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It’s different now… it happened to me
A few weeks ago, @paulaabowles shared an article on the Criminology Facebook page which posed the question of whether graffiti is art or crime. My response was art. And like all art, not all variations, interpretations or styles are for everyone. I know I can look at some graffiti and be quite taken aback at the brightness, boldness and creativity which shines through. I can also look at some and go ‘eugh’. However I have the same reactions to various classical and well-known pieces. My unrefined self does not get all the hype about a number of Picasso’s works (possibly all the ones I have seen). Nevertheless this is the beauty of art: it is down to individual taste.
So for me, I was fairly certain on my opinions and convictions towards graffiti as an art form, and as an example of the CJS further stigmatising and criminalisation young people’s behaviours: something I am certain we are all quite familiar with at this stage in our criminological journey. However those beliefs and informed views were put to the test over the Bank Holiday (BH) Weekend, and in all honesty I think I am still trying to get to grips with them. It is different now…. It happened to me.
Some context: as those of you who have read various blog posts from myself will no doubt remember, my partner runs a small kiosk near one of the Royal Parks in London. Often during the weekends and summer months, I provide an extra pair of hands to help clean and serve during the busier periods. And as a result of the pandemic, my partner finds themselves going from a team of 4 down to just them, and me when I am able to support: this was the case for the BH Weekend. Off we popped, down to London for a day of serving hotdogs, drinks and ice creams. However our day was thrown off course by some ‘ugly’ graffiti all over the front of the kiosk.
My partner was angry, and felt personally attacked (not really sure by who- but guess that’s besides the point). It is not the first time the kiosk has had graffiti on it, but it is the first time I have seen it in person and witnessed my partner’s response. Rather than starting our working day and opening up, we had to clean the graffiti off. My partner set to this: just over 3 hours later some of it has been removed, but so has some of the kiosk’s paint. It looks a mess. We are now at midday and we cannot afford to remain closed and keep cleaning. We have lost 3 hours of trading time to try and remove it, only to remove some of it and some of the kiosk’s paint. I am informed that we shall need to go to B&Q to try and find some graffiti remover: Capitalism wins again! But seeing my partner cleaning for 3 hours, losing the trading hours and for this end result: I can’t help but feel angry, frustrated and in want of some kind of justice. It’s different now… it happened to me.
But what realistically would justice be in the scenario? What do I actually want as a result? I have no idea. I asked my partner who said they just wanted them ‘not to do it’. It is private property, will my partner call the police? Nope: just nuisance annoying behaviour, but not much anyone can do about it. I feel less inclined to call it art. I like my partner’s use of ‘nuisance’ behaviour: it feels very accurate. I do not think my partner was targeted, I think it was available as a surface to be used for that individual or individuals to express themselves. But I am shaken in my previously held convictions. Shouldn’t something be done. We lost 3 hours of trading, the kiosk now needs to be repainted and we shall need to purchase some graffiti remover. All for some expression of ‘art’? Shouldn’t there be some kind of repercussion?
I am not too sure. I also know when this has happened before, and I have not been present to witness the impact it has on my partner and the kiosk I have been very nonchalant about it. ‘Oh dear, that’s frustrating’, ‘ah well, never mind’. But being there and seeing it: I view it differently. And this is something many of us come to grips with when considering hypothetical moral situations and larger ethical questions. We think we will act one way, but if it happened to us: it is quite possible our opinions, informed views and beliefs would change. I still think graffiti is art, but I am not so convinced in my previous assertation that it is not a crime…
Criminology 2020 AD

2020 will be a memorable year for a number of reasons. The big news of course was people across the world going into lockdown and staying home in order to stop the transmission of a coronavirus Covid-19. Suddenly we started counting; people infected, people in hospitals, people dead. The social agenda changed and our priorities altered overnight. During this time, we are trying to come to terms with a new social reality, going for walks, knitting, baking, learning something, reading or simply surviving, hoping to see the end of something so unprecedented.
People are still observing physical distancing, and everything feels so different from the days we were discussing future developments and holiday plans. During the last days before lockdown we (myself and @paulaabowles) were invited to the local radio by April Dawn to talk about, what else, but criminology. In that interview we revealed that the course started 20 years ago and for that reason we shall be having a big party inviting prospective, current and old students together to mark this little milestone. Suffice to say, that did not happen but the thought of celebrating and identifying the path of the programme is very much alive. I have written before about the need to celebrate and the contributions our graduates make to the local, regional and national market. Many of whom have become incredibly successful professionals in the Criminal Justice System.
On this entry I shall stand on something different; the contribution of criminology to professional conduct, social sciences and academia. Back in the 1990s Stan Cohen, wrote the seminal Against Criminology, a vibrant collection of essays, that identified the complexity of issues that once upon a time were identified as radical. Consider an academic in the 1960s imagining a model that addresses the issue of gender equality and exclusion; in some ways things may not have changed as much as expected, but feminism has entered the ontology of social science.
Criminology as a discipline did not speak against the atrocities of the Nazi genocide, like many other disciplines; this is a shame which consecutive generations of colleagues since tried to address and explain. It was in the 1960s that criminology entered adulthood and embraced one of its more fundamental principles. As a theoretical discipline, which people outside academia, thought was about reading criminal minds or counting crime trends only. The discipline, (if it is a discipline) evolved in a way to bring a critical dimension to law and order. This was something more than the original understanding of crime and criminal behaviour and it is deemed significant, because for the first time we recognised that crime does not happen in a social vacuum. The objectives evolved, to introduce scepticism in the order of how systems work and to challenge established views.
Since then, and through a series of events nationally and internationally, criminology is forging a way of critical reflection of social realities and professional practices. We do not have to simply expect a society with less crime, but a society with more fairness and equality for all. The responsibilities of those in position of power and authority is not to use and abuse it in order to gain against public interest. Consider the current pandemic, and the mass losses of human life. If this was preventable, even in the slightest, is there negligence? If people were left unable to defend themselves is that criminal? Surely these are questions criminology asks and this is why regardless of the time and the circumstances there will always be time for criminology to raise these, and many more questions.
RTFQ and the real world

The other day I had occasion to contact Her Majesty’s Revenue and Customs (HMRC) and I did this via a web chat. My query was simply about seeking an explanation regarding tax relief. I compiled my question starting off with ‘good morning, I’ve had my tax code updated and am a little confused.’ I then went on to explain in a few short words where the confusion lay.
The response back was quite familiar, it would be to those that use web chat and quite expected, ‘Thank you for your patience, the next available advisor will be with you shortly. You are 7 in the queue’. Little was I to know at this stage, that my patience was about to be severely tested, not by the waiting time but by the advisor who, to avoid any embarrassment to the real person, we will simply call ‘Jo’. After eight minutes of waiting (not a particularly long time) I was through to Jo and greeted with a request for my details for security.
Once supplied, I was told that Jo would be looking at my record. Jo then responded by telling me that the adjustment in my tax code was due to an underpayment from the 18/19 tax year, explained how much it was and the fact it would be collected through the tax code. Now I should point out, this was not the question I was asking, RTFQ, I wanted to know about an aspect of tax relief and just to add to the confusion, the HMRC website tells me I do not owe any tax from the 18/19 year. The latter makes sense to me because I paid off the amount owed in 19/20. A little agitated I responded with my question again trying to make it a little clearer, as if it wasn’t clear enough. I added to this by asking if my assumptions were perhaps incorrect and if so could Jo tell me when the rules had changed. The response was ‘one moment’. Four minutes later I asked, ‘are you still there?’, the terse response was, ‘yeah, i (sic) am looking through the guidance for you’. This does not bode well!
Trying to be helpful, I responded by explaining the tax relief I received last year, and the fact that I ought to receive it this year, unless of course the rules have changed the response, ‘one moment please’. To be followed by ‘the 480 is from 480.00/40% = 1200 so its at 40%’. Now I’m no Trigger (see Only Fools and Horses) but this mathematical genius has me somewhat perplexed, so I pushed a little further to see if I could get an explanation of this. I ended up with ‘480.00/40% =1200 which is 40% of the 480’.
My patience wearing a little thin now, I asked to speak to a supervisor only to be told there was no supervisor available and ‘They will be telling you the same thing, you can call in to speak to someone else if you want’. So, I can hang up on the web chat, start another and in the lottery of numpties, I will take my chance that I might not get another Jo to answer my query, I think not. To add insult to injury, Jo had just previous to this provided me with an answer that was in fact the basis of my question, we seemed to have gone full circle (RTFQ). In desperation and trying to prevent my blood pressure rising further I tried to draw this to a close by pointing out the problem as I see it, prefixing this with, ‘I’m not trying to be difficult. I just want an explanation as to why …’. I followed this up with, ‘If you cannot answer that, then please just say so’. The response, ‘I have explained to you the best way i (sic) can Stephen’. Now that’s me told! Best not push it further.
I recall first hearing the term RTFQ when I was about to sit a promotion exam. RTFQ the invigilator shouted, before gazing upon my quizzical expression, ‘read the f*** question’ he explained. I frequently remind my students of this mantra before they sit exams, it is one that serves us well, not just at university when sitting exams or completing assignments, but in life. Although I’m not sure that RTFQ is something that Jo needs to prioritise whilst tripping through the wonderment of mathematical equations.
Or maybe, just maybe, it is a new tactic by HMRC to limit enquiries. I certainly won’t be calling back in a hurry.
“My Favourite Things”: Bethany

My favourite TV show - I have many. But if I must select just one... Fleabag. I have rewatched several times, I have even read the book (which is more of a script). My favourite place to go - Peak district, I have several favourite spots within, but overall, it's my favourite place. My favourite city - Cambridge. It may be more familiarity than anything else, but it does have a charm. My favourite thing to do in my free time - READ. I have other loves, such as video games and walking. But reading is my everyday pastime. My favourite athlete/sports personality - Hard one for me, as I'm not really into sports. The only sport I follow which may surprise some is body-building! There's an element of obsession, dedication and art that fascinates me. So, I will say Kai Greene - but I'm not sure how many will know who this is. My favourite actor - Tough one, I like most films/TV that has either Bill Hader or Meryl Streep in. My favourite author - Tough one- Can I give 2 - is that cheating? Margaret Atwood & Lucy Clarke My favourite drink - Coca Cola - Full Fat - The good stuff My favourite food - Bangers & Mash My favourite place to eat - Anywhere with good food that I don't have to cook myself! I like people who - Ask Questions. Questions are the stepping-stone before acquiring knowledge. I don’t like it when people - Assume things stay the same. One of my pet peeves is "Well they should have thought of that before X happened". Things change, feelings change, people's finances change. Therefore, we should try withholding judgement and think how circumstances change. My favourite book - This one is hard for me. The academic in me says Paul Willis' Learning to Labour, the book opened my mind and genuinely changed my life. But the child in me and the one who loves to explore... The Secret Garden My favourite book character - This doesn't go in line with my favourite book, but I love the character Charmaine in The Heart Goes Last she's complex but she is also empathetic. My favourite film - Hocus Pocus - More of a sentimental thing of carving pumpkins every year while watching it! My favourite poem - While I am not one much for poetry, I adored Rupi Kaur's poetry book Milk and Honey My favourite artist/band - I have a few, I like The 1975, Alicia Keys, Sam Smith and even some Billie Eilish My favourite song - Not fitting at all to the above - But - It's Can't help falling in Love My favourite art - I didn't actually know the name of it till now as I never really thought about it, but what I used to call 'Crazy Stairs' (apparently actually called Relativity by M.C.Escher). It used to be in my Art room at school, I remember thinking it seemed pointless, then I realised that was probably the point. My favourite person from history - Angela Davis. After I read Women, Race & Class I wanted to explore more – This woman has had a fascinating, challenging, but above all, inspiring life.
… Side note: as I wasn’t asked … Maisie – My dog (pictured) is my favourite…of everything, really. Just look at her, she’s beautiful.

A Love Letter: in praise of art
Some time ago, I wrote ‘A Love Letter: in praise of poetry‘, making the case as to why this literary form is important to understanding the lived experience. This time, I intend to do similar in relation to visual art.
Tomorrow, I’m plan to make my annual visit to the Koestler Arts’ Exhibition on show at London’s Southbank Centre. This year’s exhibition is entitled Another Me and is curated by the musician, Soweto Kinch. Previous exhibitions have been curated by Benjamin Zephaniah, Antony Gormley and prisoners’ families. Each of the exhibitions contain a diverse range of unique pieces, displaying the sheer range of artistic endeavours from sculpture, to pastels and from music to embroidery. This annual exhibition has an obvious link to criminology, all submissions are from incarcerated people. However, art, regardless of medium, has lots of interest to criminologists and many other scholars.
I have never formally studied art, my reactions and interpretations are entirely personal. I reason that the skills inherent in criminological critique and analysis are applicable, whatever the context or medium. The picture above shows 4 of my favourite pieces of art (there are many others). Each of these, in their own unique way, allow me to explore the world in which we all live. For me, each illustrate aspects of social (in)justice, social harms, institutional violence and the fight for human rights. You may dislike my choices. arguing that graffiti (Banksy) and photography (Mona Hatoum) have no place within art proper. You may disagree with my interpretation of these pieces, dismissing them as pure ephemera, forgotten as quickly as they are seen and that is the beauty of discourse.
Nonetheless, for me they capture the quintessential essence of criminology. It is a positive discipline, focused on what “ought” to be, rather than what is. To stand small, in front of Picasso’s (1937) enormous canvas Guernica allows for consideration of the sheer scale of destruction, inherent in mechanised warfare. Likewise, Banksy’s (2005) The Kissing Coppers provides an interesting juxtaposition of the upholders of the law behaving in such a way that their predecessors would have persecuted them. Each of the art pieces I have selected show that over time and space, the behaviours remain the same, the only change, the level of approbation applied from without.
Art galleries and museums can appear terrifying places, open only to a select few. Those that understand the rules of art, those who make the right noises, those that have the language to describe what they see. This is a fallacy, art belongs to all of us. If you don’t believe me, take a trip to the Southbank Centre very soon. It’s not scary, nobody will ask you questions, everyone is just there to see the art. Who knows you might just find something that calls out to you and helps to spark your criminological imagination. You’ll have to hurry though…closes 3 November, don’t miss out!
Thinking “outside the box”

Having recently done a session on criminal records with @paulaabowles to a group of voluntary, 3rd sector and other practitioners I started thinking of the wider implications of taking knowledge out of the traditional classroom and introducing it to an audience, that is not necessarily academic. When we prepare for class the usual concern is the levelness of the material used and the way we pitch the information. In anything we do as part of consultancy or outside of the standard educational framework we have a different challenge. That of presenting information that corresponds to expertise in a language and tone that is neither exclusive nor condescending to the participants.
In the designing stages we considered the information we had to include, and the session started by introducing criminology. Audience participation was encouraged, and group discussion became a tool to promote the flow of information. Once that process started and people became more able to exchange information then we started moving from information to knowledge exchange. This is a more profound interaction that allows the audience to engage with information that they may not be familiar with and it is designed to achieve one of the prime quests of any social science, to challenge established views.
The process itself indicates the level of skill involved in academic reasoning and the complexity associated with presenting people with new knowledge in an understandable form. It is that apparent simplicity that allows participants to scaffold their understanding, taking different elements from the same content. It is easy to say to any audience for example that “every person has an opinion on crime” however to be able to accept this statement indicates a level of proficiency on receiving views of the other and then accommodating it to your own understanding. This is the basis of the philosophy of knowledge, and it happens to all engaged in academia whatever level, albeit consciously or unconsciously.
As per usual the session overran, testament that people do have opinions on crime and how society should respond to them. The intriguing part of this session was the ability of participants to negotiate different roles and identities, whilst offering an explanation or interpretation of a situation. When this was pointed out they were surprised by the level of knowledge they possessed and its complexity. The role of the academic is not simply to advance knowledge, which is clearly expected, but also to take subjects and contextualise them. In recent weeks, colleagues from our University, were able to discuss issues relating to health, psychology, work, human rights and consumer rights to national and local media, informing the public on the issues concerned.
This is what got me thinking about our role in society more generally. We are not merely providing education for adults who wish to acquire knowledge and become part of the professional classes, but we are also engaging in a continuous dialogue with our local community, sharing knowledge beyond the classroom and expanding education beyond the campus. These are reasons which make a University, as an institution, an invaluable link to society that governments need to nurture and support. The success of the University is not in the students within but also on the reach it has to the people around.
At the end of the session we talked about a number of campaigns to help ex-offenders to get forward with work and education by “banning the box”. This was a fitting end to a session where we all thought “outside the box”.