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A Love Letter: in praise of Agatha Christie

For most of my life, I have been an avid reader of all types of books. As my family will confirm, from childhood, I was never without a book. As an adult, I have regularly selected coats with large pockets and bags purely on the basis that they can hold a book. As many students will attest, my answer to most academic questions is “read, read and read some more”. Despite the growth of the internet and other media, which as @drkukustr8talk has noted recently, diverts and subverts our attention and concentration, reading remains my first and truest love.
This, my third ‘Love Letter’, focuses on my favourite author, above all others, Agatha Christie. I have previously dedicated ‘Love Letters’ to poetry, and art. Both of these forms took a long time for me to develop my understanding of and my love for. This ‘Love Letter’ is slightly different.
I first discovered Christie’s novels when I was about 12, since then they have formed a regular backdrop to my life. They act as a comfort blanket when I am tired, stressed, sad or away from home. I have read and reread everything she wrote and know the stories inside and out. Despite my decades of adoration, it remains challenging to know exactly what it is that appeals to me so much about Christie’s novels.
Perhaps it is the symmetry, the fact that for Christie every crime has a solution. Conceivably, given my pacifist tendencies, it could be the absence of explicit violence within her books. Maybe it’s Christie use of stereotypical characters, who turn out to be anything but. You don’t have to look very far to find the oh-so suspicious foreigner, who turns out to be a caring father (Dr Jacob Tanois) or the shell-shocked former military man trained in violence, who metamorphosises into a rather lonely man, who suffers from epilepsy (Alexander Cust). In all these cases, and many others, Christie plays with the reader’s prejudices, whatever they might be, and with deft sleight of hand, reveals that bias as unfounded.
To be honest, until relatively recently, I did not think much about the above, reading Christie was so much part of my life, that I took it very much for granted. All that changed in 2017, when I spotted a ‘Call for Chapters’

It seemed too good an opportunity to miss, after all I had spent a lifetime reading Christie, not to mention more than a decade studying war and crime. After all, what did I have to lose? I submitted an abstract, with no real expectation that someone who had never studied fiction academically, would be accepted for the volume. After all, who would expect a criminologist to be interested in the fictional writing of a woman who had died over 40 years ago? What could criminology learn from the “golden age” of “whodunnit” fiction?
Much to my surprise the abstract was accepted and I was invited to contribute a chapter. The writing came surprisingly easy, one of very few pieces of writing that I have ever done without angst. Once I got over the hurdle of forcing myself to send my writing to strangers (thank you @manosdaskalou for the positive reassurance and gentle coercion!) , what followed was a thoroughly pleasant experience. From the guidance of the volume’s editors , Drs J. C. Bernthal and Rebecca Mills, to the support from many colleagues, not mention the patience of Michelle (Academic Librarian) who restrained from strangling me whilst trying to teach me the complexities of MLA. Each of these people gave me confidence that I had something different to say, that my thinking and writing was good enough.
Last week, my copy of the book arrived. It was very strange to see my chapter in print, complete with my name and a brief biography. Even more surreal was to read the editors’ introduction and to see my work described therein, with its contribution to the volume identified. I doubt many people will ever read my chapter, it is published in a very expensive academic book destined for academics and libraries. Nevertheless, I have left the tiniest of marks in academic literature and perhaps more importantly, publicly acknowledged my love for the writing of Agatha Christie.
The finished article:
Bowles, Paula, (2020), ‘Christie’s Wartime Hero: Peacetime Killer’ in Rebecca Mills and J. C. Bernthal, Agatha Christie Goes to War, (Abingdon: Routledge): 28-45
Things I used to could do without a phone. #BlackenAsiaWithLove
A Spoken Word poem for young people everywhere, esp Youth in Asia, who may never know WE LIVED before smartphones…and live to tell about it.
Walk.

Walk down the street.
Find my way.
Go someplace.
Go someplace I had previously been.
Go someplace I had previously not been.
Meet.
Meet friends.
Meet friends at a specific time and place.
Meet new people.
Meet new people without suspicion.
Strike up a conversation with a stranger.
Make myself known to a previously unknown person.
Now, everything and everyone unknown is literally described as ‘weird’.

Eat.
Eat in a restaurant by myself.
Pay attention to the waiter.
Wait for my order to arrive.
Sit.
Sit alone.
Sit with others.
Listen.
Listen to the sound of silence.
Listen to music.
Listen to a whole album.
Listen to the cityscape.
Overhear others’ conversations in public.
Watch kids play.

Shop.
Share.
Share pictures.
Take pictures.
Develop pictures.
Frame pictures.
See the same picture in the same spot.
Read.
Read a book.
Read a long article.
Read liner notes.
Pee.
I used to be able to stand at a urinal and focus on what I was doing,
Not feeling bored,
Not feeling the need to respond to anything that urgently.
Nothing could be so urgent that I could not, as the Brits say, ‘take a wee’.
Wait.
Wait at a traffic light.
Wait for a friend at a pre-determined place and time.

Wait for my turn.
Wait for a meal I ordered to arrive.
Wait in an office for my appointment.
Wait in line.
Wait for anything!
I used to appreciate the downtime of waiting.
Now waiting fuels FOMO.
I used to enjoy people watching…
Now I just watch people on their phones.
It’s genuine anxiety.
Walk.
Walk from point A to B.
I used to could walk between two known points without having to mark the moment with a post.
Now I can’t walk down the hall,
Or through the house or even to the toilet without checking my phone.
I avoid eye contact with strangers.
Anyone I don’t already know is strange.
I used to could muscle through this awkwardness.
Talk.
Have a conversation.
A friend and I recently lamented about how you used to could have a conversation and
Even figure out a specific thing that you couldn’t immediately recall…
Just by talking.
I also appreciate the examples we discussed.
Say you wanted to mention a world leader but couldn’t immediately remember their name. What would you do before?
Rattle off the few facts you could recall and in so doing you’d jog your memory.
Who was the 43rd US president?
If you didn’t immediately recall his name,
You might have recalled that the current one is often called “45” since
Many folks avoid calling his name.
You know Obama was before him, therefore he must’ve been number “44.”
You know Obama inherited a crap economy and several unjust wars,

Including the cultural war against Islam. And
That this was even one of the coded racial slurs used against him: “A Muslim.”
Putting these facts together,
You’d quickly arrive at Dubya! And
His whole warmongering cabinet. And
Condi Rice. And
General Powell’s botched PowerPoint presentation at the UN. And
Big dick Cheney, Halliburton and that fool shooting his friend while hunting.
That whole process might have taken a full minute,
But so would pulling up 43’s name on the Google.
This way, however, you haven’t lost the flow of conversation nor the productive energy produced between two people when they talk.
(It’s called ‘limbic resonance’, BTW).
Yeah, I used to be able to recall things…
Many more things about the world without my mobile phone.

Wonder.
Allow my mind to wander.
Entertain myself with my own thoughts.
Think.
Think new things.
Think differently just by thinking through a topic.
I used to know things.
Know answers that weren’t presented to me as search results.
I used to trust my own knowledge.
I used to be able to be present, enjoying my own company,
Appreciating the wisdom that comes with the mental downtime.
Never the fear of missing out,
Allowing myself time to reflect.
It is in reflection that wisdom is born.
Now, most of us just spend our time simply doing:
Surfing, scrolling, liking, dissing, posting, sharing and the like.
Even on a wondrous occasion, many of us would rather be on our phones.
Not just sharing the wonderful occasion –
Watching an insanely beautiful landscape through our tiny screens,
Phubbing the people we’re actually with,
Reducing a wondrous experience to a well-crafted selfie –

But just making sure we’re not missing out on something rather mundane happening back home.
I used to could be in the world.
Now, I’m just in cyberspace.
I used to be wiser.
A Love Letter: in praise of art
Some time ago, I wrote ‘A Love Letter: in praise of poetry‘, making the case as to why this literary form is important to understanding the lived experience. This time, I intend to do similar in relation to visual art.
Tomorrow, I’m plan to make my annual visit to the Koestler Arts’ Exhibition on show at London’s Southbank Centre. This year’s exhibition is entitled Another Me and is curated by the musician, Soweto Kinch. Previous exhibitions have been curated by Benjamin Zephaniah, Antony Gormley and prisoners’ families. Each of the exhibitions contain a diverse range of unique pieces, displaying the sheer range of artistic endeavours from sculpture, to pastels and from music to embroidery. This annual exhibition has an obvious link to criminology, all submissions are from incarcerated people. However, art, regardless of medium, has lots of interest to criminologists and many other scholars.
I have never formally studied art, my reactions and interpretations are entirely personal. I reason that the skills inherent in criminological critique and analysis are applicable, whatever the context or medium. The picture above shows 4 of my favourite pieces of art (there are many others). Each of these, in their own unique way, allow me to explore the world in which we all live. For me, each illustrate aspects of social (in)justice, social harms, institutional violence and the fight for human rights. You may dislike my choices. arguing that graffiti (Banksy) and photography (Mona Hatoum) have no place within art proper. You may disagree with my interpretation of these pieces, dismissing them as pure ephemera, forgotten as quickly as they are seen and that is the beauty of discourse.
Nonetheless, for me they capture the quintessential essence of criminology. It is a positive discipline, focused on what “ought” to be, rather than what is. To stand small, in front of Picasso’s (1937) enormous canvas Guernica allows for consideration of the sheer scale of destruction, inherent in mechanised warfare. Likewise, Banksy’s (2005) The Kissing Coppers provides an interesting juxtaposition of the upholders of the law behaving in such a way that their predecessors would have persecuted them. Each of the art pieces I have selected show that over time and space, the behaviours remain the same, the only change, the level of approbation applied from without.
Art galleries and museums can appear terrifying places, open only to a select few. Those that understand the rules of art, those who make the right noises, those that have the language to describe what they see. This is a fallacy, art belongs to all of us. If you don’t believe me, take a trip to the Southbank Centre very soon. It’s not scary, nobody will ask you questions, everyone is just there to see the art. Who knows you might just find something that calls out to you and helps to spark your criminological imagination. You’ll have to hurry though…closes 3 November, don’t miss out!
















