Home » Posts tagged 'Criminology'
Tag Archives: Criminology
If I had a time machine…which coronation would I see?
If I had a time machine…which coronation would I see?
If I had a time machine, I would most certainly travel back in time…to witness some great moments in history.
The birth of Jazz in Congo Square in New Orleans, or
Martin Luther King deliver that great speech in Memphis the eve of his assassination, or
The moment the first white man set shore upon the Niger Delta.
Would I go back and see
The crowing of King George, or
Queen Victoria’s coronation, or
Would I be wicked enough to sneak into the palace of the tiny Spanish queen Anne who gave permission and cash to ‘explorers’ who’d cast caste onto the dark skins of every ‘native’ they encountered.
Caste. And race.
Without imperialism, there’d be no black stain upon my skin against which my ancestors resisted.
Without the profit of human trafficking, there’d be no need for labels like Black or white, nor
Racism, nor patriarchy for that matter, a concept squarely meant to trace intergenerational wealth Black folks have been robbed in these United States and upon these British Isles.
See, my mother tongue is English –
The language my Black mother spoke to me came through colonialism.
We were enslaved and inherited names and customs that are easily recognizable to Brits today.
This language limits how I discuss these events, and
Unless I try really hard, and make concerted efforts,
This language limits how I think about these concepts.
You heard that? The English language limits places I take myself in my own mind!
These facts are maddening.
If I describe the Spanish explorers as conquerors, and
Tell you that virtually every pope was a sinner not a saint, and
If I could go back in time, I’d slit the throat of that young Spanish queen, and
If I admit that I have nothing but disdain for every English man, woman and child who’s held that orb Charlie held this past Saturday, then
Even by my own standards, I question if I’d be the hero of my own history.
If I were to go back in time and arm Nat Turner with weapons, or
Help Harriet Tubman guide folks along the underground railroad north to freedom, or
Go further back and try, try, try to stop the entire triangular slave trade altogether, then
I must accept that I’d be erasing myself.
I’d risk robbing Congo Square of its famed place in history, and
I might not be able to hear the pop, Rock, Hip-Hop and House music blasting out of this tawdry bar’s speakers right now.
I’d risk not even being me.
This does not make me grateful for the crown, nor
Does it reduce me to resentment and rage.
It’s complicated.
I’m proud of the New World cultures Africa and her Diaspora have made from our mangled past.
My identity?
It’s layered.
As layered and, again, as complicated as all the fates of all the peoples of the Commonwealth to whom I am now tied due to, dare I say, the golden and bejeweled crown
Carefully placed upon your king’s head.
Long may he reign.
Not.
We all want our histories repaired.
And an end to monarchy.
The End.

Dancing in Congo Square, AKA The Queens and Kings of Jazz
Academic and Pedagogical Activism: Lets change what we can change

I feel some personal context should be provided as a preface to this rather long blog post…
…I chose an academic career path with a specific interest in activism (generally) not because ‘traditional’ protest action is defunct. Quite the opposite. As academics we have demonstrated that our passion for maintaining social justice, transparency, fairness, equality and employment rights, has not diminished. We displayed the collective nature of this passion several times in the past year, most recently through the involvement of over 70,000 staff from 150 universities across the country. As with a previous post, I stress that the thoughts contained here should not overshadow the issues we have raised, and will continue to raise, simultaneously through ongoing industrial action.
As a rather ‘average’ student when it came to attainment prior to starting my undergraduate degree, what shaped my passion for Criminology and my future career path was a combination of the interdisciplinary nature of the subject, but also the incredible student experience that I felt distinguished higher education from the boring, mundane, and out-of-touch schooling system in the UK; a system that often placed more emphasis on the reputation of the institution than the mental welfare of their pupils [I hasten to add, with the exception of my second sixth-form, which has a special place in my heart]. My student experience at university was characterised by a transparent, respectful, and crucially non-hierarchical form of learning. You felt like an adult, on the same level as others around you as well as the teaching team, and that there was nothing you were passionate about that you couldn’t reasonably pursue.
Over the years, however, I have become quite disappointed from seeing sheer refusal in some circles to even consider the student experience as playing a part of university life – the attitude of “they are not here to have a good time, they are here to learn”, which often brings back a lot of pent-up trauma from my schooling days; pigeonholing human beings into pre-characterised slots decided only by a handful of people, obsession with the quantification of success rather than provision of engagement, and an unwillingness to acknowledge uniqueness, neurodiversity, or simply that there were differences between individuals, some potentially requiring more attention.
Having since taught in several universities at varying levels, in starkly different spaces, and with students from an array of unique backgrounds, skills, talents and abilities, I have come to the realisation that these traditional schooling principles that previously governed higher education will always fail to gain traction or support in the contemporary world; from students, and from those academics who have thrived in progressive teaching & learning environments, where they would have failed if traditional practices had been employed. I have also reflected deeply on things that we can change as academics; things that are reliant on choice, and that transgress the traditional boundaries of strike action. Academic development is much more than research ‘impact scores’ or quantification of published texts/articles. It is a holistic process. Challenging dominant hegemony and helping to reinforce social justice is simply not possible without shifts at grassroots level; by actively being the change that we want to see. It is a process that requires active participation from all, rather than a dominant minority.
Interdisciplinary Collaboration
While we are, first and foremost, criminologists, we are also more broadly social scientists. Despite some rather outdated beliefs that the discipline should only focus on “studying crime”, criminology is (and always will be) fundamentally an interdisciplinary subject, encompassing fields of sociology, psychology, legal studies, anthropology and philosophy…to name a few. We always ‘study crime’ in some sense, but this does require the level of fixation with denounced theoretical perspectives that have been historically used as a guise for genocide and ethnic cleansing under the banner of racial purity…but a much heavier focus on reframing the theoretical grounding of criminology to debates within the present – the here and now. As a descendant of genocide survivors from both sides of my family, even the thought of teaching students the nuanced intricacies of strategies and tactics that were used to justify murdering people (like my great-grandparents and their relatives) is unconceivable. Of course, it is important to know the past to learn from it, and to avoid a repeat of the atrocities we have seen in human history, but in such detail? What is being presented to the world as the core of criminological theory by elevating these intricate ideas onto the criminology pedestal of fame?
Our approach to knowledge production should therefore be free from isolation solely to our discipline or institution. Our only allegiance is to the production of this knowledge…knowledge that we are profoundly passionate about, irrespective of its spatial dimensions. Institutions should therefore be facilitators of this knowledge; breeding creativity to roam free from isolation beyond the dominant disciplinary interest, allowing all to extend friendly hands for research collaboration with others who may well disagree with our theoretical positions, encouraging learning from others’ experiences that are different from our own. In doing so, we can avoid the suppression of certain academic texts from entering our curricula under a variety of guises; freeing academia from research isolation into being able to engage with researchers or work that may be useful for personal academic or pedagogical development. To ensure that we are able to successfully advance academic knowledge, but also gain the type of research experience that will serve us positively in our future lives with enhanced research portfolios, we need to rethink our own positionalities in relation to collaborating with other academics and institutions that may differ from our own. It is possible that much of these struggles can be unconscious and rooted in understandable past struggles, bad experiences that have led to mistrust or a sense of hopelessness, but there is no better time to latch onto optimism than the present moment. After all, what are we without hope?
As social creatures, we must venture outwards and embrace the flux of knowledge and healthy collaboration. In a contemporary globalised world, we are intertwined with the social, political, economic and cultural negotiations of our own identities as academics, alongside being ongoing students of the social sciences. As such, aside from the issues to which we aim to draw attention through industrial action, we must reflect on whether we truly practice what we preach. Without this, we are doomed to being perceived simply as moaners from beyond, rather than creators of change from within. Speaking from experience of witnessing the long-term effects of this kind of mismatch between what is preached and what is practiced, in many institutions this is commonplace and, unless care is taken, it can often become problematic. It can both confuse students’ understanding of how their lecturing teams position themselves in relation to what they are teaching, but also affect the academic staff that may well have alternative theoretical or pedagogical views to the dominant narrative.
Co-Creation and Student Participation
In the interests of maintaining healthy staff retention within institutions generally, but within social scientific disciplines specifically, proper care must be taken to ensure that suggestions for co-creation are actively encouraged. Calls for genuine co-creation of curricula, of strategies to shape equality, diversity or inclusion (EDI) strategies, and anti-racist pedagogical practices can otherwise end up either sidelined, ignored, or simply dominated by only a few voices claiming to know it all. Care must be taken to ensure that, in the interests of maintaining healthy communication and morale more broadly, decisions are not made by a dominant few in advance of consultation processes for these things. Genuine co-creation requires:
- Provision of a truly open forum where anything can be discussed without fear or reprisal;
- Entering the space with a wholly open mind where anything is subject to change;
- Full acknowledgement of one’s personal unconscious biases;
- Acceptance of one’s own intersectional privileges that influence their ideas, but that also disadvantage others’ positions;
- Active participation from all members in the forum;
- Recognition that decisions cannot be made prior to the forum, but that improvement is an ongoing process, requiring regular collaboration, rather than enactment of decisions made separately.
As an ongoing process, this is merely a starting point, rather than an end point.
Academics and students are an integral part of this co-creative practice; pedagogical knowledge requires, rather than desires, student contribution. That does not mean this process is easy. It can be difficult, particularly if student attendance or engagement with teaching & learning sessions is low. However, there is no conceivable reason to suggest that we cannot promote continuous, critical, self-reflection of teaching & learning practices, which are known to have a largely positive impact on academic development, albeit with a small number of students if so be it. After all, as social scientists we quite rightly regularly and vocally criticise bureaucratic processes that aim to ‘measure’ success of actions and events, or try to ‘quantify’ experiences and social interactions. Therefore, we should dwell less on numbers in attendance or vague interpretations of ‘popularity’ of sessions, and more on the quality of these interactions. It is the quality that builds engagement, paving the stepping stones for positive student and staff experience at university level.
Innovative Assessment Strategies
A rather different way that student experience of university study can be improved is by revisiting the appropriateness of ‘traditional’, but largely pedagogically defunct, assessments like exams and in-class tests. If we are to be vocally critical of contemporary school-style practices that do not prepare students for higher education, we cannot in good conscience then replicate the same practices that fixate on teaching students simply how to memorise concepts, ideas or authors for one day of regurgitation. Add to this the stresses associated with preparation, time pressures and performance anxiety on the day, and we are left with an assessment style that no longer matches our developing approaches in tackling mental health in higher education. Exams in contemporary society can only serve as a means of boosting grades at the expense of progressive learning styles. It is an example of pandering to bad pedagogical practice simply to give a perception of success, one that once again relies on quantification as a measure of achievement. In eliminating these types of assessments, we can make room for more innovative and progressive styles that can prepare students for the future of employment (whether physical or digital); communicative, collaborative, and largely reflective tasks that make use of technological advancement and help to build on students’ existing skills and talents.
Innovative assessment styles can be inclusive of developing technologies and increasing student involvement in social media platforms. Why fight the craze of video-based platforms when they can be used to the advantage of academic development and employability? In modules that focus on developing knowledge and understanding of research methods (for instance), we can introduce students to increasingly digital methodologies. This will allow them individual autonomy to adopt methods that may well involve contemporary technological platforms or practices, not only shifting criminology away from the mundaneness of what has already been ‘done to death’ (in the worlds of a former academic supervisor), but can also serve as a physical demonstration that the synergy of ‘theory’ and ‘methodology’ does not have to be outdated or out-of-touch…that it can be applied anywhere and in any context provided it is applied in the correct fashion. It is up to our array of skill and talent as experienced academics to enable and facilitate students to be able to apply innovation to their passions.
Linked closely to this are in approaches of establishing the ethical integrity of written work, particularly large-scale projects like dissertations. While not to go into a debate about the appropriateness of written dissertations at this stage, care must be taken to ensure that research ethics committees do not conflate genuine ethical concerns or considerations with what may be personal methodological preferences relating to knowledge production and research feasibility – though this is something that can be tackled through establishing full transparency of the entire ethics process with students, including their entitlement to know who has commented on their work. Often, these challenges can be alleviated simply by reducing dependence on “in-house” disciplinary ethics committees and allowing students to submit their projects to independent ethics committees instead, ones external to their immediate discipline perhaps. After all, there are parallels across the social sciences when it comes to methodology and employment of innovative research methods. A ‘fresh’ pair of eyes can help to provide more objective commentary and avoid potential overlaps between ethical concerns and methodological preferences.
Student Engagement and Student Experience
Essential to facilitating students’ innovative passions are the relationships that we, as academics, build with them. Whatever our teaching & learning styles, whether we choose to create physical, digital or hybrid learning environments, synchronous or asynchronous content (or a combination of everything), fundamentally we should be building a positive, personable, non-hierarchical and entirely transparent rapport with students that breeds autonomy and individual responsibility for learning & development. This means also avoiding any overlaps between what is clear university policy with what we as academics simply ‘want’ or ‘desire’ when it comes to everyday teaching practices – this can sometimes create confusion. Transparency on what students are entitled to do, and conversely what they are perfectly entitled not to do, should be at the forefront of our relationship with them, but also this transparency needs to apply at all levels.
We also know that non-hierarchical relationships have a direct positive correlation with exercising individual autonomy and responsibility. Of course, some clear boundaries must be set in the academic-student relationship, as are done in all places of employment, within reason and common sense. However, where these boundaries become unnecessary and lack logical purpose are when (as I have seen in some academic institutions) they are used to create and maintain a hierarchy of knowledge or status. This is often evident when it is claimed that the path of the academic has been so riddled with difficulty, that the rite of passage to academic status is determined by the level of “trauma” the academic has suffered throughout the journey. It is a ludicrous presumption and can often breed animosity between a student and their lecturer. Our relationships do not need to be parental; whatever personal views we may have of student maturity, as adults, they simply do not require micromanaging or undermining. Students should be aware of the intricacies of their institutions, and who the people are that make decisions on their futures (i.e. their lecturers). As all adults, they are minimally entitled to this level of transparency and visibility.
Students are no less able or capable of producing knowledge – it may not be the type of knowledge that we may have become ‘accustomed to’ within academia, but…absent any methodological or ethical issues…this does not render the knowledge somehow less worthy than what is created in more (arguably) ‘elite’ academic circles (as is sometimes suggested). Our approach to gaining mutual trust and building a positive rapport with students is a crucial first step to ensuring that there is at least a minimal level of engagement. I find that one of the first things I communicate to students, particularly those who have recently commenced their studies, is ‘realistically-speaking, there is no difference between you and me. We are all humans. We are all academic researchers. We are all here for the same purpose; to learn about criminology. My only job is to facilitate your learning’. Of course, this means that students should demonstrate the depth and breadth of independent research required at this level of study – the common mantra still applies; “you get out of education what you put into it”. Though somewhere along the line, and it is unclear when or where, academics seem to have created for themselves a status of unchallenged godliness, one that can only be earned through mental distress. Being an academic is not a status for privilege. It should not be used as a form of power over student bodies; whether physically, psychologically, or pedagogically. It is simply a stage in a process of knowledge production.
At pedagogical level, the most common sticking point that can obstruct the relationship between students and academic staff, as observed in some places, is one of class. It is not always articulated, but it is clearly visible in interactions (or lack thereof) with students. Class is not merely economic status but a culmination of various capitals; social and cultural capital included. We know, for instance, that many students come from low socio-economic backgrounds; working-class homes, single-parent families and/or other challenging life experiences. As with most in neoliberal nations, many have their own struggles and unique stories, lives that we may never be privy to, that can shape behaviours or characters that we may never truly understand. As an institution and a team, we do well to acknowledge this. We take some steps, and do our best as academics, to try to mitigate some of these struggles wherever possible. However, this is an ongoing process and more can be done at varying levels.
For instance, we are aware that given varying degrees of cultural capital, many students will not engage with certain academic texts. This is not to say that the solution to this is to remove theory from our curricula – criminology is fundamentally a theoretical discipline – but there can be at least an appreciation that some texts require a certain degree of cultural capital that may never have been possible to attain throughout the struggles that students have experienced in their lives…regardless of their performance in, or experience of, prior education. Perhaps a rethink is needed of the elitist and white-centric nature of some texts, and/or the methods through which students are introduced to theoretical material might be useful, without the need to suggest that being a successful student is solely reliant on never leaving a library. This ties in closely with aforementioned innovative strategies to engage students, ways that transgress boundaries imposed by ‘traditional academia’ of talking at students, instead allowing them to be the co-creators of their own academic knowledge.
Academic Anti-Racism & Intersectionality
Tied to this are some issues surrounding social (in)justice. There needs to be an adequate level of acknowledgement of the requirement of truly anti-racist pedagogical practices and content. As a critical criminologist and anti-racist activist, it is no surprise that these practices are, and will always, be at the forefront of everyday decisions I make – not least because I was employed on the basis of my research and pedagogical interests in anti-racism. I often make the point that certain buzz words like ‘anti-racism’ and ‘decolonising the curriculum’ are banded about without adequate understanding of what these involve. Whilst we may all potentially agree that this is the case (or perhaps not, this is down to every individual), there is still a gap in knowledge and understanding even on the part of those who do agree with this statement…hence there being a decisive unwillingness to engage in any practices that carry the label of ‘anti-racism’ or ‘decolonising’ across universities. What is being missed is the purpose of these practices. Far from simply being non-racist, anti-racism is an everyday tool that can and must be exercised in all aspects of daily work life within academic institutions.
Much of the challenges of understanding what anti-racism really means, or how it can be utilised to improve teaching & learning, stems from a reluctance to acknowledge our own unconscious biases. Where, as social scientists, we often teach about intersectional struggles and the presence of global social injustice, we tend to overlook the fact that our everyday choices can contribute towards those exact injustices. Ongoing reflection on what texts are introduced to students can help alleviate some of these. Texts should prove to be more inclusive, demonstrate our commitment to shift away from white-centric understandings of crime and criminality, and demonstrate best practice when it comes to the use of appropriate discourse when it comes to ‘race’, so that students do not regularly replicate questionable racial terminology in assessments, and potentially also in later life. Yes, deeply ingrained structural racism across society (and in academia in general) means that many of the “legitimised” academic texts tend to be produced in, or relate to, the US and other Western nations. However, care must be taken to ensure that we are not inadvertently engaging in academic nationalism by restricting students to utilise texts that only refer to England & Wales, for instance.
Changing what we can change
So…given the challenges that have led to unified industrial action in universities across the country, where can we as individual academics start, or how can we contribute towards this? Well, it is important to note that there is nothing that we are required to do as academics that actually makes any of this less possible. It is simply a case of substituting existing practices with others that make more sense and breed positivity; a shift of expectations and priorities, rather than additions to pre-existing ones. It is easy to agree with many of these challenges, but to then find a variety of reasons for why changes cannot be enacted in the way that they should. We know there are unique differences across institutions, and there will be challenges associated with some spaces that are not found in others. But there cannot be a refusal to even try, or to allow others to try, in learning from good practice from institutions which have actually succeeded in bringing positive changes into fruition.
As is evident from student engagement, hierarchical practices of imposition can fail if it is not passionately supported by everyone in the room, particularly where these cannot be questioned. As academics, we quite rightly expect respect for individual autonomy, a dissolution of micromanagerialism across academia, and non-hierarchical forms of leadership. These are good starting points in ensuring that there is healthy staff retention and morale at all levels, so that this positivity can then be reflected in our relationships with students. The only imposition can be the imposition of consistent care and respect for one another. We are all human beings with aforementioned unique diversity of skills, talents, experiences, cultural sensitivities, all of which form our distinctive intersectional identities. Maintaining an optimum level of student engagement & experience, and successful staff retention, requires celebrating these differences in ways that allow them to shine in our everyday working practices. It is in the interests all within our institution that we offer this kind of diversity in our ranks. This is not always found in other walks of life.
This is what sets us apart, and this is what gives us ‘status’.
Regulation and the Internet

*Trigger warning: article contains mentions of suicide, mental illness and self harm in regard to a recent news article*
It seems that internet usage, regulation and monitoring can be a divisive topic for some. The internet can be a fantastic tool for learning, communicating and employment, among other things. However, as with everything, there is a dark side to it. I once watched a video about the internet and regulation, the narrator likened internet usage to when people drove cars with no seatbelts. The world now has this wonderful tool, with little to no effective safety mechanisms, and with many young people, and vulnerable people being able to view harmful content without regulation, we are seeing extreme and negative repercussions.
I think one of the main appeals of the internet is the inherent freedom that it gives the user, the key word here is freedom. It seems that some people believe that unregulated usage of the internet is now an inherent part of their freedoms. This is perhaps why attempting to further regulate usage could result in disagreement and objection. The topic of internet regulation is a very nuanced topic; it toes the line of freedom and restriction and profit and protection. Algorithms are one way that social media companies can prolong the amount of time a person is scrolling through their newsfeed, for example: If you ‘liked’ a picture of a cat, it is more likely that related content would then be shown to you. For social media companies, more engagement equals more money. The algorithmic style of newsfeeds seems great in theory but they can become harmful. If we replace viewing cat content on Instagram with viewing suicide related content, we can see how this can become very problematic very quickly.
Questions concerning the ‘wild west’ type environment that is the internet are becoming more common. With the recent inquest concerning the suicide of Molly Russel, these questions are even more relevant. Molly Russel saved thousands of images related to self harm and suicide months before her death, posts also included some promoting depressive content and encouragement to not seek the help from a mental health professional. Tech giant Meta’s response in the inquest was that the majority of these posts did not breach their social media posting guidelines (they conceded a few did breach the rules). Their response totally contradicts the reactions of those present at the court, with Molly Russel’s father stating that these images were graphic, dark and harmful. With mental health resources already being stretched beyond capacity, this unregulated environment that is legally accessible to children will surely exacerbate these problems. Molly Russel’s experience will not be the only one, thousands of vulnerable and impressionable people, young and old experience similar things and view similar medias. Whether it be accessing pro-anorexia content, content which promotes weapons and violence or content which advocates for avoiding professional mental health support.
The repercussions of an ineffectively regulated internet are unmeasured and the continuation of this deregulation is for the pursuit of profit fuelled by misguided ideas about what freedom of action and freedom of expression mean.
Remembering the execution of Ken Saro Wiwa, 27 Years After
– Ken Saro Wiwa‘We are going to demand our rights peacefully, non-violently and we shall win’
The level of destruction and environmental damage caused to the people of Ogoni land remains one of the greatest tragedies in the history of Nigeria. This month, we remember and reflect on the plight of the renowned Lt. Ken Saro Wiwa, Nigeria’s pioneer environmentalist who fought vehemently against the incessant destruction of the Ogoni Land in the Niger Delta region of Nigeria.

The history of Nigeria is heavily ingrained in the struggle for oil, and the Ogoni Land, which is located in the Niger – Delta region of the country houses one of the most sought-after and precious deposits of crude oil in the world. Although, with a very small ethnic population compared to the larger ethnic groups, the Ogoni people consider themselves as the marginalised groups who has consistently benefitted nothing but havoc and environmental destruction at the hands of the then Nigerian Military government and the Royal Dutch Shell petroleum corporation. Indeed, it can be argued that the inability of both the Nigerian government and Shell to devise appropriate measures to ensure the preservation of Ogoniland as well as the protection of locals contributed to the environmental destruction that the region encountered.
Shell entered Ogoniland in the 1950s with the approval of the Nigeria Government to exploit and extract oil. As Shell’s operations were ongoing, the Ogoni people started witnessing changes in their environment, something that drew attention to the series of environmental pollutions going on in that region. Due to the Ogoni land’s mangrove nature, the Ogoni people relied heavily on fishing and farming for trade and survival. However, Shell’s entry turned their livelihoods into a nightmare when the region began to experience massive oil spillage. Causing an unprecedented level of health hazard, their farmlands began soaking in crude oil, tonnes of fish were dying off due to the oil spillage, their drinking water became contaminated with Benzene, locals were dying due to inhaling toxins – all of which led to a complete destruction of the environment.

.
A man trying to separate crude oil from water in Rivers state, Nigeria. Via: https://www.newsweek.com/how-nigerias-buhari-can-clean-ogonilands-oil-spills-476654


via:https://guardian.ng/news/ogoni-communities-lack-water-health-facilities-1000-days-into-cleanup/
‘Amnesty International estimates total oil spill in the Ogoni to be between nine and 13 million barrels, with Shell and ENI, the Italian multinational oil giant, admitting to more than 550 oil spills in 2014 alone.’
(Vanguard 2018)
In an attempt to challenge this devastation, Ken Saro Wiwa began his campaign by establishing the movement popularly known as MOSOP (Movement for the survival of the Ogoni People). This group engaged in a series of mass demonstrations calling for the withdrawal of Shell’s operation, whilst challenging the incessant destruction of their precious land. Soon after, he developed the Ogoni bill of rights, a political document simply based on the principle of justice and morality, which demanded the protection of the Ogoni people against Shell’s operation on the Ogoni soil.

Ogoni Bill Of Rights – adapted from https://bebor.org/wp-content/uploads/2012/09/Ogoni-Bill-of-Rights.pdf
This movement engaged in a series of demonstrations and activism, both on the streets and in the national dailies. From such a small location, their voice and activism rapidly spread like wildfire, grabbing the attention of neighbouring communities, then neighbouring states, and then the entire country – to the point that there were now being recognised by international communities. Although, the periods between 1990 and 1992 were particularly difficult for the Ogoni people and the MOSOP because this was when many of their activities became proscribed – even though they adopted a nonviolent mode of engagement. Under the Military Decree, anyone engaging in activities capable of promoting ethnic nationalism risks the death penalty, and the Military government of Nigeria did not hesitate their assurance in following suit.
Ken continued to encourage resistance but their ranks, it is recorded, slowly began to fall apart as some supporters began to denounce Ken’s ‘radical’ forms of activism. These internal disputes meant that factions within the group will now begin to go against their official principles while engaging in sabotage. An example of this was when Ken was accused of orchestrating the killing of some Ogoni leaders in 1994. Eventually, the Nigerian government concluded that the chiefs were all critics of Ken’s activism and that he only could have orchestrated their killing. This case, coupled with the accusation of causing civil unrest in the Niger – Delta region later led to his arrest by the Military Government. His unjust imprisonment provoked international outrage with members of the African Union, European Union, and other pressure groups beginning to condemn this act. Protests erupted in several locations, activists began to call for his release and foreign leaders even advised the Abacha government to reconsider his actions and release Saro Wiwa unconditionally, but all of these fell on deaf ears.
Despite the public outcry and stern warnings from world Presidents, the military dictatorship of the Sani Abacha regime authorised the execution of Ken Saro Wiwa alongside 8 other Ogoni activists. They were sentenced to death by hanging on the 10th of November 1995 – with his last words recorded as:
'Lord take my soul, but the struggle continues.'

Indeed, the struggle continues, and the spirits of these faithful departed live on. The story and execution of Ken Saro Wiwa remind us of the long history of pain that the Nigerian people have endured at the hands of their leaders. Apart from the fact that Ken Saro Wiwa stood for justice, Ken reminded us that the real victims of eco-crimes and state violence are often the last to realise their victimisation. He put the Ogoni people on the map for the world to see the damage and destruction that bad government policies can cause. He demonstrated to us in an exemplary fashion how we understand the illicit engagements at play, often stealth, between state representatives and cooperate establishments. And most importantly, he drew attention to the need for the protection of our environment and how we must defend it at all costs. 27 years after his death, it can be argued that the Niger – Delta region continues to feel the impact of the environmental damage, but his show of gallantry for the protection of our environment will continue to inspire many who continue to challenge and resist the various forms of ecological crimes in Africa – and elsewhere.
Reference
Vanguard 2018, ‘Inside Ogoni village where oil spill wipes off ’10 persons every week’, The Vanguard, December 23, 2018, https://www.vanguardngr.com/2018/12/inside-ogoni-village-where-oil-spill-wipes-off-10-persons-every-week/
The dance of the vampires

We value youth. There is greater currency in youth, far greater than wisdom, despite most people when they are looking back wishing they had more wisdom in life. Modernity brought us the era of the picture and since then we have become captivated with images. Pictures, first black and white, then replaced by moving images, and further replaced by colour became an antidote to a verbose society that now didn’t need to talk about it…it simply became a case of look and don’t talk!
The image became even more important when people turned the cameras on themselves. The selfie, originally a self-portrait of reclusive artists evolved into a statement, a visual signature for millions of people using it every day on social media. Enter youth! The engagement with social media is regarded the gift of computer scientists to the youth of today. I wonder how many people know that one of the first images sent as a jpeg was that of a Swedish Playboy playmate the ‘lady with the feathers’. This “captivating” image was the start of the virtual exchange of pictures that led to billions of downloads every day and social media storing an ever-expanding array of images.
The selfie, brought with it a series of challenges. How many times can you take a picture, even of the most beautiful person, before you become accustomed to it. Before you say, well yes that is nice, but I have seen it before. To resolve the continuous exposure the introduction of filters, backgrounds and themes seems to add a sense of variety. The selfie stick (banned from many museums the world over) became the equipment, along with the tripod, the lamp and the must have camera, with the better lens in the pursue of the better selfie. Vanity never had so many accessories!
The stick is an interesting tool. It tells the individual nature of the selfie. The voyage that youthful representation takes across social media is not easy, it is quite a solitary one. In the representation of the image, youth seem to prefer. The top “influencers” are young, who mostly like to pose and sometimes even offer some advice to their followers. Their followers, their contemporaries or even older individuals consume their images like their ‘daily (visual) bread’. This seems to be a continuous routine, where the influencer produces images, and the followers watch them and comment. What, if anything, is peculiar about that? Nothing! We live in a society build on consumption and the industry of youth is growing. So, this is a perfect marriage of supply and demand. Period!
Or is it? In the last 30 years in the UK alone the law on protecting children and their naivety from exploitation has been centre stage of several successive governments. Even when discussing civil partnerships for same sex couples, Baroness Young, argued against the proposed act, citing the protection of children. Youth became a precious age that needed protection and nurturing. The law created a layer of support for children, particularly those regarded vulnerable. and social services were drafted in to keep them safe and away from harm. In instances when the system failed, there has been public outrage only to reinforce the original notion that children and young people are to be protected in our society.
That is exactly the issue here! In the Criminology of the selfie! Governments introducing policies to generate a social insulation of moral righteousness that is predicated on individual – mostly parental – responsibility. The years of protective services and we do not seem to move passed them. In fact, their need is greater than ever. Are we creating bad parents through bad parenting or are people confronted with social forces that they cannot cope with? The reality is that youth is more exposed than ever before. The images produced, unlike the black and white photos of the past, will never fade away. Those who regret the image they posted, can delete it from their account, but the image is not gone. It shall hover over them for the eternity of the internet. There is little to console and even less to help. During the lockdown, I read the story of the social carer who left their job and opened an OnlyFans account. These are private images provided to those who are willing to pay. The reason this experience became a story, was the claim that the carer earned in one month of OnlyFans, more than their previous annual income. I saw the story being shared by many young people, tagging each other as if saying, look at this. The image that captures their youth that can become a trap to contain them in a circle of youth. Because in life, before the certainty of death there is another one, that of aging and in a society that values youth so much, can anyone be ready to age?
As for the declared care for the young, would a society that cares have been closing the doors to HE, to quality apprenticeships, a living wage and a place to live? The same society that stirs emotions about protection, wants young people to stay young so that they cannot ask for their share in their future. The social outrage about paedophiles is countered with high exposure to a particular genre in the movies and literature that promotes it. The vampire that has been fashioned as young adult literature is the proverbial story of an (considerably) older man who deflowers a young innocent girl until she becomes infatuated with him. The movies can be visually stunning because it involves the images of young beautiful people but there is hardly any mention of consent or care!
It is one of the greatest ironies to revive the vampire image in youth culture. A cultural representation of a male prototype that is manipulative, intruding into the lives of seemingly innocent young people who become his prey. There is something incredibly unsettling to explore the semiology of an immortal that is made through a blood ritual. A reverse Peter Pan who consumes the youth of his victims. The popularity of this Victorian literary character, originally conceived in the era of industrial advancement,at a time when modernity challenged tradition, resurfaces with other monsters at times of great uncertainty. The era of the picture has not made everyday life easier, and modernity did not improve quality of life to the degree it proclaimed. Instead, whilst people are becoming captivated by ephemera they are focused on the appearance and missing substance. An old experience man, dark, mysterious with white skin may be an appealing character in literature but in real life a someone who feeds on young people’s blood is hardly an exciting proposition.
The blood sacrifice demanded by a vampire is a metaphor of what our society requires for those who wish to retain youth and save their image into the ether of the cyberworld as a permanent Portrait of Dorian Gray. In this context, the vampire is not only a man in power, using his privilege to dominate, but a social representation of what a consumer society places as the highest value. It is life’s greatest irony that the devouring power of a vampire is becoming a representation of how little value we place on both youth and life! A society focused on appearance, ignoring the substance. Youth looking but not youth caring!
It’s summer in America. #BlackenAsiaWithLove
It’s summer. I’ve returned to the UK, got vaccinated, continued to work online, kept calm and carried on. Away for nearly 2 years and so much has changed. Many have spent months on lockdown, clicking-n-collecting everything they need, when what they crave is companionship – non-digital human interaction. And fresh air. Worse, for many, pandemic-induced fear and social-distancing routines have festered into genuine social isolation and alienation. Here, please be mindful that social media cannot replace what we do IRL. A comment or thumbs-up cannot replace a real conversation (surprise!?!). Besides, life is short, speak to folks directly!
Across the pond, there are hundreds of prosecutions underway against individual January 6th insurrectionists. Plus, there’s a new congressional investigation into the the insurgency; the police officers’ testimonies are damning, exposing the ugliness of white supremacy and violence at the core. One particular insurgent’s hate crime against a Black Capitol Police officer really cuts to the core. Officer Harry A. Dunn said in interviews in the days after the attack, and repeatedly in his written and oral congressional testimonies:
One woman in a pink “MAGA” shirt yelled, “You hear that, guys, this nigger voted for Joe Biden!” Then the crowd … joined in screaming…”
At the same time, the traditional celebration of Emancipation is now a national holiday. All this during global outbreaks of an unprecedented worldwide pandemic, dramatizing both all our humanity and all our interconnectedness – irregardless of any social and political/politicized divisions. Diseases, like storms, don’t respect maps. All this, and still Mr. Backlash is right on time, thus Nina penned-n-crooned:
So, Mr. Backlash, Backlash
Who do you think I am?
You raise my taxes, freeze my wages
Send my son to Vietnam
It’s summertime, and the livin’ ain’t easy. CONservatives have set their sights (of their guns) on continuing to serve a bleached version of our history next to their bleached burgers in schools. Taken right out of the Jim Crow playbook, they’re not only suppressing votes by stoking fear of foreigners, CONservatives sit in congress and call the events of January 6th “peaceful protests” to the faces of officers giving testimony, who barely survived that day.
True to Jim Crow, they keep the masses ignorant by reducing Intersectionality to ‘Critical Race Theory’, and pitting that as the enemy of America. Yet, when you present them with the facts of our collective history, say, by simply acknowledging that many “founding fathers” were slave-owners-boasting-bout-freedom, they’re as silent as an electric car (shhhhhh).
Like zombies, CONservatives silently retreat to their narrow view of their Bible “and their bombs, and their guns.” It’s as if they don’t know we can learn how to have better conversations. To be sure, Intersectionality and CRT are inter-related enemies of fear, ignorance and therefore, crucially, white supremacy. It’s not in your head, they are fighting.
It’s now summer in America and three multi-billionaires are racing to go to space. At the same time, so much about our nation is broken: outdated and decaying schools, policing, healthcare and infrastructure… and now both our spirits and democracy are threatened. Insurrection betrays the very spirit of democracy – let’s not act new! Coupled with the empty shop shelves in a post-Brexit/mid-Covid Britain, this moment reminds me of something seminal spoken-word artist Gil Scott-Heron spat in 1970:

The man just upped my rent last night.
(’cause Whitey’s on the moon)
No hot water, no toilets, no lights.
(but Whitey’s on the moon)
I wonder why he’s upping me?
(’cause Whitey’s on the moon?)
I wuz already paying him fifty a week.
(with Whitey on the moon)
Taxes taking my whole damn check…
It’s summer, summer, summertime 2021 in America and we’re still asking, “what did it cost our nation to put whitey on the moon?” Is it summer in America, or is it winter? Can’t be, there ain’t no more glaciers. Happy MF’ing New Year. Have a great summer. See you on ‘the other side of the moon’.
P.S.
Did you catch all those space-billionaire and musical references? Despite all this sickness-n-division, near-n-far, yet-n-still, “music makes the people come together… yeah.”

PIX:
Gil Scott-Heron: https://genius.com/Gil-scott-heron-whitey-on-the-moon-annotated
Whitewash History, adapted from: https://www.evanstonian.net/archived-opinion/2014/10/05/history-lessons-whitewash-history/
“BAFTA stands for ‘Black actors fuck off to America'” – Gina Yashere
Performing Arts has been part of my life for as long as I can remember, and arts in general is something I’m passionate about, more specifically: literature, theatre and film / television. However, the recent awards scandal with BAFTA is really just one more example of how institutional violence is something Britain refuses to come to terms with. Whether we’re talking the education sector, or policing (Macpherson 1999), criminal justice (Lammy 2017), or in government (Windrush Crisis), or Britain’s film and television industry.

There’s twelve and half years between me and my brother. Yet, ever since he was born he has shown an aptitude for the arts and great promise in both stage and screen, having done work with Screen Northants and Royal & Derngate, as well as with the Royal Shakespeare Company (The RSC).
He really is very good, but how the UK treats Black actors is atrocious. I know from discussions that he wants to be a serious actor and I wonder if he will have to fight the same racism and implicit bias that David Oyelowo and Idris Elba did. When will Black British actors stop having to prove themselves abroad before they are taken seriously in their own country?
“BAFTA stands for ‘Black actors fuck off to America'” joked comedian Gina Yashere in docuseries Black is the New Black
It’s funny because it’s true. And Britain’s close-minded attitudes towards race and diversity does not help the cause. Over the years, Black British actors, and even Black and brown Brits from other non-UK backgrounds have gone to America in hoards and made it. Whilst America is not famous for its racial harmony, it is at least thirty years ahead when it comes to race. And when it comes to diversity within acting and the performing arts industry, they are better off. If Ashton decided he wanted to jump ship and move to Los Angeles, or NYC (for theatre), I would help him pack!

We are losing talent because of Britain’s inability to change: Nathalie Emmanuel, Freeman Agyeman, Dev Patel, John Boyega, Riz Ahmed, Henry Golding, Gemma Chan, Daniel Kaluuya and Gugu Mbatha-Raw are just a handful of our great actors that followed the likes of Idris Elba, David Oyelowo, and Naomi Harris to the United States, a country that we criticise for its racism. But what of racism at home? Is Britain racist? “Definitely, 100%” said Stormzy. And I would argue his misquote was also true.
Idris Elba made it as Stringer Bell in The Wire before the BBC picked him up for Luther and David Oyelowo has been in a number of high profile Hollywood films, including Last King of Scotland and Selma. Don’t misunderstand me, America is not perfect but at least it doesn’t put a blue plaster on a tumour and call it progress. Our diversity, the thing we boast about is leaving, meanwhile BAFTA celebrated its seventh consecutive year of no women in the Best Directors race, let alone nods to women of colour.
Black Americans make 13% of the US population (est. 48.4m), but Black Britons only make up 3% of the UK population (est. 1.9m), so I guess this shows why there’s more visibility for Black actors in the United States.
However, I’m by no means saying America is a utopia, I just believe America is better put-together where diversity is concerned. Hamilton, one of the biggest musicals ever is a global phenomenon made up of almost entirely Black and brown actors, as will be the new adaptation of In the Heights directed by American director Jon. M Chu (Crazy Rich Asians), with songs written by Lin Manuel-Miranda, the mastermind behind Hamilton.

And America’s many sub-genres; from Spike Lee creating the Blaxploitation genre from the mid-80s to the world of Tyler Perry with Madea, and “Black” comedies like Girls’ Trip and Little, Black cinema is massive in the States. Whilst I don’t believe you can allot race to film and call it a genre, I do believe you can make films about Black lives and celebrate it. Whilst there is Black cinema in the UK, it’s a drop in the ocean and not mainstream.
My father named me for Tre from the classic 1991 film Boyz n the Hood, out of this film the world was shown a plethora of Black characters, including the mild-mannered Tre, but also his father played by an early career Laurence Fishburne. Black-led Rom-Coms like Girls’ Trip, most recently but even historically, such as Love and Basketball or even something more serious like Juice, or Poetic Justice, with musician-actor Janet Jackson.
If my brother at seventeen or eighteen years old decided to try his luck in Los Angeles or New York, I wouldn’t blame him. Black British actors are making waves in America. Black Britain has faced criticism from the likes of Samuel. L Jackson, where he suggested Jordan Peele’s Get Out would have been better with a Black American lead. Yet, what both countries share is Black actors fighting for roles whilst their White colleagues (i.e Cumberbatch, Streep, Blunt, Fassbender) don’t have to, nor are their White colleagues under the same criticism from their peers and the establishment.

In the essay collection, The Good Immigrant, in his essay ‘Airports and Auditions’, actor-poet Riz Ahmed states “the reality of Britain is vibrant multiculturalism, but the myth we export is an all-white world of lords and ladies.” The period drama genre for example has been under scrutiny for being too white. The Britain we sell overseas is Jane Austen novels, The Crown and Middlemarch. It’s the stuff in canon literature, not Hollyoaks or our close to two thousand-year history of Black people in the British Isles.
The Britain we sell overseas is not the Britain my brother is growing up in. My generation, the Harry Potter Generation; we grew up with Hogwarts Tamagochis and Beyblade. I grew up with Pokémon and Yu-Gi-Oh. And even in Harry Potter, in this diverse Britain we celebrate, the lack of Black characters or characters who weren’t White is blinding. And even the Dean Thomases and Cho Changs of that world have few lines between them.
And Ashton is growing up with more knowledge (and pride) around being a Black Briton, in the tint of great influences, incl. Stormzy, Afua Hirsch, Santan Dave, David Olusoga, and Reni Eddo-Lodge, all of whom speak truth to the power.
I don’t want him to feel low, but you must wonder if it was designed against people like him from the start? If #DecoloniseHE in the education sector is anything to go by, the answer is yes. Will he find roles for him, or will he be one of those Black British actors that effs off to America? Will he have to do what Noel Clarke (Kidulthood) did and write, direct and produce his own films because Britain’s film industry does not cater for its diverse talent?

And that is a sad state of affairs indeed. Tyler Perry being the first Black American to own a film production studio is a testament to what is possible in America. It’s not uncommon to see a Black professor in an American university. There are only 85 Black British professors in UK universities. It’s not rare to see Black lawyers or Black teachers in the US but there’s an over-representation of White British teachers in UK secondary schools and in HE.
As a writer in Northamptonshire, a county wrapped in classism, you also have to think about race’s impact on class. To enjoy theatre, but only on occasion seeing people and stories that reflect Britain’s diversity. Whilst my vocation is not reliant on looks, the struggle for Black actors is really a struggle. It was never meant to be easy. To live in a Britain that pushes images of us that can only succeed in entertainment and sports, but seem nonexistent when it comes to discussing Black intellect and political ideas.
And it’s really a solemn thought that this happy boy might one day be forced to go to America because in British style, like all our structures, it caters for the few, not the many.
Works of Note
Adegoke, Y and Uviebinené, E. (2019). Slay in Your Lane. London: 4th Estate
Advance HE (2018). ‘Equality in higher education: statistical report 2018,’ ecu.ac.uk, [online]. Available from: https://www.ecu.ac.uk/publications/equality-higher-education-statistical-report-2018/ [Last accessed 30 December 2019]
Ahmed, S. (2018). Rocking the Boat: Women of Colour as Diversity Workers. In: Arday, J., Mirza, S. (eds). Dismantling Race in Higher Education: Racism, Whiteness and Decolonising the Academy. London: Palgrave Macmillan, pp. 331 –348
Home Office. (1999). The Stephen Lawrence Inquiry. (Chairperson: William Macpherson). London: TSO
Ministry of Justice (2017). The Lammy Review. (Chairperson: David Lammy MP). London: TSO
Fifty Shades of Beige: On BAFTA, yes I’m bitter

Almost all the Best Picture nominees for BAFTA and the Oscars are about White men, existential angst in toe (à la Joker). The exceptions are Once Upon a Time in Hollywood (on Sharon Tate, played by Margot Robbie) despite the mainly White-male-Cast, and Little Women. Whiteness prevails, irrespective of the gender, and intersectionality continues to be an inconvenient myth. Though, Cynthia Erivo picking up an acting nomination for Harriet has not gone unnoticed. But at this point, throughout the main categories, it just feels like Erivo being nominated is a “you should be grateful” tokenistic handout.” to the Black community “Yes, you can have this one.” One in, one out.
The Oscars did better than BAFTA, but by the skin of their teeth. Whilst BAFTA nominated Parasite for Best Picture, they also nominated Margot Robbie and Scarlett Johansson twice. And like the rest of Britain’s institutions, why shouldn’t BAFTA be bludgeoned with the tag of institutional violence? Why shouldn’t it be whacked with “racist”, “elitist” and “misogynistic?” In a year that gave us Portrait of a Lady on Fire, Atlantic and The Souvenir, there is really no excuse for this level of discrimination.
Racism to British culture is what to America is to apple pie. So, you really don’t have to think very hard why Black British and British Asian talented actors go to Hollywood for better opportunities when their own country treats them abominably. What’s more, Britain is miles behind the States as far as representation is concerned. And in a bold, almost-colonial move of Englishness, BAFTA asked Cynthia Ervio to perform, despite not being nominated for her performance as Harriet Tubman, nor any nominations going to Harriet director Kasi Lemmons (Eve’s Bayou).
Though, not really impressed with Greta Gerwig’s Little Women, and certainly letdown by Joker, I was impressed by The Irishman. Yet, when diversity does not directly impact you, it is possible to have a passive approach to it. i.e White, straight men. When most people in positions of power look like you (and you hire in your own image), it’s not something you notice, nor have to have an interest in. It in fact benefits your sociopolitical power and “whiteness” to not do diversity work.

Britain’s track record of stepping over minority groups is well-documented (i.e Grenfell) and as long BAFTA continues on this path, institutional violence will have a place in British society, no matter if we’re talking about screen media or criminal justice. When whiteness runs fluid, implicit bias cannot be denied and this goes to the very top of all of Britain’s institutions.
This being the seventh year in a row with no women (since Kathryn Bigelow, 2013) confirms that BAFTA is structurally misogynist and racist; and Britain’s national conscience’s denial of its historic and contemporary institutional violence, is just the latest example of why the decolonisation movement is bigger than just the education sector.
Should we be impressed by those who OBEy?

In the aftermath of the General Election, Britain continues to spiral with most of Europe down the hole of despair, into something that George Orwell wrote about in his 20th century novel, Nineteen Eighty-Four. And in this hysteria, imperial thinking is now back on the rise. But that’s not what this post is about. Well, not much.
Every year, the “best of the best” of this country are decorated by the Queen in what’s known as the Honours List. Knighthoods, MBEs, OBEs and CBEs. Nods to the British Empire, racism and colonialism. Watching debates on Sky News’ ‘The Pledge’ has shown me how resistant Britain is to talking about race, but deeper still, its ventures in colonialism overseas.
Amidst the Windrush Scandal and Brexit, that resistance was put onto the world stage. It got me to think about British history but also how specifically working-class people often defend the monarchy and patronage, an institution that despises them. Do people that have been honoured have a feeling of accomplishment by having those three letters after their name? Would their ancestors feel the same way? Or is it a feeling of “I’ve made it,” a ruse of passing from one class into another?
When people are named Member of the British Empire (MBE), it leaves me feeling icky inside. Seeing that after someone’s name, leaves me feeling sick. Order of the British Empire (OBE), Commander of the British Empire (CBE). It’s obsolete, drawing up thoughts of genocide, conquest and stolen land.
When I hear the word “empire,” especially in this country, I think about oppression of minority Britain in the jaws of Little England. It’s reminiscent of how my ancestors were slaves in the Caribbean. It’s Apartheid, the American Revolution, the Suez Crisis, Potato Famine, the Mau Mau, the Amritsar Massacre and so much more. To have that after your name is really to celebrate racism, classism, genocide, stolen land etc etc.
And it’s because of Britain’s nostalgia for this history that I grew up going to school being taught Black history as only slavery. We didn’t even get as far postwar immigration, as that’s the other common denominator of the Black British narrative. It’s because of that, why I don’t know my name.
Not Ventour, that’s a slave name. I don’t know the name my ancestors had before Ventour was forced upon them under the lynch and the lash of Caribbean plantation slavery.
My crisis of identity is not due to history, it’s more so due to the present day climate where British people of colour are routinely having their Britishness contested. I’m staunchly anti-monarchy and anti-empire. And there’s something weird about debating the concept of the Queen’s Honours with people who are either ambivalent to it or are so pro-monarchy that they can’t possibly acknowledge that there’s negative connotations with the Royal institution. I’ve been in quite a few discussions with people about the monarchy. Thankfully, none have gotten ugly and we’re still friends today.

These Honours awards are to people that have made significant contributions to society through their professions — from arts, including: theatre, literature and film — to everyday people doing great work in the community, to journalists. That last one, I don’t like. Should journalists really be accepting awards from people they’ve critiqued, or even vilified?
The Honours awards are a slap in the face of multiracial / working-class Britain. When it comes to the British Empire, many have asked “Does the end justify the means?” And my reply to that is, no. How much is life worth to you? You cannot justify torture and genocide. Life isn’t flesh for cash. It’s not a business. And those colonial statues littered throughout Britain, including London, Bristol and Glasgow; all those British streets named for slave traders; all those White imperialistic university module choices.
The concept of “Honours” feels like Britain clinging on to a past bygone. Given the chance, would Britain enslave its Black British population? Would it let three million Indians die in the Bengal Famine if the circumstances were to present themselves again? Would it commit to a Scramble for Africa and a starving Ireland? If these circumstances were to happen again?
Institutionally, The Monarchy sanctioned slavery, and yet, millions still defend it. Truth is, I don’t understand how anyone, regardless of their background can accept awards with attachments as deeply horrific as these ones.
They came out of a system that oppressed people of colour, women and the LGBTQ+ community. There are many Black and brown people that love those awards. It makes them feel accomplished, whilst simultaneously speaking out against racism. Whilst being part of the system they speak out against, they’re some of its proudest members. They are activists against the ruling class but then accept invitations to Buckingham Palace. In breaking their backs for babylon, are they willing to accept chains on their ankles?
These awards go to Joe and Jane Bloggs. They go to musicians, authors, poets, businesspeople, celebrities and more. These awards are given to people, irrespective of class or colour. Seeing those three letters after their name feels like betrayal. Should I bow to them? Do I have to act impressed?
I’m a poet before anything else and have recited my own work, unpicking British history, including empire and conquest, and how those things impact the present day.
I’ve been called racist and anti-White (I’m anti-White Supremacy). But really, I want to reach an audience of people that are willing to listen. That the history we’re taught at school is what my mother would call “chang-chang” — in bits and pieces. Did Christopher Columbus discover America or was he only the first White man to get there? Could the same be said for Captain Cook with Australia? Is explorer a synonym for coloniser?
I’m a storyteller. What in the old days people would call a bard. What the Celts called the Awen. I probably will never be offered one of those awards. And if I was — to accept one would be to lose my dignity. I wouldn’t be able to look my younger brother in the eye. I would lose all pride and respect for myself. Which is why I have so much respect for people that decline them and live their best life, doing what they do best, living livelihoods without want of incentive, be it an OBE or being named Poet Laureate.

Your Benjamin Zephaniahs and Ken Loaches. Who both showed me that art is more than the Tate, The National Gallery or arthouse cinema.That poetry is more than Tennyson, Blake and Wordsworth, that history is written in black and white. It’s poor people, LGBTQ+ and women and…
“Look around, look around, at how lucky we are to be alive right now” — The Schuyler Sisters (Hamilton)
And anyone close to me will know why I despise January 1 and The Queen’s Birthday, since it’s the date the the Honours Lists are released. A better honour would be if the British Museum gave those stolen pieces back to places like Ghana and Greece. OBEs, CBEs, MBEs , knighthoods — genocide, slavery, torture, class oppression, massacres and more massacres, war and violence — and it’s 2020. When will the British Empire shut its mouth?
Let history be history. The British Empire is not cause for celebration. For every colonial statue in this land there should be a slave child next to it, or a starving woman, a symbol showing how the end doesn’t justify the means.
Let’s call the British Empire what it was: a business venture that consumed the lives of millions, not something to be worn like a badge of honour, because it is honourless.
Is it a wonderful life?

George Bailey (James Stewart) spent his life giving to The People of Bedford Falls. Overwhelmed by his family business, community responsibilities and life expectations, he feels rooted to a company he had no interest in working for, living a life he never wanted to begin with. As George morphs into a middle-aged man, he sees his life passing him by. Told from the perspective of some angels, he’s met by his guardian angel Clarence (Henry Travers), who shows George what Bedford Falls would be like if he had never been born.
Most people I know who watch this film every year love it for its warmth, and Victorian themes, what today we’d now call family values. Something that fits Christmas so well. However, my affinity to it is for it’s social commentary. For a Christmas film, it’s quite depressing – which is a contrary opinion to the many that have it as part of their annual traditions.
Released in 1946, Frank Capra’s Christmas cracker dropped right as America left one of the most difficult fifteen years (and a bit) of its history, from the Great Depression in 1929 up to the end of the Second World War in 1945. George Bailey is part of “The Greatest Generation,” the millions that came of age during the Wall Street Crash which ushered in the Depression of the 1930s. The undertones of this film, to me, are in that ruthless Wall Street capitalism via characters like Mr Potter (Lionel Barrymore).
Yet, the character of Mr Potter is a reminder for many people of what happened in 1929. Between The Crash and the end of The Second World War sat FDR’s New Deal. Within this time, we had The Banking Act of 1933, which is relevant to the characters of Frank Capra’s film, and the bank run. Whilst Capra’s film was released in 1946, Potter is a reminder of how it used to be before Roosevelt and the Democrats ushered through the New Deal.

(It’s a Wonderful Life, RKO Radio Pictures)
Once, communism could have been called anti-greed, anti-corporations, anti-fat-businessmen-with-a-cigar-in-their-mouth-getting-rich off-poor-people-in-slums. It’s a Wonderful Life is a voice for the working classes. It’s the I, Daniel Blake of its time, a stark indictment of a system that eats people below the poverty line for dinner. It comments on class and family values, but also austerity in America. In its time, FBI Director, J. Edgar Hoover donned it, (what was the buzz term of the post-war years), “anti-American.”
Watching this film, it’s hard not to draw comparisons with modern Britain, in its themes of class and austerity that laid the backbone for Jeremy Corbyn’s Labour Manifesto. This is a film that cares about people, the individual working people of America – where the American Dream is just that. A dream. Echoing the thoughts of Arthur Miller’s Death of a Salesman.
Slumlord Potter (Barrymore) describes the poor as “A thrifty working class,” which shows you the measure of the man.
In wake of the recent General Election, I will watch this film once more at Christmas for its straight-at-the-jugular representation of working-class communities. Britain has voted for five more years of austerity (oppression), more likely another decade under the Conservatives. It’s a Wonderful Life shows what happens when the powerful do not care about powerless. But isn’t that how they became powerful in the first place?

(It’s a Wonderful Life, RKO Radio Pictures)
For families around the world, watching this film is a yearly tradition. But as long as the powerful step on the powerless, this film’s legacy will endure. Institutional violence plods on. Bailey runs a business that helps poor people onto the property ladder. Played to perfection by James Stewart (Mr Smith Goes to Washington), this is a man who cares what happens to those around him. Potter is out for Bailey, wanting the company to close so he can swoop in, and coerce more residents into living in his slum-level housing.
Potter is a metaphor for power, the controlling state that denies people dignity in their own home. Call him Potter, or Boris, or Trump… every era has their tyrants who stop others from thriving, just because they can.
And as long as man is man, history is the last place he will look for his lessons, as history is written by the victors.