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The Bride of Frankenstein
The classic novel by Mary Shelley back in the early 19th century was an apocalyptic piece of work that imagined the future in a world where technology appeared to be a marvel that professes to make everyday people into gods. The creation of a man by a man (deliberately gendered) in accordance to his wishes, and morals. The metaphysical constraints of the soul seemingly absent, until all comes to head. This was dystopic, but at the same time philosophical, of the future of humanity.
In the 20th century John B. Watson believed that he could shape the behaviour of anyone, mostly children in any possible way. Some of his ideas even made it into popular psychology where he offered advice to parents of how to raise their children. Although no monster is mentioned, there is still the view that a man can shape a child in whatever way he chooses. A creationist and most importantly, arrogant view of the world.
Decades later Robert Martinson, a sociologist will look at all these wonderful and great programmes designed to challenge behaviours and change people, so they can rehabilitate leaving criminality behind. He found the results to be disappointing. In the meantime, child psychologists could not achieve this leap that Watson seem to think they could make in changing people.
In the 21st century we began to realise at a discipline level that forcing change upon people is rather impossible. How about a man creating a man? Can you develop a new human that will be developed espousing the creator’s desired attributes and thus become a model citizen? In recent years we have been talking about designer babies, gene harvesting and genetic modification. Such a surprising concept considering the Lebensborn experience during the Nazi regime. That super-man concept was shattered in thousands little pieces, and for many relegated to history books. Therefore, designer babies are such a cautionary tale.
As a society we are still curious on what can technology can achieve, how far can we go and what can we develop. Still in science there are seeds of creationism proposing ideas of that we can develop; a world of people without illness, disorder and deviance. Pure, healthy and potentially exceptional individuals who may be physiologically right but sadly devoid of humanity. Why devoid? Because what makes a person? Our imperfections, deviances and foibles. These add to, rather than substract from, our uniqueness and individuality.
In a recent twitter discussion one of my colleagues engaged in a discussion about the repatriation of one of those women called “Isis brides”. The colleague posed the question, why not allow her to return, only to receive in response, because these are no humans. As I read it I thought, well this is a new interpretation of the monster. A 21st century monster that we can chase out of the proverbial village with torches because its alive and it shouldn’t be. We can wish for people to be good to us, open armed and happy all the time, but that is not necessarily how it is. We know that this is the case and of course we want to be reminded of our humanity, not for the positives but for the negatives. Not what we can be but what the others are not. So, we can always be the villagers and never the monster.
Mary Shelley (1888) Frankenstein or The Modern Prometheus, London, George Routledge and Sons.
Halloween Prison Tourism
Haley Read is an Associate Lecturer teaching modules in the first and third years.
Yes, that spooky time of the year is upon us! Excited at the prospect of being free to do something at Halloween but deterred by the considerable amount of effort required to create an average-looking carved pumpkin face, I Google, ‘Things to do for Halloween in the Midlands’.
I find that ‘prison (and cell) ghost tours’ are being advertised for tourists who can spend the night where (in)famous offenders once resided and the ‘condemned souls’ of unusual and dangerous inmates still ‘haunt’ the prison walls today. I do a bit more searching and find that more reputable prison museums are also advertising similar events, which promise a ‘fun’ and ‘action packed’ family days out where gift shops and restaurants are available for all to enjoy.
Of course, the lives of inmates who suffered from harsh and brutal prison regimes are commodified in all prison museums, and not just at Halloween related events. What appears concerning is that these commercial and profit-based events seem to attract visitors through promotional techniques which promise to entertain, reinforce common sensical, and at times fabricated (see Barton and Brown, 2015 for examples) understandings of history, crime and punishment. These also present sensationalistic a-political accounts of the past in order to appeal to popular fascinations with prison-related gore and horror; all of which aim to attract customers.
The fascination with attending places of punishment is nothing new. Barton and Brown (2015) illustrates this with historical accounts of visitors engaging in the theatrics of public executions and of others who would visit punishment-based institutions out of curiosity or to amuse themselves. And I suppose modern commercial prison tourism could be viewed as an updated way to satisfy morbid curiosities surrounding punishment and the prison.
The reason that this concerns me is that despite having the potential to educate others and challenge prison stereotypes that are reinforced through the media and True Crime books, commercialised prison events aim to entertain as well as inform. This then has the danger of cementing popular and at times fictional views on the prison that could be seen as being historically inaccurate. Barton and Brown (2015) exemplify this idea by noting that prison museums present inmates as being unusual, harsh historical punishments as being necessary and the contemporary prison system as being progressive and less punitive. However, opposing views suggest that offenders are more ordinary than unusual, that historical punishments are brutal rather than necessary and that many contemporary prisons are viewed as being newer versions of punitive discipline rather than progressive.
Perhaps it could be that presenting a simplified, uncritical and stereotyped version of the past as entertainment prevents prison tourists from understanding the true pains experienced by those who have been incarcerated within the prison (see Barton and Brown, 2015, Sim, 2009). Truer prison museum promotions could inform visitors of staff corruption, the detrimental social and psychological effects of the prison, and that inmates (throughout history) are more likely to be those who are poor, disempowered, previously victimised and at risk of violence and self-harm upon entering prison. But perhaps this would attract less visitors/profit…And so for another year I will stick to carving pumpkins.
Photo by Markus Spiske temporausch.com on Pexels.com
Barton, A and Brown, A. (2015) Show me the Prison! The Development of Prison Tourism in the UK. Crime Media and Culture. 11(3), pp.237-258. Doi: 10.1177/1741659015592455.
Sim, J. (2009) Punishment and Prisons: Power and the Carceral State. London: Sage.