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DIE in Solidarity with Diversity-Inclusion-Equality
As an associate lecturer on a casual contract, I was glad to stand in solidarity with my friends and colleagues also striking as part of UCU Industrial Action. Concurrently, I was also glad to stand in solidarity with students (as a recent former undergrad and masters student … I get it), students who simply want a better education, including having a curriculum that represents them (not a privileged minority). I wrote this poem for the students and staff taking part in strike action, and it comes inspired from the lip service universities give to doing equality while undermining those that actually do it (meanwhile universities refuse to put in the investment required). This piece also comes inspired by ‘This is Not a Humanising Poem’ by Suhaiymah Manzoor-Khan, a British author-educator from Bradford in Yorkshire.
Some issues force you to protest
the way oppression knocks on your front door
and you can’t block out the noise
“protest peacefully, non-violently”
I have heard people say
show ‘the undecided’, passive respectability
be quiet, leave parts of yourself at home
show them you’re just as capable of being liked
enough for promotion into the canteen,
protest with kindness and humour
make allusions to smiling resisters in literature
they’d rather passive images of Rosa Parks all honestly
but not her politics against racism, patriarchy, and misogyny
but I wanna tell them about British histories of dissent
the good and the bad – 1919 Race Riots
the 1926 general strikes, and the not so quiet
interwar years of Caribbean resistance to military conscription
I wanna talk about how Pride was originally a protest
I wanna talk about the Grunwick Strike and Jayaben Desai
and the Yorkshire miners that came to London in solidarity
with South Asian migrant women in what was 1980s austerity
I want to rant about Thatcherism as the base
for the neoliberal university culture we work in today
I want to talk about the Poll Tax Riots of 1990
and the current whitewashing of the climate emergency
they want protesters to be frugal in activism,
don’t decolonise the curriculum
they say decolonise
they mean monetise, let’s diversify …
but not that sort of diversity
nothing too political, critical, intellectual
transform lives, inspire change?
they will make problems out of people who complain
it’s your fault, for not being able to concentrate
in workplaces that separate the work you do
from the effects of Black Lives Matter and #MeToo
they make you the problem
they make you want to leave
unwilling to acknowledge that universities
discriminate against staff and students systemically
POCs, working-class, international, disabled, LGBT
but let’s show the eligibility of staff networks
while senior leaders disproportionately hire TERFs
staff and students chequered with severe floggings
body maps of indenture and slavery
like hieroglyphics made of flesh
but good degrees, are not the only thing that hold meaning
workers rights, students’ rights to education
so this will not be a ‘people are human’ poem
we are beyond respectability now
however, you know universities will DIE on that hill
treat us well when we’re tired
productive, upset, frustrated
when we’re in back-to-back global crises
COVID-19, Black Lives Matter, femicide,
failing in class, time wasting, without the right visas,
the right accents; Black, white, homeless, in poverty,
women, trans, when we’re not A-Grade students, when we don’t
have the right last name; when we’re suicidal
when people are anxious, depressed, autistic
tick-box statistics within unprotected characteristics
all permeates through workers’ and student rights
When you see staff on strike now,
we’re protesting things related to jobs yes,
but also, the after-effects
as institutions always protect themselves
so sometimes I think about
when senior management vote on policies…
if there’s a difference between the nice ones ticking boxes
and the other ones that scatter white supremacy?
I wonder if it’s about diversity, inclusion, and equality [DIE],
how come they discriminate in the name of transforming lives
how come Black students are questioned (under caution) in disciplinaries
like this is the London Met maintaining law and order …
upholding canteen cultures of policing
Black and Brown bodies. Decolonisation is more
than the curriculum; Tuck and Yang
tell us decolonisation is not a metaphor,
so why is it used in meetings as lip service –
why aren’t staff hired in
in critical race studies, whiteness studies, decolonial studies
why is liberation politics and anti-racism not at the heart of this
why are mediocre white men failing upwards,
they tell me we have misunderstood
but promotion based on merit doesn’t exist
bell hooks called this
imperialist heteropatriarchal white supremacy
you know Free Palestine, Black Lives Matter, and the rest
we must protest how we want to protest
we must never be silenced; is this being me radical, am I radical
Cos I’m tired of being called a “millennial lefty snowflake”, when I’m just trying not to DIE?!
Ahmed, Sara (2012) On Being Included: Racism and Diversity in Institutional Life. London: Duke.
Ahmed, Sara (2021) Complaint. London: Duke.
Bhanot, Kavita (2015) Decolonise, Not Diversify. Media Diversified [online].
Double Down News (2021) This Is England: Ash Sakar’s Alternative Race Report. YouTube.
Chen, Sophia (2020) The Equity-Diversity-Inclusion Industrial Complex Gets a Makeover. Wired [online].
Puwar, Nirmal (2004) Space Invaders: Race, Gender and Bodies Out of Place. Oxford: Berg.
Read, Bridget (2021) Doing the Work at Work What are companies desperate for diversity consultants actually buying? The Cut [online].
Ventour, Tré (2021) Telling it Like it is: Decolonisation is Not Diversity. Diverse Educators [online].
If we could empathize with all life, we… [fill in the blank]￼
In Honour of my two teachers’ passing (seen together here). Rest In Power, bell hooks (d. 15/12/21) and Thich Nhat Hanh (d. 22/01/22).
If we could empathize with all life, we…
… wouldn’t treat all animals as either food or fodder.
… wouldn’t develop nuclear technology into bombs.
…would never show an interest in making so many guns and ways of destroying life.
…would more genuinely aim to achieve mutual understanding between individuals.
…wouldn’t have so much intergenerational trauma within families, communities, nations.
…would be more neighborly in all our affairs.
…wouldn’t treat trade like a sport, a winner-takes-all competition over natural resources.
…would harness the power of the sun for it shines on all life collectively.
…would cultivate care, and be kinder as a general rule.
… would teach kindness in school, a required class on every campus.
…would not build entire ideologies, systems of government, religions, arts, and culture around patriarchy.
… would not be reduced to binaries, not just in gender, but ‘black or white’ in our overall thinking, because that’s where it came from: A false yet powerful and enduring dichotomy.
Binary thinking produced gender binaries, not the other way around. Knowing this is key to its undoing. Please know that capitalism produced racism, and greed crafted classism. A2 + B2 = C2, still. Racism is exponentially untamed greed; and patriarchy an inferiority complex run rampant and amok. Such cultures of greed can’t be conquered by competition; greed can’t be beat! We need a new dimension.
If we could empathize with all life, we would aspire to be far more fair.
If we could empathize with all life, we would love more.
Fill in the blank.
#CriminologyBookClub: Dying in Brighton
As you know by now, a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Hence the creation of #CriminologyBookClub! Building on on what has quickly become standard practice, we’ve decided to continue with all eight bloggers contributing! This title was the second chosen by @manosdaskalou and is our 14th book. Read on to find out what we thought….
I have no profound objection to self-published books but have read only one other. The rationale for reading the first one was to proof-read/copy edit for the author. That can’t really be called reading, because you miss the story by studying the text so closely. However, I digress. The blurb for this book sounded fascinating, individual narratives heading toward one place: Brighton. Unfortunately, whilst the idea for the book was clever, the writing was overly descriptive and at times, turgid. There is no space for the reader to imagine the characters or the places, everything is told in minute detail. There is a clear attempt to be inclusive with the choice of characters, but they are largely one-dimensional and lack authenticity. The final character talks about his supposed lack of representation as a white man in Brighton (with a white population of 90%) and at that point, I lost what little interest remained. In feminist circles, the question “what would a mediocre white man do?” is prevalent, a possible response could be; write this book. The only positive I have to offer is the support offered by sales to Shelter.@paulaabowles
The format and style of the book was unlike anything I had read before: and I really liked it. The characters were full of life: a life riddled with inequalities, harm and pain. Unlike other reads where I have failed to feel anything for the characters (or anything other than a serious dislike), Dying in Brighton evoked a number of emotions from myself towards the people in the book. However these emotions were left in a sort of vacuum, with myself feeling very ‘meh’ at the end of the book. I was disappointed with the final chapter. Whilst I can appreciate the ending and the manner in which it is told, I did not like it. I wanted to know more about how Akeem, Nicola, Wasim, Lori and Paul got to the end they got to. Considering the ‘end result’ and my emotions from the previous chapters, I feel I should have had a more powerful response to the end: but I did not. The short snippets were not enough for me: and I feel that the last chapter does not do their stories or their lives justice. Despite this, I would recommend!@jesjames50
The title Dying in Brighton does not leave much to the imagination. I am glad that the purchase of this book supports a charity. Unfortunately, I found this book to be problematic. I did not understand his selection of characters or how their stories linked. The book reads as though a heterosexual white man who is not disabled is congratulating the white men characters within the book for being friends with people who are migrants or LGBT. There is even a point where a character feels ‘underrepresented’ as a white man…I skimmed the book as I am sick of hearing similar to this in reality.@haleysread
This is a book that definitely divided the book club and I have to say the comments were by far more negative than positive. For my part, I found the narrative interesting in a strange sort of way. I didn’t find myself labouring on the description and attributes of the characters but rather took in an overall sense of ordinary people that were troubled and in trouble for some reason or another and therefore found themselves gravitating to Brighton; in fairness they could have gone anywhere. The book didn’t take long to read, and the narrative ends rather abruptly but I think that is probably the point. The book left me with a sense of sadness, and it reminded me that homeless people are real people with real lives and yet are very often invisible in our society. Would I read something from the same author again, probably not? Would I recommend the book, probably not, but it did hit a mark somewhere along the line?@5teveh
This book was a very quick read. Each chapter presented a very stereotypical view of a member of every marginalised group you can think of – a refugee, a trans woman, a troubled teenage girl. The book ended with a chapter about a rich white man with houses all over the world, finding himself feeling like he wasn’t represented. It turns out – spoiler alert – that all the marginalised people went to Brighton, became homeless and died. At the end a woman was selling craftwork with each of the dead, marginalised homeless person’s face. Now I can see how, to a critical criminologist, all this is problematic to say the least. However, the book carried a message that homeless people are invisible. People walk past them every day without a second glance. The author also donated profits of the book to Shelter so it was for a good cause. So, although the book was heavily criticised during our discussion, for people in many walks of life I’d like to think the book would quite literally open their eyes and say hello to a person living on the streets.@amycortvriend
This book centres around 5 different characters and their life experiences and choices that lead them to Brighton. When I first read the blurb, I assumed this book would take me on a thought-provoking journey about individuals that could be seen as outsiders within society, and how their stories are interwoven. What was thought provoking for me was how the representation of individuals can be so wrong. Throughout the book I was distracted by the problematic ways in which the characters were portrayed. I didn’t like the hyper sexualisation of Lori, I felt like this was an attempt to explore transgender issues without any understanding of transgender issues… it was tasteless and done from a male gaze. I also didn’t like the lack of context and understanding of refugees, this exploration was very tone deaf and seemed informed by how the ‘Western world’ views refugees. Usually when reading a book I have some emotion to the characters, however I felt far removed from all the characters and their stories. At the end of the book I also felt like the stories of the five individuals were rushed, there was no back story to why or how they had died in Brighton just that they were dead. I don’t know what angle the author was going for but for me the ending fell flat.@svr2727
This book sounded very promising and I usually really enjoy short stories about very different characters and their experiences and how they converge but this book was disappointing in so many ways. Obviously being self-published meant that it wasn’t as polished as it could’ve been and I find little mistakes to spelling and punctuation really distracting from a story. I wish this was my only complaint! The characters were badly written caricatures – you got the sense that the author had never spent any time with anyone from those backgrounds and that perhaps he wasn’t the right person to be telling these stories. The most authentic chapter of the book was the final one where the narrator (a successful white man) feels that he isn’t represented! Easily the worst book I’ve ever read.@saffrongarside
This is an anthology of different stories of people in very adverse circumstances all of whom are heading to Brighton. In most cases it is not clear why they are heading that way and what they hope from their move there. The short stories are independent from each other and there is no obvious connection between them. Each story explores a different character faced with different issues from abuse, sexuality and substance use. It sends out a signal of some of the social vulnerabilities people are exposed; this however is done as a matter of fact not exploring the social dimensions of the situation. The end brings the stories together but for me this was unsatisfactory. This book has a great idea, an interesting layout but its execution does not meet the goal. The stories are interesting but some of them feel a bit rushed; more character development would have allowed the reader to get closer to the situation and the social issues the author wants to alert people to. As I read it, I thought that some of the stories read more like vignettes that we use in exercises or training for making people aware of certain problems. In terms of literary merit, these are not quite there.@manosdaskalou
Kisses from Granny Don’t Count! #BlackenAsiaWithLove #ShortStory
In America, and most certainly in the land of Dixie and cotillions, at the end of junior high school year we have a tradition of getting our senior class rings. By “getting,” I mean individually buying a ring from the same one or two companies in our city who cash in on this ritual annually. We knew that many of us had to foot the bill with our own after-school jobs, while others’ parents could virtually write a blank check! (Hopefully, at least, or perhaps most assuredly, somebody in the school system gets a kickback from all this cash flow.)
While class rings appeared personalized, the rings – and the ritual – were effectively mass manufactured, complete with standardized shapes and design features: school’s name and mascot – in our case a bear – class year (1993!), and maybe our initials inscribed inside. Oh, and a heteronormative adolescent sexualized ritual to which I shall return shortly.
Rings are generally presented at a school ceremony. Until graduation, class rings are worn facing the wearer as motivation towards the ultimate achievement, after which it is worn outward as a badge of pride and honor. A graduating class could all agree to the same design – usually the school colors – which I believe the majority of my class did. While I prefer the look of silver against my dark skin, our school colors were royal blue and gold, so classes at our school often got blue sapphire set in the lowest Karat gold available that didn’t look cheap. For such a notoriously liberal school (i.e., gender and racially/geographically* integrated by design), this was one of the few explicit acts of conformity.
‘You Wear it Well’ – DeBarge, 1985
The next part of the tradition is having 100 different people turn the ring, as sort of an acknowledgement of becoming a senior. The first 99 turn it in one direction, while the final person reverses the order. This clockwise/counter-clockwise turn seals the deal. Yet get this, you’re supposed to kiss the hundredth person who turns the ring. You say the word “kiss” in front of most any group of adolescents and they’ll giggle. We knew what kind of kiss was meant. FRENCH like fries! Somehow becoming a senior in high school had been coopted by this hetero-ritual, a hetero-rite of passage (het-or-no-rites!).
I am troubled that this academic milestone is linked to gender. Worse, the ritual is predictably a performance act that fixes gender to normative sexual roles; yes, heteropatriarchy. Worse still, this binary gender performance is discrete, couched in achieving a basic education.
The ring dealer comes to school and makes a sales pitch to the class, and sets up a booth in the lobby after school. In his pitch, he promises a ‘free’ glossy little form to collect all the signatures. It was a bait and switch. These dealers sold us the rings but gave us the forms, the evidence we needed to prove we’d passed another stage towards adulthood. And what were we supposed to do with the blank glossy forms? Come back to school and boast?
The first 50 or so signatures were just us. Our own schoolmates turning each other’s rings, filling in each other’s forms on the very day the rings arrived. Family filled in a lot, too. I distinctly remember a teacher or two requesting to be excluded from the tradition, or take part in the ring ritual of becoming a senior, else we whittle their fingers away.
We all know everybody only wanted to see who signed the final line – a prompt to incite heteronormalizing speech-acts. Well, a few folks weren’t single and already had that 100th spot reserved and filled by sundown. Needless to say, kisses from granny don’t count! I’m pretty sure this wasn’t written on the dealer’s well-crafted sheet. Our market dominated, heteronormative introduction to adulthood for all to see.
I’d attended the same school since second grade so I’d seen people celebrate this class ring ritual for years, and even attended several graduations. I’d watched the “Senior run” year after year – a day at the end of school, when the graduating class runs through all the halls, cheering, banging on lockers as all the kids in all the classes rush out to line the hallways and egg them on. I loved school, adored our school, adored my classmates, and even looked forward to our turn, though parting so bittersweet.
At 16, I was only starting to be able to fully disidentify with the barrage of heterosexualized norms that engulfed me. I had to disentangle heterosexuality from virtually every facet of life – even finishing high school, a normal step we’re all expected to take. It’s as if to gain access to what bell hooks calls ‘the good life’ one had to signify alignment with compulsory heterosexuality.
I knew that I could not even turn my ring 100 times without kissing a girl. No way I’d risk putting a guy’s name at the end of that glossy list – someone I’d actually dreamt of French-kissing. Not like I knew any guy who’d be game. Damn. This was a lot of pressure. This junior prom was forcing me to make all kinds of adult decisions.
“The more I get of you, the stranger it feels…”
I was 16, and wasn’t out yet. Unlike at twelve when these feelings first bubbled over, by 16 I was on the cusp of self-acceptance, and preparing to face this possibility that I was gay. Perhaps it was pure timing. By the 11thgrade I knew for sure I’d be leaving home months after graduation, which was suddenly within reach. I could chart my own homo path. But still, at that age, I had doubts. I tried seriously dating a young woman as my last-ditch effort to see if I was straight or (at least) bisexual.
Kaye wasn’t a classmate, which wouldn’t have worked anyway because in retrospect all my classmates already knew, and had decided to accept me without question. Kaye attended an all-girls’ school, so we’d met through an extracurricular, Black youth empowerment program. Kaye was clearly college bound. She had her own dreams and ambitions, and pursued them – an ideal mate for me. She was the most attractive woman I knew, both inside and out, both to me and others. Yes, THAT sister who is not invulnerable, but has it all together. If she didn’t do, then dammit I was gay!
Fortunately, my girl was smart. And by smart, I mean that she was intelligent, real smart as in NOT clueless at all. We agreed to a kiss on the cheek, and she’d sign the last line on my glossy form. And by ‘agreed to’, I mean that this is what Kaye put on the table as her firm and final offer. She also had the good sense to let me turn her ring, too, but she reserved the 100th signature for someone special. I respected that. This clarified our plutonic status – no Facebook updates needed: I’m gay.
“Gotta find out what I meant to you…You were sweet as cheery pie/ Wild as Friday night”
What about women?
This month marks Women’s History Month. It’s a time where I reflect on how privileged I am to be surrounded by a group of women who have added so much to my life just by being in it.
I am also reminded of writers and poets (both past and present) like Woolf, De Beauvoir, Lorde, Walker, Kaur, Attwood and Evaristo whose words have not only added so much to my outlook on life but they also continue to remind me that as a woman I need to continue to listen, provide support and uplift other women. It is incredibly sad but necessary that we need to be reminded of the need to support one another.
Women’s History Month has coincided with the murder of Sarah Everard, another of the many women who have been murdered by men whilst walking home alone. The policing and arresting of women at Sarah’s vigil, the justifications for such arrests and the events themselves are now being reported as false. Followed by the government’s predictable draconian response to silence and restrict protesting rights is maddening. And more importantly, the solidarity illustrated with women gathering to pay their respects to Sarah has now been spoilt due to these damaging enforcement responses.
I find it so sad that commentary by some women surrounding the murder of Sarah had taken the stance of defending men. There are so many very good men in this world, and it is true that not all men are bad, but the reality is that men tend to be the perpetrators when other men, women and children are murdered.
We live in a society which reinforces gender inequality, oppression and stereotypes about women to the point that women internalise misogyny. As a result, some women are quick to defend men to the point that, in some cases, men who are the perpetrators are presented as the victims. And the women who are actual victims are blamed for their own victimisation.
This attitude towards women comes at the detriment of not allowing the space for people to begin to consider that femicide and gendered violence are the damaging consequences of living in an unequal society. The pain caused to the victims also becomes either diluted or made invisible. This is especially the case with Asian or Black women’s victim experiences, as these are rarely found within the news, and if shown, are rarely believed.
There are many obstacles faced by women who attempt to flee routine gendered violence. Attempts to seek support can result in many women losing their homes, jobs and contact with their friends and families. As well as this, women who intend to report being victims of gender-based violence may battle to overcome the stigma that is attached to being a victim. For women with visas that state that there is ‘no recourse to public funds’ escaping violence becomes even more difficult, post Brexit, this now also applies to women from the EU.
Whilst online debates occur surrounding Sarah Everard’s case, the reality is that many women are scared to walk alone. Many are also scared to live within their own homes due to the fear of violence. If we are quick to defend men in light of such tragic events how will we ever be able to support these women? How will they ever feel empowered to report being victims of crime? Yes, not all men are bad, but when a case like Sarah’s is publicised perhaps our first response should be empathising with other women.
The Case of Mr Frederick Park and Mr Ernest Boulton
As a twenty-first century cis woman, I cannot directly identify with the people detailed below. However, I feel it important to mark LGBT+ History Month, recognising that so much history has been lost. This is detrimental to society’s understanding and hides the contribution that so many individuals have made to British and indeed, world history. What follows was the basis of a lecture I first delivered in the module CRI1006 True Crimes and Other Fictions but its roots are little longer
Some years ago I bought a very dear friend tickets for us to go and see a play in London (after almost a year of lockdowns, it seems very strange to write about the theatre).. I’d read a review of the play in The Guardian and both the production and the setting sounded very interesting. As a fan of Oscar Wilde’s writing, particularly The Ballad of Reading Gaol and De Profundis (both particularly suited to criminological tastes) and a long held fascination with Polari, the play sounded appealing. Nothing particularly unusual on the surface, but the experience, the play and the actors we watched that evening, were extraordinary. The play is entitled Fanny and Stella: The SHOCKING True Story and the theatre, Above the Stag in Vauxhall, London. Self-described as The UK’s LGBTQIA+ theatre, Above the Stag is often described as an intimate setting. Little did we know how intimate the setting would be. It’s a beautiful, tiny space, where the actors are close enough to just reach out and touch. All of the action (and the singing) happen right before your eyes. Believe me, with songs like Sodomy on the Strand and Where Has My Fanny Gone there is plenty to enjoy. If you ever get the opportunity to go to this theatre, for this play, or any other, grab the opportunity.
So who were Fanny and Stella? Christened Frederick Park (1848-1881) and Ernest Boulton (1848-1901), their early lives are largely undocumented beyond the very basics. Park’s father was a judge, Boulton, the son of a stockbroker. As perhaps was usual for the time, both sons followed their respective fathers into similar trades, Park training as an articled clerk, Boulton, working as a trainee bank clerk. In addition, both were employed to act within music halls and theatres. So far nothing extraordinary….
But on the 29 April 1870 as Fanny and Stella left the Strand Theatre they were accosted by undercover police officers;
‘“I’m a police officer from Bow Street […] and I have every reason to believe that you are men in female attire and you will have to come to Bow Street with me now”’(no reference, cited in McKenna, 2013: 7)
Upon arrest, both Fanny and Stella told the police officers that they were men and at the police station they provided their full names and addresses. They were then stripped naked, making it obvious to the onlooking officers that both Fanny and Stella were (physically typical) males. By now, the police had all the evidence they needed to support the claims made at the point of arrest. However, they were not satisfied and proceeded to submit the men to a physically violent examination designed to identify if the men had engaged in anal sex. This was in order to charge both Fanny and Stella with the offence of buggery (also known as sodomy). The charges when they came, were as follows:
‘they did with each and one another feloniously commit the abominable crime of buggery’
‘they did unlawfully conspire together , and with divers other persons, feloniously, to commit the said crimes’
‘they did unlawfully conspire together , and with divers other persons, to induce and incite other persons, feloniously, to commit the said crimes’
‘they being men, did unlawfully conspire together, and with divers others, to disguise themselves as women and to frequent places of public resort, so disguised, and to thereby openly and scandalously outrage public decency and corrupt public morals’Trial transcript cited in McKenna (2013: 35)
It is worth noting that until 1861 the penalty for being found guilty of buggery was death. After 1861 the penalty changed to penal servitude with hard labour for life.
You’ll be delighted to know, I am not going to give any spoilers, you need to read the book or even better, see the play. But I think it is important to consider the many complex facets of telling stories from the past, including public/private lives, the ethics of writing about the dead, the importance of doing justice to the narrative, whilst also shining a light on to hidden communities, social histories and “ordinary” people. Fanny and Stella’s lives were firmly set in the 19th century, a time when photography was a very expensive and stylised art, when social media was not even a twinkle in the eye. Thus their lives, like so many others throughout history, were primarily expected to be private, notwithstanding their theatrical performances. Furthermore, sexual activity, even today, is generally a private matter and there (thankfully) seems to be no evidence of a Victorian equivalent of the “dick pic”! Sexual activity, sexual thoughts, sexuality and so on are generally private and even when shared, kept between a select group of people.
This means that authors working on historical sexual cases, such as that of Fanny and Stella, are left with very partial evidence. Furthermore, the evidence which exists is institutionally acquired, that is we only know their story through the ignominy of their criminal justice records. We know nothing of their private thoughts, we have no idea of their sexual preferences or fantasies. Certainly, the term ‘homosexual’ did not emerge until the late 1860s in Germany, so it is unlikely they would have used that language to describe themselves. Likewise, the terms transvestite, transsexual and transgender did not appear until 1910s, 1940s and 1960s respectively so Fanny and Stella could not use any of these as descriptors. Despite the blue plaque above, we have no evidence to suggest that they ever described themselves as ‘cross-dressers’ In short, we have no idea how either Fanny or Stella perceived of themselves or how they constructed their individual life stories. Instead, authors such as Neil McKenna, close the gaps in order to create a seamless narrative.
McKenna calls upon an excellent range of different archival material for his book (upon which the play is based). These include:
- National Archives in Kew
- British Library/British Newspaper Library, London
- Metropolitan Police Service Archive, London
- Wellcome Institute, London
- Parliamentary Archives, London
- Libraries of the Royal Colleges of Surgeons, London and Edinburgh
- National Archives of Scotland
Nevertheless, these archives do not contain the level of personal detail, required to tell a fascinating story. Instead the author draws upon his own knowledge and understanding to bring these characters to life. Of course, no author writes in a vacuum and we all have a standpoint which impacts on the way in which we understand the world. So whilst, we know the institutional version of some part of Fanny and Stella’s life, we can never know their inner most thoughts or how they thought of themselves and each other. Any decision to include content which is not supported by evidence is fraught with difficulty and runs the risk of exaggeration or misinterpretation. A constant reminder that the two at the centre of the case are dead and justice needs to be done to a narrative where there is no right of response.
It is clear that both the book and the play contain elements that we cannot be certain are reflective of Fanny and Stella’s lives or the world they moved in. The alternative is to allow their story to be left unknown or only told through police and court records. Both would be a huge shame. As long as we remember that their story is one of fragile human beings, with many strengths and frailties, narratives such as this allow us a brief glimpse into a hidden community and two, not so ordinary people. But we also need to bear in mind that in this case, as with Oscar Wilde, the focus is on the flamboyantly illicit and tells us little about the lived experience of some many others whose voices and experiences are lost in time..
McKenna, Neil, (2013), Fanny and Stella: The Young Men Who Shocked Victorian England, (London: Faber and Faber Ltd.) Norton, Rictor, (2005), ‘Recovering Gay History from the Old Bailey,’ The London Journal, 30, 1: 39-54 Old Bailey Online, (2003-2018), ‘The Proceedings of the Old Bailey,’ The Old Baily Online, [online]. Available from: https://www.oldbaileyonline.org/ [Last accessed 25 February 2021]
I think that I am becoming one of THOSE Black people. #BlackenAsiaWithLove
I think that I am becoming one of THOSE Black people.
I think that I am becoming one of those Black people who doesn’t speak about race in mixed company, at least not casually, and certainly not in any space not specifically determined for such a conversation. If the invitation doesn’t say ‘race’ in the title, then I most assuredly won’t be bringing up sexism, racism nor classism, nor religious chauvinism – even if social status is evident and apparent by the time we get there. It’s too complicated, and I’ve been the unwitting sounding board too often for too many illiberals, or just folks who hadn’t ever really taken any time to (attempt to) put themselves in anyone else’s shoes – not even as a mental exercise to forward their own understanding of our world and its complexities.
Hurt people hurt people
I am an empath, and so shifting through perspectives is more organic to me than seems ‘normal’. Empaths more naturally take that Matrix-style 360-degree snapshot of any given scenario, distinct from neurotypical folks. I am also ‘a black man in a white world’, a gay man in a straight world, a Buddhist man in a Christian world, so I supposed I have made it a survival tactic to see the world through other’s eyes, knowing full well most hadn’t even considered I’d existed. It’s only other empaths who aren’t so surprised how we all got here across our differences. I have not had the luxury of surrounding myself with people just like me, and yet this has rarely made me feel unsafe.
This snapshot is also a means of connection: I like people and usually see similarities between people where they usually show me they’ve only ever seen differences. This isn’t to imply that I am colorblind or don’t see across differences. Naw, it’s that I am more interested in sharing hearts, no matter how deeply one has learned to bury and conceal theirs. Hence, I usually respond with “why” when told something ridiculously racist or sexist, and ask “how come you think that,” when something homophobic is said; and then I patiently listen. I genuinely want to know. I’ve observed that this response can throw people off balance, for they’ve become accustomed to people either joining in or ignoring their ignorance. Really, no one ever purely inquired how’d you become so hate-filled!?!
I wear my heart on my sleeve for I know how to recover from the constant assault and barrage of disconnection. Yes, it saddens me that so many have been so conditioned, and convinced for so long that we are so disconnected.
They want our RHYTHM but not our BLUES
Now, with my elite education and global aspirations, I often gain access to spaces that explicitly work to exclude people from any non-elite backgrounds. It’s not that I want to pass as anything other than myself, it’s just that I am often surrounded by folks who rarely seem to have considered that someone could – or would – simultaneously exist in a plethora of boxes. I can’t fit into any one box other than human. Yet, I used to try to fit in, to avoid standing out as a means to shield myself from the bullying or peering eyes and gossip as folks try to figure out in which box I reside – a classic tactic of projection.
I am a dark-skinned Black person with a nappy head and a stereotypical bubble butt. I neither bleach my skin nor straighten my hair, so I am identifiably Black up-close and from afar. I don’t even hide my body under baggy clothes, so even my silhouette is Black. I’ve lived, worked, studied and traveled in North America, western Europe, west Africa as well as north, south and southeast Asia, so I’ve taken 360-degree snapshots of radically different societies ‘seeing’ a Black man, and oh how radically different the reactions. I’m becoming one of those Black people who notices this, but won’t speak about race in mixed company because as an empath, one sees how defensive people become when raising race. I went through a phase where I would more readily speak about gender, then draw the parallels to race and class, for most folks can only handle one form of oppression at a time (fellow Audre Lorde fans may appreciate that pun).
Hello, my name is: Diversity.
I think that I am becoming one of those Black people who never questions people when they describe their backgrounds as ‘good’, when all they really mean is moneyed, racially and religiously homogenous. Many get all defensive when I reveal that my entire education was radically diverse by design, from second grade through my master’s. I know I had a “better” education than them because I was taught inclusion alongside people who were similar and different from me – and we went to each other’s homes.
I don’t look in the mirror and say ‘hey diversity’; I just see the face I was given, and do with it what I can. Yet, I have often been called upon to speak on behalf of m
any people. I offer my opinion, or relay my observations, and suddenly I am a spokesman for the gays, or the Blacks, rarely just me. So, what’s it like being on the inside of cultures of power? Darnit, I shan’t ask that either!
A sissy works at the beer garden. #BlackAsiaWithLove
A sissy works at the beer garden I pass on the way home. In Vietnam, these common watering holes are called “Bia Hoi,” and this one sits at the intersection of two major roads, across from one of the city’s largest parks, on a corner adjacent to one edge of a university campus. To say that this place is a sausage fest would be an understatement. Like drinking holes in so many parts of the world, this is a space for men.
Men come here. Me, too. Although I stick out as a visible foreigner, I am part of the crowd of men. In every part of the world I’ve encountered, there’s nothing weird about a guy sitting around having a beer. Hence, it’s not uncommon for local groups of men to send one over, or invite me to their table for a drink. This has drastically different implications than men in pubs buying drinks for women, especially a woman sitting alone in a drinking hole, which is the LEAST likely thing to see here, despite the number of Bia Hoi’s owned and run by women in Vietnam. The majority here are either men in starched shirts and slacks stepping out, or other groups of guys crossing from the park to gather here for a post-match drink. I started coming here years ago with a man I met through work, and stop by every now and again. As compared to other masculinized spaces, there’s no competition here, and the primary resource – beer – flows freely.
The sissy wears an apron to serve the food and beer. He ties his apron tightly over the same loose orange T-shirt all the other guys wear to serve. This, of course accentuates his curves. While the others walk around baggy, clothes hanging loosely like a barrel sac, with this apron, the sissy has seriously upgraded the uniform with color, shape and flare. What’s more, his hips switch back-n-forth, too quick to be a pendulum. Naw, he switches like nobody’s business, and you really see this the way the beer garden is set-up with several rows of long tables. This is his cat walk. While the other servers seem to be drudging through the labor, the sissy flutters around like a butterfly. And he always looks at each customer, takes time to chat, and seems to have the patience of Job when it comes to their eventual drunkenness. Beer loosens tongues.
The sissy has to march back and forth the serve the orders like a busy bee. It’s hot, so the sissy fans himself with the menu, like it’s a prop, as he prances up-n-down the rows as if it’s his own stage. Everyone else pales in comparison, they’re just there to work. The sissy is there to ‘work’, or as Fergie says: “Make YOU work!” Life’s a stage, they say, and er’body gotta play they part.
The sissy stands at each table like a tea-cup, grinning, weight shifted to one leg, hips leaning to the side, back arched, hand on his hip, holding a pen waiting for the men to call out their food orders. Unlike the other servers who seem to just stand there bluntly to take orders, the sissy acts like a host, and actively shows folks their seats, offers that they take a look at the menu, and genuinely makes sure they are all satisfied.
This sissy has mad flavor, even in this part of his career – of which I know nothing – save for what I’ve seen of him serving beer in a local Bia Hoi. He makes such a flutter when he moves around, just doing his job, that I too, see him on stage, among peers, not drowning in this mundanity. I almost wish he would bring some Hot Lunch from Fame, for those hips are already singing the body electric. Those shoulders practically shimmering as he walks friskily across the pavement, arms stretched open, elbows squeezed, holding a beer in each hand – swish, swish, swish. I can see the musical notes floating around him as he makes his way, doing his job dutifully, albeit with Glee. “Just do it,” I want to say to the sissy. Free us from these seats.
In some places, even today, our existence is a crime.