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Love Film: You Can’t Blame The Youth

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Some Like It Hot 1959 (United Artists)

On the basis of a reliable academic study, research by The University’s top senior lecturers on Criminology, I am by their words and definition “the Youth of Today.” However, my younger brother (age 12) is The Youth of Tomorrow. In our group chat, this ongoing conversation (now months old) also includes (not Harvard) references to The Youth of Yesterday (age 30+) or Yesteryear (if you’re ancient, ahem). It’s really quite amusing. Am I The Youth of Today? I hadn’t listened to any Stormzy until he did Glastonbury and our conversations around “Vossi Bop” really are worthy of critical acclaim. Is one’s youth status pigeon-holed to their date of birth?

By the time I was 17, I had watched most of Hitchcock’s catalogue and I think Woody Allen is one of the funniest writers alive (despite his controversy). Is this the point in the blog where I need to mention someone other than a White man? Again, another point of discussion in our chats. Diversity. So, true to form, I have seen the entire filmography of Vivien Leigh. I think Diane Keaton is understated in The Godfather films and Claudine with Diahann Carroll is underrated, and should be on seminal film lists when we talk about working-class life in America. It’s a lesson to us now in Britain, haunted by depressions of austerity and universal credit.

If the conversations around the different levels of Youths could be conflated to a GIF, it would be this one, also the fact @manosdaskalou hadn’t seen Toy Story until lockdown!

Yet, this blog isn’t about group chats, but generalisations. Are today’s youth beyond the grasp of Old Hollywood or even films made before the 2000s that aren’t franchise, or nostalgia pictures like Jumanji? I aim this question at The Youth of Tomorrow too (born post-7/7). Is it true? Maybe, maybe not. The idea remains that many people despite age are still dismissive of Old Hollywood in general, and the classic films made before the 1990s.

Criminology senior lecturer @paulaabowles has an affinity for Agatha Christie but seldom do I hear young people talk about Agatha when thinking crime stories, be it literature or not. I hear much love for Idris Elba as DI John Luther. Yet, it is arguable to say there would be no modern whodunnit without the massive contributions of crime writer Agatha Christie, who a century ago was defining the things we now we would call clichés. These people are seriously missing out by dismissing “The Old”. All it takes is the right story to alter perceptions, changing minds forever.

I do love to read, but film / the moving-image is more my thing. One of my favourite films is Mr Smith Goes to Washington. I’m of that generation that some of the boomer generation are talking about when they say “kids today” in relation to not enjoying the films that were around in their youth. I watched this film when I was 19 and I still am surprised by how complex yet simple it is. Audiences who have watched things like Veep, Netflix’s House of Cards or Thick of It will get on with James Stewart as Mr Smith.

Agatha Christie was the author of many crime novels, including: Murder on the Orient Express, Death on the Nile and the ABC Murders; for more info, @paulaabowles

Its searing portrayal of how systems of power crush good people just wanting to do the right thing can still be seen in society today; from politics to policing, exploring corruption and greed in the deeply flawed human imagination whilst simultaneously acting as a commentary for humanity’s blitz spirit in a film, which I would not be surprised influenced Stan Lee in creating the character of Captain America in 1941. No matter how hard you try, what keeps human beings going is their determination to fight on.

I could be offended at people that say my generation “wouldn’t know a good film if it was staring at them in the face” because “Hollywood only now makes films for sixteen year-olds and China” (both real quotes) but I’m not, because in my experience outside of online film groups on Facebook, and Film Twitter, I have seen this to be true. I will never forget the time when a former-colleague refused to watch Ridley Scott’s Alien because it was old.

When people ask me for recommendations, I need to get a notion of that person’s likes first in case I get a repeat Alien situation (I am still salty about this) Nonetheless, I think everyone should watch classic cinema, including black and white films, as they are some of the best films ever made.

In a time now where sex sells, another in for classic cinema would be to introduce them to Old Hollywood through pictures like Some Like It Hot. Most people have heard of Marilyn Monroe, and the Youth of Today or Yesterday may in fact be seduced by the “crude” title and its star, only then to get mesmerised by a God-ordained masterpiece of American cinema, mixing film noir with banter and action, a film that is certainly not boring.

Woody Allen and Diane Keaton (Annie Hall 1977, United Artists)

Though, very much a product of the late 1960s, To Sir with Love hasn’t aged a day. Growing up in a household where education and learning were core values, watching this film at 20 was a homecoming for me. Only to then screen it at the Students’ Union as part of Black History Month 2019. It reminds me of today in how we are in a sector where many students don’t want to learn and many teachers don’t want to teach, before we even get to issues of disparities of outcomes between different student groups.

Mark Thackeray (Sidney Poitier) is the teacher we all wish we had, and certainly an entrance into Old Hollywood for The Youth of Tomorrow, let alone the wonderful song by Lu Lu. To Sir, with Love is optimistic while still commenting on social issues, including race and class. It’s pure of heart in its ideas about British education but also access to education for poor working-class communities in the East End of London. Moreover, how teaching back then was a noble profession and a pillar of the community.

If “kids today” are to have access to these films, it will often be how I had access to them. Through a clunky VHS system at school watching things for English class like Elia Kazan’s A Streetcar Named Desire. I will never forget the time my brother asked me what a VHS was. And I then thought I had failed my duties. Or am I just passed it? Does he think I’m ancient? I think we’re at DVD now, or even BluRay? Who decides what a classic is? That’s another question and that debate will have to wait for another time.

Claudine 1974 (20th Century Fox)

Do kids today know who Steven Spielberg is? He has had a defining film for every decade of his career. Surely, they know who he is? They must have watched Jaws? Sometimes, I want to despair but I was in their position once, possibly when I was in nappies. I think I might have had grey hair then too. As we all sit in lockdown, there is no better time to watch the epics. Whilst many of us will be bingeing the likes of Peter Jackson’s Lord of the Rings, what about the epics of the silver screens of Old Hollywood?

When talking to young people, we do often look at how accessible a film is, and whether it’s in high definition? Those are two selling points. Gone with the Wind, Giant, Lawrence of Arabia, Cleopatra, Doctor Zhivago, Spartacus, Ben-Hur – these are some of my favourite epics. Cleopatra sits at a wholesome 5hrs 20mins. These were event films in the same way we court Lord of the Rings today. We don’t get many event films anymore but you can’t blame the youth for not knowing what they do not know.

And with a massive diversity of content across streaming platforms like Netflix and Amazon Prime as well, do the Youth of Today (and Tomorrow) need older films, or am I locked in the time trap of nostalgia and golden age thinking?

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