seemed they were all capable of being the murderer. However, you will be kept guessing, and you won’t find out until the last few chapters of the book.
I loved that you are pulled in the weary atmosphere of the story, and at times I could almost feel the cold air and hear the waves crashing on the rocks. This mystery thriller definitely whisks you away.
If you are looking for some light summer reading, I would highly recommend, you will not be disappointed.
@svr2727
You are invited to a friend’s wedding in a remote island off the cost of Ireland and with the group of people that one is more obnoxious than the other, would you consider going? This was the question playing at the back of my head whilst I am reading this fast-moving whodunit thriller. The scenery is very pulpable and quite reminiscent of the Victorian crime novels; the mist that covers everything allowing crimes to happen whilst the guests look on terrified. Is this an accident or one of many to come? This is a tried and tested recipe brought into the 21st century, although I wonder if anyone can survive this long anymore without Wi-Fi! The story for the fans of the genre is culminating to an expected end with some interesting twists and turns. In the end I was just left wondering, why I did not care for any of the characters!
@manosdaskalou
In case you struggle to imagine the island at the centre of The Guest List…thanks to Quinn and Paisley for their fabulous works of art.
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#CriminologyBookClub: Bad Day at the Vulture Club
As you know by now, a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Hence the creation of #CriminologyBookClub! Building on on what has quickly become standard practice, we’ve decided to continue with all eight bloggers contributing! Our latest book was chosen by all of us (unanimously) after we fell in love with the first instalment. Without more ado, let’s see why we all adore Inspector Chopra (retired) et al. and why we’re all so very sad to reach the (temporary, we hope!) end of @vaseemk2‘s wonderful series:
The final of the Chopra series was delightful. As with the previous books, the story is a crime novel but there is a continuance of a broader (and arguably) more damaging topic, social harm. I found this book so interesting to read as Vaseem shines a light on Parsee culture that was unknown to myself until reading this book. Although this is a series of fictional books, parts of these books are based on real life events and I think this allows for a lot of reflection. I finished the book thinking about the plight of the vultures and the impact that this has on humans. Book Club is yet to find another book that we all collectively enjoy, let alone a series. This series is wonderful.
@haleysread
The fifth book of the series introduces us to the community of the Parsees. Inspector Chopra is exploring a world full of secrecy, hidden messages and innuendos. Is it a family dispute gone wrong or an attack on a small community that is flickering away? The victim is powerful, well respected and without any obvious foes. Maybe the death is an accident or one of those unfortunate events? Chopra doesn’t think so! With the help of his pet elephant he uncovers the truth, despite the authorities’ incompetence collecting evidence and the need of many in the circle of suspects to withhold information. This is a more mature outing of the detective as the case makes him question his own mortality when he is faced with ancient customs. The team remains the same although the addition of a recovering vulture makes the group as surreal as ever. The dialogues are lively and the exchanges are sharp but in the end, what is the truth? Who is going to crack when Inspector Chopra reveals “whodunit”?
@manosdaskalou
As a latecomer to book club, this was my second of the Chopra series and once again I loved it. @vaseemk2 writes in such a way that he brings everything to life with vibrancy. This book featured a vulture who developed a personality of its own and just like the previous book, I enjoy the characters of the animals. Aside from the characters, the author is very good at introducing real life events or people. This book introduced the Parsee community which I had not heard of and it encouraged me to go away and learn more. I am looking forward to playing Chopra catch up over summer.
@amycortvriend
I approached this book with mixed feelings. I desperately wanted to immerse myself into the sunshine and colour of India. However, I also was very aware this was the (current!) last book in Vaseem Khan’s awesome series (I am seriously hoping for many more, take note @vaseemk2!). Fortunately, I forgot the latter, as I immersed myself in the former. As with previous Inspector Chopra cases there is the theme of institutional violence, of ordinary people, elephants and vultures subjected to the vagaries of powerful people. In 1967, Howard Becker asked “whose side are we on? and answered, the powerless. Vaseem’s series takes the same approach, there is a sense of camaraderie and empathy towards those who are different, those who are outside of mainstream society, the underdogs. Whether they are eunuchs, Parsees or even vultures, compassion is present in Chopra et al.’s responses and actions. Although gutted that the series has come to a (temporary!) halt, this book was a joy to read. I’m going to miss all the characters but will simply pretend they’ve gone on a holiday!
@paulaabowles
Bad Day at the Vulture Club was yet another wonderful investigation involving the Book Club’s favourite motley crew! The story was intriguing, the characters charming (although some of them not so much), scenery vivid and as always, overall utterly brilliant! This is the last book in the Inspector Chopra series, so far, and if I’m being overly critical it did not feel like an ending. Maybe there will be more to come? Hint Hint @vaseemk2!
@jesjames50
Having read the previous books in the series and having become embroiled in the Baby Ganesh Agency’s quirky and endearing machinations, I picked up this final book with eagerness, anticipation and dread in equal measure. Why dread, well it’s the last in the series (I know I’ve already said that but its worth restating), no more Insp. Chopra (Retd), no more Ganesha, Poppy, Irfan or the erstwhile Rangwalla. As we have become accustomed to, the book paints a colourful and wonderful picture of Mombai and its inhabitants whilst also providing saddening detail of the darker side of corruption and desperate poverty. With the usual twists and turns, injections of humour and triumph coupled with some interesting historical backdrops the story line is both intriguing and captivating. Another page turner, but as each page disappears, so too is the recognition that it is all going to come to an end. Whilst all the characters deserve a well-earned rest, it would seem a travesty for the redoubtable Insp. Chopra and his less than ordinary sidekick Ganesha to permanently retire
@5teveh
Goodbye for now, Inspector…….
Another great addition to the inspector Chopra series. More wacky characters, great comedy, and a great mysterious plot. I have also learned some interesting things about India’s culture, which has encouraged me to do further reading.
Reflecting on my time reading this series, I have enjoyed every single book. Like the other 4 books prior, Bad Day at the Vulture Club gives you delightful excitement and adventure which is far from what has been present in real life. During uncertain times and difficult lockdowns these books have provided much need escapism. During the final chapters I did feel a wave of sadness, as I knew this was the last book in the series. But I hopeful we will see a return of baby Ganesh, Poppy and Inspector Chopra, as we have still not unlocked the mystery of Ganesh. I recommend the complete series, if you like courageous elephants and want a light hearted page turner.
@svr2727
It goes without saying that I loved this book. I’ve so enjoyed following the exploits of Chopra and Ganesha over the last year and a half and there’s definitely a bit of a hole in my life now! I’ll admit that I read it with trepidation – worried that something awful would befall the characters I had come to care about, given that it’s the final book in the series. But I needn’t have worried! I found myself once again immersed in a mystery and following the threads through India – learning loads about the country and the culture on the way. I almost loved the vulture as much as I love the elephant. I really hope this isn’t the last we hear from these characters!
@saffrongarside
We shall leave the final thought to some younger fans of Baby Ganesha and the Vulture….thanks to Quinn and Paisley for their fabulous artistry
Vulture (Quinn Age 8) 
Baby Ganesha (Paisley (Age 6) 
Vulture (Paisley Age 6) 
Baby Ganesh (Quinn Age 8)
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#CriminologyBookClub: The Reluctant Fundamentalist
As you know from our regular #CriminologyBookClub entries a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Building on on what has quickly become standard practice, we’ve decided to continue with all eight bloggers contributing! Our tenth book was chosen by @amycortvriend As can be seen from below, this text gave us plenty to think and talk about.
This was an interesting choice. Having lived through 2001, it was interesting to reflect on events almost two decades ago. I’ve read quite a lot of material around the area, so the content of The Reluctant Fundamentalist didn’t really have any surprises. The use of just one voice to tell the story was interesting and left you wondering what (if anything) the other person in the conversation was saying. I found the sex scenes with Erica rather disturbing, primarily recognising that this was a vulnerable women, regardless of Changez’ motivations. Overall an interesting read, with many unanswered questions left hanging. I know I’ve filled in the blanks, but equally I recognise that other members of the criminology book club may have very different answers….
@paulaabowles
Set in a Lahore café it is easy to imagine the scene and the changing scenery as day turns to night and a one-sided conversation takes place between the narrator and a stranger. In a story of the clash of two cultures and ideologies, the protagonist explains how he at first embraces the ‘American Dream’, soaking up the capitalist vision and the pathway to riches and success only to turn against these ideas as a result of some inner turmoil that he cannot fully explain. For the reader the explanation may become somewhat clearer as each page is turned but still you are left with the question, what is the purpose of this conversation? All becomes clear at the end or does it? A cleverly written plot that captivates from the start. The storyline takes the reader on a journey that is carefully narrated and beautifully descriptive. I really enjoyed the book and it took me back to some of the academic work around terrorism and fundamentalism. A good read that certainly makes you ponder some western values.
@5teveh
When I think back to The Reluctant Fundamentalist, I remember being swept up in the unique style of writing, the timely and thought-provoking themes and the somewhat questionable characters. I struggled to put it down and I think it navigates some themes well (I’ll be careful of spoilers). However, once I had finished the book I was left with a crucial question: ‘What is the ending?’. I struggled with the ‘love’ relationship depicted, even more so upon reflection. And was rooting for a love interest between the protagonist and his boss, Jim, but that was not to be. All in all, I could not put the book down and thoroughly enjoyed it, however as always when I take time for critical reflection: things become a little unstuck. However, excellent choice @amycortvriend!
@jesjames50
The book mostly consists of a person telling his life-story in a restaurant. For me, the storyteller’s life experiences were at times very sad, and when reflecting on scenes involving the women who he loved…maybe even a little strange. The book includes plenty of themes that are relevant to the field of criminology so I think it’s a book that criminology students would find interesting. I was intrigued by this book as I wanted to know more about the main character’s story, I also wanted to know why he was bothering to tell his story to a stranger in such detail in the first place. Overall, I thought the book was good, despite ambiguous ending!
@haleysread
I did not enjoy this book. I really struggled to get past the style in which it was written which I found at times irritating and at others uncomfortable. The descriptions of the narrator’s ‘relationship’ with Erica were particularly difficult to read. There were too many things left unknown to the reader which made it difficult to feel sympathetic to any of the characters involved and the ambiguous ending was more frustrating than intriguing.
@saffrongarside
The Reluctant Fundamentalist, is a novel that we as a society should read. This novel will not give you a manual on how to treat people, but it will hopefully get you to reflect on the implicit ignorance of society and the violence that is legitimised in the name of politics.
Although the backdrop of the novel is set during the 9/11 terror attacks, Mohsin Hamid, does not address the clichés of terrorism, or the morals of individuals. The focus of the novel rests on the problematic treatment and labels that society pushes onto ‘suspect’ communities, and the power that Western society holds over the rest of the world.
The main character of the story Changez, is not necessarily a likeable or loveable character, he is human, he is flawed he holds the qualities that all humans possess. But being a Pakistani national that is living in the U.S at such a volatile time, creates an atmosphere of angst that is exclusive to him and people that look like him. Throughout the novel I constantly wanted him to comply with the ideals of Western society so that he could fit in to win and be Othered less.
As an individual that is deemed different than the ‘norm’ and part of a suspect community, it is difficult to ignore how hard it is to be completely accepted and given access into a society that only gives you part membership. The blurred boundaries between fiction and nonfiction of this novel, allows for uncomfortable reflection of my own tireless navigation through society and the problematic narratives that has been thrust upon others.
This book will not solve the problems of the world, but it will allow us to reflect on who we are, how we treat each other and how we can do better as humans.
@svr2727
The Reluctant Fundamentalist was definitely a fascinating read. It leaves an impression to you. There is something unsettling about the way the story progresses, and you are always on edge about what is likely to happen next. The story is a constant narration as a one-way conversation. At first the novelty of the conversation is interesting and engaging, but in parts it is stretching it, feeling a bit exaggerated. The protagonist is unclear if they are a hero or a villain, friend or foe and this sustains that suspense even further. We are left wondering as we trace different parts of his story through a seemingly random recollection of events. The writing is good and engaging leaving you wanting to know more, but for those who like the certainty of what happens this may not be for you. After I finished the book, I wasn’t sure if I liked it or not, mainly because I wasn’t sure of how I felt about the characters. One thing is for sure the subject matter and the pace of writing will leave you guessing.
@manosdaskalou
Having read another of the author’s novels, I was looking forward to The Reluctant Fundamentalist and it did not disappoint. It took me a chapter or two to get used to the writing style which was almost a one-sided conversation which made you constantly wonder who the other person is, why they are there and what they are saying. Spoiler alert: we never find out. I like that the ending is open, leaving the reader to draw their own conclusions. I also enjoyed the journey of the protagonist from his desperation of wanting to succeed in his pursuit of the American dream to the realisation, triggered by 9/11, that he never truly would fit in, nor does he want to anymore.
@amycortvriend
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#CriminologyBookClub: Murder at the Grand Raj Palace
As you know from our last #CriminologyBookClub entry a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Building on on what has quickly become standard practice, we’ve decided to continue with all seven bloggers contributing! Our latest book was chosen by all of us (unanimously) after we fell in love with the first instalment. Without more ado, let’s see why we all adore Inspector Chopra (retired) et al.:
What a great read! I was extremely excited to read another book in the Baby Ganesh Agency Series and once again I was not disappointed. There was more mystery, a rich subplot and of course my favourite baby elephant. Vaseem, charmingly immerses the reader into the colourful and picturesque Grand Raj Palace. The way the book is written sets your mind up as though you are watching a film. The story allows you to escape from the uncertainty and mundane realities of life. Which is always welcome! And thrusts you into a mystery within a mystery. I would advise any reader that is interested in reading the series to definitely consider starting at the beginning, with the Unexpected Inheritance of Inspector Chopra. Although the stories do not pick up from each other, you definitely get an appreciation for the characters as they grow and change throughout the series. I liked the way Poppy is taken out of her supporting character role and is put centre stage, while investigating her own mystery. With laugh out loud humour, dark revenge and whacky characters, this is a book that will entertain you from start to finish.
@svr2727
In this instalment of the baby Ganesh Agency investigates a homicide of a very important person in a very important hotel. Inspector Chopra (retired) is on the case with his very unusual sidekick, investigating the world of corporations, big business and luxury. In the meantime, the Chopra universe is expanding and the characters are becoming more intricate and multifaceted. The household, now apart from the striking tenacious baby elephant, has little Irfan a child Chopra and his wife Poppy so desperately wanted. The story takes us through a different world paying homage to some corporate crimes that made it to the news. The conclusion of the drama is a reveal of whodunit in a very classic revelation scene. One thing you are left wondering, what will happen when the baby elephant grows to his full size?
@manosdaskalou
So far I have loved each of the Baby Ganesh Agency books. They have brightened my day and taken my attention away from life in a pandemic. As ever, with @vaseemk2’s series, you get the heat, the smells, the tastes, the views of India, attacking your senses. In this book, there is a striking contrast between light and dark in the cases resolved by Inspector Chopra (Rtd) and the wonderful Poppy. For me, the exploration of institutional violence caught my attention, the parallels to the Bhopal disaster, drawn clear and bright. Even in fictionalised form, institutional violence takes your breath away in the harm perpetuated and the complete absence of official interest. Lives lost without remark, without empathy. Without giving away any spoilers, equally striking was the almost Agatha Christie-like sleight of hand, where readers are encouraged to embrace their prejudices, only to have them destroyed with the denouement. At this point, I have the 5th book in hand and whilst I am excited to get started, I am also seriously worried. I really don’t want this series and its wonderful characters to come to an end….
@paulaabowles
Murder at the Grand Raj Palace was by far my favourite of the Baby Ganesh Agency novels! I particularly enjoyed the closeness of both cases, the uncomfortableness of Chopra in the presence of a beautiful woman who was not his wife, and Poppy’s strong and independent, yet interconnected, storyline. The twist on who committed the murder at the Grand Raj Palace, and why: I can honestly say I did not see coming! Without trying to give too much away: it is a must read which entwines themes of justice, family and social ills! Inspector Chopra does not disappoint: YET AGAIN!
@jesjames50
What is there to say about this series that we haven’t already? I love these books! They are vibrant and colourful and genuinely immerse you in another place with characters that feel like old friends now. The fourth book was possibly my favourite of the series so far: the setting of the Grand Raj Hotel, the monkey movie star’s assaults on Ganesha, spending more time with Poppy as she solves a mystery of her own, Chopra’s uncompromising resolve to crack the case and his grand unmasking of the criminal at the end. I didn’t want it to be over – bring on book 5!
@saffrongarside
This book includes my favourite sub-plot of the Chopra series so far. Poppy herself plays detective! I thought that it was great that the sub-plot and the main plot were based within the same setting, this made the book seem action-packed. Usually with the Chopra books I enjoy reading at a steady pace but I found this book difficult to put down, and this is not a bad thing. Sometimes when I read books I am disappointed by the ending, with this Chopra series this has not happened yet. Perhaps this is why these books are so pleasing to read. I was very pleased with what happened at the end with the women in red.
@haleysread
As the newest member of book club, I had missed out on the previous books in the Chopra series. Although the book is part of a series, I never felt as though I had missed anything or that I needed to catch up. I immediately liked the characters, particularly Poppy and the baby elephant, Ganesha. I identified with Poppy as a strong woman and Ganesha, despite being an elephant has the personality of a human. Secondly, I enjoyed the way in which the author wrote about India and how his fictional version reflected reality. Having been to India I was instantly reminded of the sights, sounds and smells. Members of the royal families and the fuss around the wedding recalled memories of my sister’s Indian wedding. Indeed, it was Poppy’s investigation which engaged my attention more than the murder. In the end, I was more concerned with the whereabouts of the bride than I was the uncovering of the murderer. This was a joy to read during the Christmas after a frantic first term of lecturing in the pandemic. I have already made a start on the final Chopra episode but I will definitely return to the first few books.
@amycortvriend
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#CriminologyBookClub: The Tiger’s Wife
I selected The Tiger’s Wife for us all to read for book club. On first impressions the book seemed to be very interesting. My understanding was that the book would be about a tiger, his wife, a grandad and The Jungle Book. I have very little knowledge of Disney, but I did enjoy the upbeat ‘Bare Necessities’ Jungle Book song as a child. As it turns out, both The Jungle Book and The Tiger’s Wife are both grim tales. In terms of The Tiger’s Wife, I enjoyed the elements of humour within the book. I also enjoyed reading about the smells, scenery and tastes of another country given that I have not been able to leave Britain for a while. The ‘deathless man’ character was also quite intriguing. I do feel unsure about this book though. At times I was puzzled about the plot. It is also an incredibly sad and heavy tale which covers themes like war, death, disease and domestic violence – perhaps not the most appropriate choice given that we are in a national lockdown! I think this is a book that I may return to in better times.
@haleysread
What struck me about the book was that it centred around death but was largely devoid of emotion. The grandmother was described as being emotional about the death of her husband, but the book was narrated in such a way that this emotion was not felt by the reader because the grandmother was not wholly present. She was always at the other end of the phone and therefore removed from the reader. Instead, the book was lightened with humorous characters such as the Deathless Man and folk tales of superstition. These characters and tales transformed what could (and perhaps should) have been a depressing tale to a mildly sorrowful yet darkly comedic series of tragedies.
@amycortvriend
This was quite possibly my favourite of all the book club reads so far, although it is a particularly tight call (4th instalment of inspector Chopra is a gem: but shhhh spoilers)! I am quite surprised by how much I enjoyed this book which appears much to the contrast of my esteemed friends in book club. It was beautifully written, depressing, full of escapism and challenging at the same time. I was truly lost in this book as a story: I am not sure I can tell you what the story is about or what the message or meaning behind it is. But I adored it. It made me think of Big Fish and The Bee Keeper of Aleppo all mixed together (another 2 gems if you have not read them). I can appreciate how perhaps it was not the most fitting for a global pandemic, but nevertheless it is a text that I will most certainly read again!
@jesjames50
In a far away corner in Europe, people try to live with the aftermath of a war. The conflict has brought up in the community, wounds that take time to heal and the doctors who look after the physical wounds are trying to cope with the long-term effects of harm. In the backdrop of that, the story of a young doctor who is remembering her beloved grandfather takes central stage. The woman discovers a grandfather through the eyes of others. This is a post war society and many things do not make sense. The author, Téa Obreht, stitches together a story of reality with a lot of surrealism to underline the absurdness of war especially a civil conflict. Symbolism becomes intricate to the story and in the end you are left wondering who is The Tiger’s Wife?
@manosdaskalou
I found the book to be hard going. That’s not to say that there weren’t some parts of it that I enjoyed but on the whole I didn’t find much in the book to excite me and at the end I was left with a feeling of …’and’. I found that too often I was unable to follow the plot getting bogged down in, what I must admit, were beautiful descriptions of countryside, villages, animals and people. For me, the story lacked purpose, describing old superstitions, combined with historical tales which seemed to have little purpose other than to provide perhaps a vivid description of the cruelty of war and its aftermath. On a more positive note, it has prompted me to research the wars in the Balkans and maybe, that will push me to return to the book
@5teveh
The timing of The Tiger’s Wife as our book club read was impeccable. Leading up to the Christmas holidays, everything seemed to become overwhelming and I felt rather numb. Reading The Tiger’s Wife with its dreamlike qualities suited my mood extraordinarily well. The subject of war, and the damage it causes, is close to my heart. In this book, it is not tales of heroes and villains, but the quiet, pervasive harm which war leaves in its wake, touching everyone and everything, in small, often indiscernible ways. We may not be at war in the UK, but it made me consider what life will be like after the pandemic, when many of those harms are also prevalent. For instance, our NHS workers may not have been in battlefield hospitals, but treating severely ill Covid-19 patients, with a high death rate, on a daily basis will undoubtedly have a profound impact. Ultimately, The Tiger’s Wife is an anti-war book, with more questions than answers, but as the pandemic has shown us, uncertainty does not mean the end of hope.
@paulaabowles
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2020: A Year on “Plague Island”
Last year in this blog, I argued that 2019 had been a year of violence. My colleague, @5teveh provided a gentle riposte, noting that whilst things had not been that good, they were perhaps not as bad as I had indicated. Looking back at both entries it is clear that my thoughts were well-evidenced, but it is @5teveh‘s rebuttal that has proved most prescient in respect of what was to come….
The year started off on a positive, personally and professionally, when both @manosdaskalou and I were nominated for Changemaker Awards. Although beaten by some very tough competition, shortly before leaving campus we were both awarded High Sheriff Awards, alongside our prison colleagues, for our module CRI3006 Beyond Justice. As colleagues and students will know, this module is taught entirely in prison to year 3 criminology students and their incarcerated peers. Unfortunately, the awards took place in the last week on campus, but we are hopeful that we can continue to work together in the near future.
Understandably much of our attention this year has been on Covid-19 and the changes it has wrought on individuals, communities, society and globally. Throughout this year, the Thoughts from the Criminology Team have documented the pandemic in a variety of different ways. From my very early thoughts, written in the panic of abandoning campus for the experience of lockdown to entries from @helentrinder @treventoursu @jesjames50 @cherylgardner2015 @5teveh @manosdaskalou @anfieldbhoy @samc0812 @drkukustr8talk @zeechee @saffrongarside @svr2727 @haleysread The blog has explored Covid-19 from a variety of different angles reflecting on the unprecedented experience of living through a pandemic. It is interesting to see how the situation and our understanding and responses have adapted over the past 9 months.
Alongside the serious materials, it was obvious very early on that we also needed to ensure some lightness for the team and our readers. With this in mind, early in the first lock down, we created the #CriminologyBookClub. We’re currently on our 8th novel and we’ve been highly critical of some of the texts ;), as well as fallen in love with others. However, I know I speak for my fellow members when I say this has offered some real respite for what’s going on around us.
Another early initiative was to invite all our bloggers to contribute an entry entitled #MyFavouriteThings. We ended up with over twenty entries (which you’ll find via the link) from the criminology team, students, as well as a our regular and occasional contributors. Surprisingly we learnt a lot about each other and about ourselves. The process of something as basic as writing down your favourite things, proved to be highly cathartic.
Whilst supporting each other in our learning community, we also didn’t forget our friends and colleagues in prison. Although, the focus has rightly been on the NHS and carers, the pandemic has hit the prison communities very hard. Technology can solve some of the issues of loneliness, but to be locked in a small room, far away from family and friends creates additional problems. For the men and the staff, the last 9 months has brought challenges never seen before. Although, we could not teach the module, we did our best, along with colleagues in Geography and the Vice Chancellor @npetfo, to provide quizzes and competitions to help pass the hours.
In June, the world was shocked by the killing of George Floyd in the USA. For many of us, this death was one in a long line of horrific killings of Black men and women, whereby society generally turned a blind eye. However, in the middle of a pandemic, the killing of George Floyd meant that people could not turn away from what was playing on every screen and every platform. This lead to a resurgence of interest in Black Lives Matter and an outpouring of statements by individuals, organisations, institutions and the State.
For a week in June, the Thoughts from the Criminology Team muted all their social media to make space for the #AmplifyMelanatedVoices initiative from Alishia McCullough and Jessica Wilson This was a tiny gesture in the grand scheme of things but refocused the team’s attention on making sure there is a space for anyone who wants to contribute.
Whether this new found interest in Black Lives Matters and discussions around diversity, racism, decolonisation and disproportionality continue, remains to be seen. Hopefully, the killing of George Floyd, alongside the profound evidence of privilege and need made evident by the pandemic, has provided a catalyst for change. One thing is clear, everyone knows now, we can no longer hide, there are no more excuses and we all can and must do better.
This year some old faces left for pastures new and we welcomed some new colleagues to the Criminology Team. If you haven’t already, you can read about our new (or, in some cases, not so new) team members’ – @jesjames50 @haleysread and @amycortvriend – academic journeys to becoming Lecturers in Criminology.
Finally, looking back over the last 12 months, certain themes catch my eye. Some of these are obvious, the pandemic and Black Lives Matter have occupied a lot of our minds. The focus has often been on high profile individuals – Captain Tom Moore, Joe Wickes, Marcus Rashford – but has also shone on teams/organisations/institutions such as the NHS, carers, shop workers, delivery drivers, the scientists working on the vaccines, the list goes on. Everyone has played a part, even if that is just by staying at home and out of the way, leaving space for those with a frontline role to play. Upon reflection it is evident that the over-riding themes (and why @5teveh was right last year) are ones of kindness, of going the extra mile, of trying to listen to each other, of reaching out to each other, acknowledging unfairness and privileges, recognising the huge loss of life and the impact of illness and bereavement and trying to make things a little better for all. Hope has become the default setting for all of us, hope that the pandemic will be over, alongside hopes that we can build a better world with its passing. It has also become extremely clear that critical thinking is at a premium during a pandemic, with competing narratives, contradictory evidence and uncertainty, testing all of our ability to cope with change and respond with humility and humanity.
There is no doubt 2020 has been an unprecedented year and one that will stay with us for ever in the collective memory. Going into 2021 it’s important that we remember to consider the positives and keep trying to do better. Hopefully, in 2021 we will get to celebrate Criminology’s 21st Birthday together
Remember to stay safe, strong and well and look out for yourself and others.
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#CriminologyBookClub: The Strange Disappearance of a Bollywood Star
As you know from our last #CriminologyBookClub entry a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Building on on what has quickly become standard practice, we’ve decided to continue with all bloggers contributing! Our seventh book was chosen by all of us (unanimously) after we fell in love with the first and second instalment. While we struggled with fitting in the discussions of book club, due to the rigours of an academic term, we all found space for reading about the adventures of Inspector Chopra (retired) et al.:
I find the predictable happy endings of Vaseem’s novels to be quite comforting, especially during such an unprecedented time. What I enjoy mostly about these novels is that each has a moral message. In this novel it is characters like the blind homeless teacher, the prison inmates and the eunuchs that remind me that we should all try to be better people, as this will help to build a better society. The Chopra series continues to be a top lockdown read.
@haleysread
The 3rd mystery for Inspector Chopra brings him to the glittering world of Bollywood. An unusual place for the inspector and his pet elephant who seems to enjoy the attention conjuring images of other elephants working in the entertainment industry. This instalment of the crime mystery novels seemed to have matured the characters, giving their relationships more depth. Even the acerbic mother-in-law grows in ways to give us a greater understanding of their lives. The combination of the everyday with the obscure is done seamlessly and makes the surrealism even more profound. Even the pachyderm, gains more of a character reaching the intellectual age of a rebellious teenager. In the end, the mystery is solved, revealing some more social injustices behind the façade of the sparkling movie industry. As always we are left, wanting more.
@manosdaskalou
The third Chopra book was a welcome return to familiar and colourful characters. This was my favourite book in the series so far for its strong themes of kindness and reflections on what it means to be a good person. The subplot was just as gripping as the main story and lovely Ganesha kept me smiling throughout.
@saffrongarside
You could be forgiven for ignoring the plaudits on the first page of most novels, consigning them to the usual blurb written by reviewers that feel the need to say something nice to aid publicity and sales. In this case you would be foolish to ignore the plaudits, if anything they are somewhat understated. Having read the first two books in the series I picked this up with anticipation and excitement. I wasn’t disappointed. Transported to a world of vivid colour, pungent and aromatic smells and the hubbub of a bustling metropolis, the description of Mumbai and its citizens fuels the imagination and leaves the reader eagerly turning pages. The bifurcation of the storyline means there is never a dull moment, Insp. Chopra (retired) has his hands full and as a consequence ‘The Baby Ganesh Agency’ has to make use of its ever-increasing, albeit quirky staff and associates. And so Rangwalla, Chopra’s sidekick finds himself in a rather trying and unusual circumstance. Of course, what is now becoming the indomitable Ganesh gets his usual share of adventure and inevitably saves the day at some point aided by Poppy, Chopra’s wife and rock. The book is a triumph as it provides wonderful descriptions of both the lighter and darker side of the city and its residents. As usual good triumphs over evil but in the case of Chopra’s nemesis, ACP Rao, the door has been left firmly open for more mischief to come.
@5teveh
Rarely do I get the opportunity to read a book that I struggle to put down. A book that put a smile on my face and gave me a warm feeling at its conclusion.
The third instalment of Chopra and gang is just as delightful and entertaining as the previous novels. For me, the third story in the series has crossed over to the fantasy genre, whereas the previous two were toeing the line. I want to make it abundantly clear: this is not a criticism of the book. I still loved every page, as I have with the others. But for me, when reading I felt as if I was in a fantasy world with villains and heroines, magical elephants and mystical tales. The realism was somewhat lost on me this time around.
What I absolutely adored about ‘The Strange Disappearance of a Bollywood Star’ was how Vaseem Khan beautifully tackles the topic area of prejudices. Rangwalla’s journey in this book was possibly my favourite aspect of the Inspector Chopra series so far. Rangwalla attempts to face his prejudices; and in a way that mirrors reality. Vaseem has reminded us through Rangwalla’s experienced that our prejudices need to be constantly put in check, and this requires a conscious effort from us all. Roll on book number 4!
@jesjames50
If ever a year called for some escapism, 2020 certainly did. Fortunately, @vaseemk2’s tales of Inspector Chopra et al. have provided that, in bucket loads. The books transport me to a place I’ve never been, the heat, the colour and the vibrancy recreate India in front of my very eyes. The third volume in the series, is probably my favourite to date. The sparkling glamour of Bollywood, juxtaposed against dark issues of discrimination, prejudice and social injustice, creates a story which will stay with me. In particular, the bringing to life of the eunuch community and the recognition that prejudice is within us all and can be combatted, gave me a great deal of pause for thought. With it’s overarching themes of kindness and striving to do the right thing against all odds, this book captures the (hopefully) enduring lessons of lockdown, that we all need each other.
@paulaabowles
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We are Spartacus: the publishing industry and race
As one of only a handful of non-white authors on the British crime fiction map, I thought it might be worthwhile spending a moment reflecting on the worldwide rebalancing touched off by the George Floyd killing in America. Fear not. There’s no need to put on your tin hats and dive for the trenches. My purpose isn’t to haul anyone over the coals. But there’s little doubt that some of what I say might make for uncomfortable reading. More importantly, I will ask you to reflect, at a personal level, on what we mean by systemic inequality, particularly as it applies to the publishing industry.
First, some background. My parents are from the subcontinent. They came to the UK in the early seventies, lured by the immigrant dream. The streets of London may not have been paved with gold, but they were paved with opportunity. My father, who was not literate, spent his life in honest labour, in an industrial bakery, while my mother raised children, demonstrating the much-lauded immigrant work ethic by slaving away at her sewing machine every hour she wasn’t feeding us or stopping us from poking each other’s eyes out with eraser-tipped pencils. She instilled in us the need, above all else, to study, to educate ourselves, to progress.
So far, so good.
But what if I were to tell you that my parents were, in a broad sense, xenophobes, too? Not overtly. They didn’t oppress anyone; or traffic slaves across the oceans; or pillage defenceless communities for profit. But their attitude towards black people – cultivated by the insular world they had grown up in – was, at best, indifferent, or, at worst, mistrustful.
Here’s a simple, unpalatable truth. Racism, in its most basic form, is a feature of most societies. It shouldn’t be. But it is. A simple example illustrates my point.
The outpouring of angst and handwringing currently gripping the world has seen celebrities across the globe express their views on racism (rightly so), only for some to discover that a seat on this particular bandwagon can be an uncomfortable one. In India, numerous Bollywood stars were called out for the disparity between their #blacklivesmatter tweets and the fact that they had fronted campaigns for skin-lightening creams. Across the subcontinent, lighter skin has traditionally been valued (usually alluded to in matrimonial ads by the rainbow-bending adjective “wheatish”), so much so that white foreigners, especially Brits, are treated with overt deference, while black people are routinely afforded a lesser welcome. An odd perversity, given that it was the whites that pillaged the subcontinent for three centuries while, with those of Afro-Caribbean descent, one might assume Indians would evince a colonial-era solidarity.
Let me be clear: this idea of a sort of universal xenophobic instinct does not in any way excuse or mitigate the horrors of the slave trade, or the enormous, long-term damage done to black people because of that terrible practice. Nor does it justify the entrenched, systemic prejudice that continues to colour western societies, prejudice that culminates in overt racism of the kind that permits white American policemen to routinely kill black men with little fear of reprisal, and prejudice of the less obvious kind that serves to keep black people ‘in their place’. My point was merely to demonstrate that, in the wider, global race equality agenda now under discussion, we all have a part to play.
Part of the issue is that many well-meaning efforts to redress the balance are hampered by a profound lack of insight into how unconscious bias can affect the lives of people of colour, in a million different, small, but, ultimately, debilitating ways. The problem is further hampered by an education system that often fails to properly tackle the ‘race issue’.
Yet, the problem must be addressed. Because the world has become a smaller place. The goldfish bowl has shrunk and we are now all swimming in the same seas. It behoves us to make the effort, not just because it is the right thing to do, but because it is also the most effective means of progressing humanity towards a more equitable, more meritocratic, global society. If the Covid-19 pandemic has proven anything, it is how interdependent we are.
Coming, now, to the publishing industry. Cards on the table. Since my first book was published six years ago, I have received tremendous support from my agent, publisher, critics, bloggers, readers, event organisers, and crime writers. My experience is not typical. A simple look at the statistics tells us what we already know. Any way you slice it and dice it – diversity of publishing staff, published writers of colour, books featuring characters of colour – the industry is dominated by white thought and enterprise. Some of this can be ascribed to the fact that, in terms of population, BAME communities, by definition, are a minority. You wouldn’t expect there to be a 50:50 split along these dimensions. That isn’t the issue. The problem is the entrenched attitudes that make it so damned difficult for writers of colour to break into the industry and then to enjoy the same rewards and freedom of expression that is accorded to their white counterparts.
The world’s most successful crime writer, James Patterson, became famous with a series about a streetwise black detective, Alex Cross. James Patterson is not black. Nothing wrong with that scenario, in my opinion. Authors should not be constrained by artificial constructions of propriety. But, if the industry is being honest with itself, it will acknowledge that a writer of colour attempting to do something similar – trying, as it were, to write outside of their cultural straightjacket – is rarely accorded the same privilege. Questions of ‘authenticity’, ‘voice’ and ‘cultural appropriation’ suddenly come racing to the fore, like Cinderella’s ugly sisters questioning our right to go to the ball. Asian writers, for instance, are often expected to pen literary tomes about colonialism or exposes of the immigrant experience. Again, nothing wrong with that, and, indeed, brilliant writing is regularly published exploring those themes. But there are so many other stories that we would like to tell. White writers can be published writing about matters far outside their experience – wizards, serial killers, aliens. But for non-white writers, the same consideration is much harder to find. A lot of this is not the result of overt racism, but rather the mindset that accepts as perceived wisdom the idea that profitability comes almost entirely from white authors writing white stories, or writers of colour writing stories suited to their ethnic background. This thought is so prevalent in the industry that it may as well be an eleventh commandment.
A terrific article by Laura B. McGrath, associate director of the Stanford University Literary Lab, in a Jan 2019 issue of the Los Angeles Review of Books, entitled “Comping White” identifies the true nature of the problem. Paraphrasing her research, it goes like this: publishers buy new books by comparing them to books that have been successful. Is this the new Harry Potter? Is this the next Gone Girl? Given that the majority of books are white, the process becomes a closed loop, a vicious cycle. The industry buys and promotes white books because they sell. White books sell because they’re the only books the industry buys and promotes. Do you see the problem?
Making the gatekeepers more diverse, McGrath argues, will have only a marginal impact. It’s the system that’s at fault. The same applies to practically any walk of life that you might care to name – hence the reason so few people of colour in boardrooms, or lecturing at top universities, or opening Michelin-starred restaurants. White people have done all those things successfully before, so why take a chance on the unproven?
Until we change this structural, often unconscious, bias, all the current furore around race will do little to improve the prospects of the average BAME person.
Can readers help? Of course! By voting with their feet. By buying books written by authors of colour, readers signal to publishers that they won’t be put off by a ‘funny-sounding’ name on the cover, or a protagonist who doesn’t share their own cultural background. The only bar should be quality.
In an ideal world, a good story, well told, should stand on its own merits.
What else can we do? In my opinion, people shape people. If we want better, more thoughtful attitudes in the industry, we must all stand up and be counted. Solidarity is the name of the game. A solidarity of thought that acknowledges that a genuine change of perspective is needed. From agent to reader, all along the chain. What we need, in other words, is for all of us to stand up and say: ‘We are Spartacus.’
Vaseem Khan, author, Midnight at Malabar House and Baby Ganesh series
London, June 2020
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#CriminologyBookClub: My Sister, the Serial Killer
The latest book to grace the Criminology book club was My Sister, the Serial Killer by Oyinkan Braithwaite, and after some excellent choices by @5teveh and @manosdaskalou, and a meh choice from @paulaabowles, the pressure was on for my choice. Unfortunately, it received mixed reviews, but I think I speak for all members of the book club when I say: It’s definitely better than The Yellow Room (sorry @paulaabowles)!
The negatives of the book, as expressed by the uneducated and picky members of the club (I promise I’m not bitter-HA), include the unlikableness of the characters: all morally repulsive, selfish and uninspiring. Whilst the book is set in Nigeria, there isn’t much description to transport you there, something the other books have done well, so this was disappointing. And there is a lot left unanswered. At times the book drops some hints into the characters’ past, hinting at why the sisters are the way they are (basically why one of them is a serial killer of her ex-boyfriends and the other mops up the mess), which is gripping and exciting, until it is left unanswered. The ‘older’ members of the club who weren’t overly keen on the book, felt it had potential but it wasn’t their cup of tea… and in all fairness the factors which they raised as being disappointing, were disappointing. BUT, it was still an excellent read! Myself (@jesjames50), @saffrongarside and @haleysread enjoyed the book, and below we have shared our views:
It is fast past, written in what feels like snippets, dangling possibilities and explanations in each chapter, throwing it back to their childhood, alluding at the dangers they faced together, fighting over the same man who isn’t great so that is slightly confusing: c’mon, have better choices in life partners, or even just dates! So many questions raised and so many left unanswered, but this is part of the book’s charm. It’s a story, an experience, a gripping account of a sister’s devotion to her strange, ex-boyfriend stabbing, sister. How far will she go? Why does she go to these lengths? What happens when the sister becomes too much of a loose cannon? You’ll have to read and not find out! But that’s what makes it an excellent read, by an excellent writer!
@jesjames50
My Sister, the Serial Killer is unlike any other book I have read before. I loved the fast pace and the creeping sense of dread that builds as you read on. The book is like a snapshot in time of the lives of two sisters – there are no right answers, no resolutions and no sense of justice served. Although I felt little affection for the characters, I was invested in their relationships, the story and how it would play out. I think it would work well as a TV or film adaptation and I look forward to reading other books by Oyinkan Braithwaite in the future
@saffrongarside
In an odd sort of way this book reminds me of my relationship with my younger siblings. I’m sure that many older siblings will agree that there is an unwritten obligation to support and protect younger siblings in many situations. In Kerode’s case… she takes this obligation to the extremes! I enjoyed this book as a thriller, but as with the last thriller we endured for book club I did not like any of the amoral characters. I also desired a bit more depth to the story line, the characters and location background – but maybe this is what makes thrillers so successful? Who knows?
@haleysread
So overall, not quite as successful as the Baby Ganesha Detective Agency novels, but I mean come on, its competing with a Cadbury chocolate eating baby elephant! But it’s a book that’s modern, well written, gripping and possess twists and turns. It’s short, sharp and snappy! I am proud and satisfied with my choice, as is Saffron and Haley. The others are in agreement that they struggled to put it down, it was intriguing! But alas not all literature is for everyone (albeit I think they are just being fussy)! On to @saffrongarside’s choice next, wonder what the club will think of The Tokyo Zodiac Murders by Soji Shimada? Stay tuned…
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#CriminologyBookClub: The Perplexing Theft of the Jewel in the Crown
As you know from our last #CriminologyBookClub entry a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Building on on what has quickly become standard practice, we’ve decided to continue with all seven bloggers contributing! Our fourth book was chosen by all of us (unanimously) after we fell in love with the first instalment. Without more ado, let’s see why we all adore Inspector Chopra (retired) et al.:
Another great edition to the Baby Ganesh agency series. After thoroughly enjoying the first book, I was slightly sceptical that book 2 would bring me the same level of excitement as the former. I was pleasantly surprised! The Perplexing Theft of the Jewel in the Crown, will take you on a picturesque journey across Mumbai. The story definitely pumps up the pace giving the reader more mystery and excitement. We now get more of an insight into characters such as inspector Chopra (retired) and his devoted wife Poppy. We also get to meet some new characters such as the loveable young boy Irfan, and of course the star of the show Ganesh, Chopra’s mysterious elephant. This novel has mystery within mystery, humour, suspense and some history, which is a great combination for anyone who wants to have an enjoyable read.
@svr2727
In the second instalment of detective Chopra’s detective (retired) adventures he is investigating the disappearance of the infamous Koh-i-noor diamond. The mythical gem disappears from a well-guarded place putting a strain on Anglo-Indian relations. In the midst of an international incident, the retired inspector is trying to make sense of the case with his usual crew and some new additions. In this instalment of the genre, the cultural clash becomes more obvious, with the main character trying to make sense of the colonial past and his feelings about the imprint it left behind. The sidekick elephant remains youthful, impulsive and at times petulant advancing him from a human child to a moody teenager. The case comes with some twists and turns, but the most interesting part is the way the main characters develop, especially in the face of some interesting sub-plots
@manosdaskalou
I am usually, very critical, of everything I read, even more so of books I love. However, with Inspector Chopra et al., I am completely missing my critical faculties. This book, like the first, is warm, colourful and welcoming. It has moments of delightful humour (unicycles and giant birthday cake), pathos (burns and a comforting trunk) to high drama (a missing child and pachyderm). Throughout, I didn’t want to read too much at any sitting, but that was only because I didn’t want to say goodbye to Vaseem Khan’s wonderful characters, even if only for a short while…
@paulaabowles
It was a pleasure to read the second book of the Inspector Chopra series. Yes, sometimes the characters go through some difficult times, the extreme inequalities between the rich and poor are made clear and Britain’s infamous colonial past (and present) plays a significant part of the plot, yet the book remains a heart-warming and up-beat read. The current character developments and introduction of new character Irfan is wonderfully done. Cannot wait to read the next book in the series!
@haleysread
One of the reasons for critiquing a book is to provide a balanced view for would be readers. An almost impossible task in the case of Vaseem Khan’s second Baby Ganesh Agency Investigation. Lost in a colourful world, and swept along with the intrigue of the plot and multiple sub plots involving both delightful and dark characters, the will to find a crumb of negativity is quickly broken. You know this is not real and, yet it could be, you know that some of the things that are portrayed are awful, but they just add to the narrative and you know and really hope that when the baby elephant Ganesha is in trouble, it will all work out fine, as it should. Knowing these things, rather than detracting from the need to quickly get to the end, just add to the need to turn page after page. Willpower is needed to avoid finishing the book in one hit. Rarely can I say that once again I finished a book and sat back with a feeling of inner warmth and a smile on my face. If there is anything negative to say about the book, well it was all over far too quickly.
@5teveh
The second Inspector Chopra book is even more thrilling than the first! As I read it I felt as though I genuinely knew the characters and I found myself worrying about them and hoping things would resolve for them. The book deals with some serious themes alongside some laugh out loud funny moments and I couldn’t put it down. Can’t wait to read the third instalment!
@saffrongarside
I have always found that the rule for sequels in film is: they are never a good as the original/first. Now, there are exceptions to the rule, however these for me are few and far between. However, when it comes to literature I have found that the sequels are as good if not better than the original- this is the rule. And my favourite writers are ones who have created a literature series (or multiple): with each book getting better and better. The Perplexing Theft of the Jewel in the Crown (Chopra 2.0) by Vaseem Khan has maintained my rule for literature and sequels! Hurray! After the explosive first instalment where we are introduced to Inspector Chopra, Poppy and Baby Ganesha, the pressure was well and truly on for the second book to deliver. And By Joe! Deliver it did! Fast paced, with multiple side-stories (which in all fairness are more important that the theft of the crown), reinforce all the emotion you felt for the characters in the first book and makes you open your heart to little Irfan! Excellent read, beautiful characters, humorous plots! Roll on book number 3!
@jesjames50
