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Kisses from Granny Don’t Count! #BlackenAsiaWithLove #ShortStory

In America, and most certainly in the land of Dixie and cotillions, at the end of junior high school year we have a tradition of getting our senior class rings. By “getting,” I mean individually buying a ring from the same one or two companies in our city who cash in on this ritual annually. We knew that many of us had to foot the bill with our own after-school jobs, while others’ parents could virtually write a blank check! (Hopefully, at least, or perhaps most assuredly, somebody in the school system gets a kickback from all this cash flow.) 

While class rings appeared personalized, the rings – and the ritual – were effectively mass manufactured, complete with standardized shapes and design features: school’s name and mascot – in our case a bear – class year (1993!), and maybe our initials inscribed inside. Oh, and a heteronormative adolescent sexualized ritual to which I shall return shortly. 

Rings are generally presented at a school ceremony. Until graduation, class rings are worn facing the wearer as motivation towards the ultimate achievement, after which it is worn outward as a badge of pride and honor. A graduating class could all agree to the same design – usually the school colors – which I believe the majority of my class did. While I prefer the look of silver against my dark skin, our school colors were royal blue and gold, so classes at our school often got blue sapphire set in the lowest Karat gold available that didn’t look cheap. For such a notoriously liberal school (i.e., gender and racially/geographically* integrated by design), this was one of the few explicit acts of conformity.

‘You Wear it Well’ – DeBarge, 1985

Class Ring: Louisville Central High School, ’66

The next part of the tradition is having 100 different people turn the ring, as sort of an acknowledgement of becoming a senior. The first 99 turn it in one direction, while the final person reverses the order. This clockwise/counter-clockwise turn seals the deal. Yet get this, you’re supposed to kiss the hundredth person who turns the ring. You say the word “kiss” in front of most any group of adolescents and they’ll giggle. We knew what kind of kiss was meant. FRENCH like fries! Somehow becoming a senior in high school had been coopted by this hetero-ritual, a hetero-rite of passage (het-or-no-rites!).

I am troubled that this academic milestone is linked to gender. Worse, the ritual is predictably a performance act that fixes gender to normative sexual roles; yes, heteropatriarchy. Worse still, this binary gender performance is discrete, couched in achieving a basic education.

The ring dealer comes to school and makes a sales pitch to the class, and sets up a booth in the lobby after school. In his pitch, he promises a ‘free’ glossy little form to collect all the signatures. It was a bait and switch. These dealers sold us the rings but gave us the forms, the evidence we needed to prove we’d passed another stage towards adulthood. And what were we supposed to do with the blank glossy forms? Come back to school and boast? 

The first 50 or so signatures were just us. Our own schoolmates turning each other’s rings, filling in each other’s forms on the very day the rings arrived. Family filled in a lot, too. I distinctly remember a teacher or two requesting to be excluded from the tradition, or take part in the ring ritual of becoming a senior, else we whittle their fingers away. 

We all know everybody only wanted to see who signed the final line – a prompt to incite heteronormalizing speech-acts. Well, a few folks weren’t single and already had that 100th spot reserved and filled by sundown. Needless to say, kisses from granny don’t count!  I’m pretty sure this wasn’t written on the dealer’s well-crafted sheet. Our market dominated, heteronormative introduction to adulthood for all to see.

I’d attended the same school since second grade so I’d seen people celebrate this class ring ritual for years, and even attended several graduations. I’d watched the “Senior run” year after year – a day at the end of school, when the graduating class runs through all the halls, cheering, banging on lockers as all the kids in all the classes rush out to line the hallways and egg them on. I loved school, adored our school, adored my classmates, and even looked forward to our turn, though parting so bittersweet. 

At 16, I was only starting to be able to fully disidentify with the barrage of heterosexualized norms that engulfed me. I had to disentangle heterosexuality from virtually every facet of life – even finishing high school, a normal step we’re all expected to take. It’s as if to gain access to what bell hooks calls ‘the good life’ one had to signify alignment with compulsory heterosexuality.

I knew that I could not even turn my ring 100 times without kissing a girl. No way I’d risk putting a guy’s name at the end of that glossy list – someone I’d actually dreamt of French-kissing. Not like I knew any guy who’d be game. Damn. This was a lot of pressure. This junior prom was forcing me to make all kinds of adult decisions.

“The more I get of you, the stranger it feels…”

I was 16, and wasn’t out yet. Unlike at twelve when these feelings first bubbled over, by 16 I was on the cusp of self-acceptance, and preparing to face this possibility that I was gay. Perhaps it was pure timing. By the 11thgrade I knew for sure I’d be leaving home months after graduation, which was suddenly within reach. I could chart my own homo path. But still, at that age, I had doubts. I tried seriously dating a young woman as my last-ditch effort to see if I was straight or (at least) bisexual. 

Kaye wasn’t a classmate, which wouldn’t have worked anyway because in retrospect all my classmates already knew, and had decided to accept me without question. Kaye attended an all-girls’ school, so we’d met through an extracurricular, Black youth empowerment program. Kaye was clearly college bound. She had her own dreams and ambitions, and pursued them – an ideal mate for me. She was the most attractive woman I knew, both inside and out, both to me and others. Yes, THAT sister who is not invulnerable, but has it all together. If she didn’t do, then dammit I was gay!

Fortunately, my girl was smart. And by smart, I mean that she was intelligent, real smart as in NOT clueless at all. We agreed to a kiss on the cheek, and she’d sign the last line on my glossy form. And by ‘agreed to’, I mean that this is what Kaye put on the table as her firm and final offer. She also had the good sense to let me turn her ring, too, but she reserved the 100th signature for someone special. I respected that. This clarified our plutonic status – no Facebook updates needed: I’m gay.

“Gotta find out what I meant to you…You were sweet as cheery pie/ Wild as Friday night”

It’s summer in America. #BlackenAsiaWithLove

It’s summer. I’ve returned to the UK, got vaccinated, continued to work online, kept calm and carried on. Away for nearly 2 years and so much has changed. Many have spent months on lockdown, clicking-n-collecting everything they need, when what they crave is companionship – non-digital human interaction. And fresh air. Worse, for many, pandemic-induced fear and social-distancing routines have festered into genuine social isolation and alienation. Here, please be mindful that social media cannot replace what we do IRL. A comment or thumbs-up cannot replace a real conversation (surprise!?!). Besides, life is short, speak to folks directly!

Across the pond, there are hundreds of prosecutions underway against individual January 6th insurrectionists. Plus, there’s a new congressional investigation into the the insurgency; the police officers’ testimonies are damning, exposing the ugliness of white supremacy and violence at the core. One particular insurgent’s hate crime against a Black Capitol Police officer really cuts to the core. Officer Harry A. Dunn said in interviews in the days after the attack, and repeatedly in his written and oral congressional testimonies:

One woman in a pink “MAGA” shirt yelled, “You hear that, guys, this nigger voted for Joe Biden!” Then the crowd … joined in screaming…”

At the same time, the traditional celebration of Emancipation is now a national holiday. All this during global outbreaks of an unprecedented worldwide pandemic, dramatizing both all our humanity and all our interconnectedness – irregardless of any social and political/politicized divisions. Diseases, like storms, don’t respect maps. All this, and still Mr. Backlash is right on time, thus Nina penned-n-crooned:

So, Mr. Backlash, Backlash

Who do you think I am?

You raise my taxes, freeze my wages

Send my son to Vietnam

It’s summertime, and the livin’ ain’t easy. CONservatives have set their sights (of their guns) on continuing to serve a bleached version of our history next to their bleached burgers in schools. Taken right out of the Jim Crow playbook, they’re not only suppressing votes by stoking fear of foreigners, CONservatives sit in congress and call the events of January 6th “peaceful protests” to the faces of officers giving testimony, who barely survived that day.

True to Jim Crow, they keep the masses ignorant by reducing Intersectionality to ‘Critical Race Theory’, and pitting that as the enemy of America. Yet, when you present them with the facts of our collective history, say, by simply acknowledging that many “founding fathers” were slave-owners-boasting-bout-freedom, they’re as silent as an electric car (shhhhhh).

Like zombies, CONservatives silently retreat to their narrow view of their Bible “and their bombs, and their guns.” It’s as if they don’t know we can learn how to have better conversations. To be sure, Intersectionality and CRT are inter-related enemies of fear, ignorance and therefore, crucially, white supremacy. It’s not in your head, they are fighting.

It’s now summer in America and three multi-billionaires are racing to go to space. At the same time, so much about our nation is broken: outdated and decaying schools, policing, healthcare and infrastructure… and now both our spirits and democracy are threatened. Insurrection betrays the very spirit of democracy – let’s not act new! Coupled with the empty shop shelves in a post-Brexit/mid-Covid Britain, this moment reminds me of something seminal spoken-word artist Gil Scott-Heron spat in 1970:

The man just upped my rent last night.

(’cause Whitey’s on the moon)

No hot water, no toilets, no lights.

(but Whitey’s on the moon)

I wonder why he’s upping me?

(’cause Whitey’s on the moon?)

I wuz already paying him fifty a week.

(with Whitey on the moon)

Taxes taking my whole damn check…

It’s summer, summer, summertime 2021 in America and we’re still asking, “what did it cost our nation to put whitey on the moon?” Is it summer in America, or is it winter? Can’t be, there ain’t no more glaciers. Happy MF’ing New Year. Have a great summer. See you on ‘the other side of the moon’.

P.S.

Did you catch all those space-billionaire and musical references? Despite all this sickness-n-division, near-n-far, yet-n-still, “music makes the people come together… yeah.”

PIX:

Gil Scott-Heron: https://genius.com/Gil-scott-heron-whitey-on-the-moon-annotated

Whitewash History, adapted from: https://www.evanstonian.net/archived-opinion/2014/10/05/history-lessons-whitewash-history/

Dear Black People. #BlackAsianWithLove

Dear Black People:

Remember, whiteness has been largely invisible to MANY folks for MANY generations. While one Corona-filled year can make a dent in it, these changes will hurt and will take time. For example, imagine waking up one day, seeing another Black body drop on the streets at the hands of the police, and you see the American president making mockery of it. Stereotypical “rednecks” are breaking open cans of (cheap) beer to celebrate the deaths and you suddenly realize that this – none of this – would NEVER happen to you because of the color of your skin, because your skin is white. That’s got a be an earth-shattering realization.

Dear Black people, can you remember learning something that totally shattered your world view? That’s what’s happening to the wider, whiter world right now. Like any humans, some embrace change, others retreat in defeat and plot retaliation, for Mr. Backlash is NEVER EVER late.

Dear Black people, take a deep breath. Step back and look at the arch of history. It’s a sheer miracle that you’re even here, that your ancestors survived (I’ll spare you the litany of atrocities). History shows you that these flaring moments are fleeting, that in fact, it gets better. So, keep your head to the sky! Strap up your boots, march for justice, speak up, fight for peace, raise your voices in solidarity with peace-loving people everywhere of every shape, size and color. Do these things at your own pace, in your own way, and in your own space, for every contribution towards world peace is needed. Be the change.

Is it a wonderful life?

It’s a Wonderful is definitely in my Top 100 films ever made

George Bailey (James Stewart) spent his life giving to The People of Bedford Falls. Overwhelmed by his family business, community responsibilities and life expectations, he feels rooted to a company he had no interest in working for, living a life he never wanted to begin with. As George morphs into a middle-aged man, he sees his life passing him by. Told from the perspective of some angels, he’s met by his guardian angel Clarence (Henry Travers), who shows George what Bedford Falls would be like if he had never been born.

Most people I know who watch this film every year love it for its warmth, and Victorian themes, what today we’d now call family values. Something that fits Christmas so well. However, my affinity to it is for it’s social commentary. For a Christmas film, it’s quite depressing – which is a contrary opinion to the many that have it as part of their annual traditions.

Released in 1946, Frank Capra’s Christmas cracker dropped right as America left one of the most difficult fifteen years (and a bit) of its history, from the Great Depression in 1929 up to the end of the Second World War in 1945. George Bailey is part of “The Greatest Generation,” the millions that came of age during the Wall Street Crash which ushered in the Depression of the 1930s. The undertones of this film, to me, are in that ruthless Wall Street capitalism via characters like Mr Potter (Lionel Barrymore).

Yet, the character of Mr Potter is a reminder for many people of what happened in 1929. Between The Crash and the end of The Second World War sat FDR’s New Deal. Within this time, we had The Banking Act of 1933, which is relevant to the characters of Frank Capra’s film, and the bank run. Whilst Capra’s film was released in 1946, Potter is a reminder of how it used to be before Roosevelt and the Democrats ushered through the New Deal.

James Stewart and Donna Reed in It’s a Wonderful Life
(It’s a Wonderful Life, RKO Radio Pictures)

Once, communism could have been called anti-greed, anti-corporations, anti-fat-businessmen-with-a-cigar-in-their-mouth-getting-rich off-poor-people-in-slums. It’s a Wonderful Life is a voice for the working classes. It’s the I, Daniel Blake of its time, a stark indictment of a system that eats people below the poverty line for dinner. It comments on class and family values, but also austerity in America. In its time, FBI Director, J. Edgar Hoover donned it, (what was the buzz term of the post-war years), “anti-American.”

Watching this film, it’s hard not to draw comparisons with modern Britain, in its themes of class and austerity that laid the backbone for Jeremy Corbyn’s Labour Manifesto. This is a film that cares about people, the individual working people of America – where the American Dream is just that. A dream. Echoing the thoughts of Arthur Miller’s Death of a Salesman.

Slumlord Potter (Barrymore) describes the poor as “A thrifty working class,” which shows you the measure of the man.

In wake of the recent General Election, I will watch this film once more at Christmas for its straight-at-the-jugular representation of working-class communities. Britain has voted for five more years of austerity (oppression), more likely another decade under the Conservatives. It’s a Wonderful Life shows what happens when the powerful do not care about powerless. But isn’t that how they became powerful in the first place?

Remembering your loved ones is not a Christmas eulogy, it’s general practice
(It’s a Wonderful Life, RKO Radio Pictures)

For families around the world, watching this film is a yearly tradition. But as long as the powerful step on the powerless, this film’s legacy will endure. Institutional violence plods on. Bailey runs a business that helps poor people onto the property ladder. Played to perfection by James Stewart (Mr Smith Goes to Washington), this is a man who cares what happens to those around him. Potter is out for Bailey, wanting the company to close so he can swoop in, and coerce more residents into living in his slum-level housing.

Potter is a metaphor for power, the controlling state that denies people dignity in their own home. Call him Potter, or Boris, or Trump… every era has their tyrants who stop others from thriving, just because they can.

And as long as man is man, history is the last place he will look for his lessons, as history is written by the victors.

NN Austere: What the Hell Happened?

Edward and Walter Tull at orphanage
Picture Credit: belongs to Action for Children

In its long, eventful history, the town that I grew up in has been home to theatre proprietors like John Franklin. It’s also been home to Thomas Beckett, Charles Bradlaugh, and partook in the Wars of the Roses. What’s now Delapré acted as the stage for the Battle of Northampton in 1475. Northamptonshire housed slaves from the era of Britain’s colonial ambition. It was the muse of Alan Moore’s Jerusalem, and sporting legends, including Mobbs’ Own battalion of rugby players during the First World War, as well as Walter Tull, who went on to be the first Black (mixed-race) officer in the British Army. But now embarking on a general election before entering 2020, we are in a homelessness epidemic, rivalling the plot of Charles Dickens’ Oliver Twist. These are austere times.

Photo by Matt Collamer on Unsplash

Whilst Walter Tull and his siblings feared the workhouse in the epilogue of Victorian Britain, our buzz terms in 2019 are “austerity” and “universal credit,” essentially prisons of the poor. Growing up in the county, with all its beauty and brutality, it’s now a much changed environment. Its landscape has much changed from the one I remember as a youth. It’s not identifiable to my seven-year-old self climbing trees in Abington Park and Salsey Forest, Charlie B standing menacingly in Abington Square, whilst the Doddridge Centre played host to many a community event by Jimmy’s End.

On the brink of one of the most important elections since forever, “He who rules Northampton, rules England,” stated All Saints’ Father Oliver Cross. I look at the town I grew up in and I want to weep. Walking through Town Centre and into the outer rim, you can see how austerity has ravaged communities. How community spirit has rotted from the inside, as apathy and hopelessness can be tasted and sweated, foaming at the mouth – from blood in the River Nene to knife crime, and bus stops stood like cenotaphs.

Walking through London’s southwest last Wednesday to see homelessness brushing shoulders with the Ritz reminded me of the some 14,000 children in poverty in the shoe town. Austerity is a scouring pad to these brittle streets, orchestrated by a system that eats people below the poverty line for breakfast, lunch and dinner. The release of I, Daniel Blake in 2016 and Sorry We Missed You in 2019 are prime examples of how institutional violence has been used to rip gaping holes through working-class Britain.

Rat Island

On exiting MK Central, it’s a sight that leaves a lump in your throat. Milton Keynes has been nicknamed “Tent City” purely for its massive street-sleeping population. And the grass patch near the site of Northampton’s old bus station has been nicknamed “Rat Island.” I think that speaks for itself.

Seeing how the Government has operated these last ten(ish) years, it’s a migraine to the soul, temporarily broken by fireworks at New Year and the gong of church bells at Christmas. But the heart-shattering discordant noise of “spare some change, sir” on Abington Street and The Market is enough to make this Northamptonian cry. From childhood to being a student at the university, the homeless population here and I are acquainted – as I walked to catch my school bus in the morning, as I now walk to Waterside Campus.

Suddenly, Northampton has shrunk to a few miles of boarded up buildings, shivering hands, defaced shoes, and fleeting images of a hollowed-out shell of what used to be a thriving high street. A thriving community. Businesses come and go, and the street-dwellers, students and members of the public alike I’ve seen, to be devoid of all expression. I watch their writhing white eyes, looking into this winter of discontent – as the consumer capitalist culture of Christmas sneaks up on us like a gentle hand out of a grave.

Filmmaker Ken Loach (I, Daniel Blake + Sorry We Missed You)

When I see a homeless person, I greet them like I would anyone else. “Good morning, sir (or ma’am).” And I give them some change if I have it. But what else can I say? What else do I do? I walk through the underpass behind Boots. I see wrapped up bodies on the ground. They look dead. Cold corpses, but the system sheds no tears for them. Forgotten in a split second of time. They shiver, freshly alive. And now they are footnotes to history.

Hardworking people going to food banks because their wages do not cover the basics. Working students that have student finance at food banks because it does not cover the basics. Austerity’s mortar fire. Machine gun fire. Austerity grinds on the bones. Austerity chases you down river rapids, collecting fallen objects from your pockets, taking from the mouths of your children. It’s zero-hour contracts and six-days of fourteen hour shifts p/w.

Northampton is a zombie. Sheep Street’s boarded-up buildings and how the Hope Centre which was once a charity for the homeless, is now one that supports austerity-stricken communities and families and people that are deprived and have fallen on hard times too. Hope saves lives. Having spoken to CEO Robin Burgess a number of times, he highlighted to me how a number of the rough sleepers are citizens from mainland Europe. The EU.

Photo by John Moeses Bauan on Unsplash

Oliver Twist, Les Mis, Poldark – texts on poverty. When we think about poverty, it’s always the third world. In places like India, where I visited in 2016: amputees on the streets and children on the precipice of death. I look into their eyes. I wasn’t the same after that. I think I cried for a fortnight when I returned. Our public services are in a state of disarray – social care, the NHS, the police, education – this is Britain, in 2019, as the idea of Brexit has split families and friends, as it eats away at the national consciousness.

This is a parable of biblical proportions: Northampton won’t survive another decade of this, and we have not even begun to talk about austerity through the lens of minority Britain, where gender, race and sexuality all play roles of bias.

Killed with kindness #RaceEd

Photo by Eva Dang on Unsplash

What does it say about the education sector that we don’t say what we mean? What does it say that I attended a conference on racism at universities that didn’t have racism in the title? “Racial harassment” is what they called it, as in Westminster Higher Education Forum Keynote Seminar: Priorities for Tackling Racial Harassment & Improving the BAME Experience in HE. Racial harassment? Racism. Name it. Own it. We’re nearly in 2020 and we’re still wrapping these issues in bubblewrap to make it more palatable for, dare I say, senior management at UK universities (overwhelmingly White). Should we draw a nail? Pop. Pop. Pop.

Arising from my bed at 5:45am to make a 7:30am(ish) train, only to arrive at this conference feeling a bit awkward. The whole delivery felt “preachy” from the get-go. Being lectured on race by mainly White middle class people brought me back to first year on my Creative Writing degree where I did a number of literature modules, delivered by a lecturer who talked about slavery like a trivial matter. That’s my family history you’re talking there!

As Vice President BME at Northampton, I’m facing more and more problems with the language and rhetoric we use around race. The sector lumps all Black and brown students together and calls them BME / BAME. What about the term people of colour? I, too, am guilty of using “people of colour” and do myself have issues with it. It’s probably the best of the worst.

The term B(A)ME is not homogeneous. Even among Black people, there is differences. i.e between African and Caribbean, as well as Black British people whose families come from those places. Even to call someone African; there are fifty-four different nations in Africa, each with their own languages, culture, traditions and so on. Nigeria alone has over 250 different languages. But we continue with BME and BAME. Racial / cultural identity matters. Do we lump all White people together? No. And I bet if you called someone from Belfast, English, they’d have something to say!

Watching Dr. Zainab Khan (Assoc. Pro-Vice Chancellor at London Met) speak was a breath of fresh air, telling it like it is. And having been to a few conferences like this, it seems to me that the sector is more set on managing racism than taking to steps to eradicate it. Both Dr. Khan, and Fope Olaleye (Black Students’ Officer at NUS) brought a much needed clarity to racism (not racial harassment) at our universities, as well as institutional racism. It was great to hear comments on Macpherson and Critical Race Theory too.

And in my opinion, best practice is the brutal, honest truth. Not statistics, but qualitative data. Real life experiences and true stories by people on the ground experiencing this on a day-to-day.

The Royal Over-Seas League private members club was our host. Plaques to Britain’s colonial past in what was then British India hung on the wall. Staff meandered in capes and gowns, and plums in their mouths. What’s more, it was six speakers before a Black or brown person came to the floor. As a Students’ Union, we did not have to pay to attend. But others did pay the three-figure entrance fee. And there sat problem number one, why do these conferences seek money for attendance? Are they cashing in on Black and brown trauma? Is there an argument of ethics to be had here?

During the half-day conference there were four non-White speakers. This did not occur until towards the end of proceedings, in what felt like a very shoehorned state of affairs. Again, I felt that I was being preached at on my own narrative of racism in higher education. Whitesplaining is very real, when White British people talk about racism like its their lived experience.

At an event, wherein, we discussed things like the ethnicity award gap, decolonising the curriculum and anti-racist learning, to have a conference of this matter in a place that was overtly classist and elitist with nods to a system which in itself was built of white supremacy, it’s quite difficult to not see the irony in it all. We also discussed institutional racism in the same breath as decolonial thinking. Ha! And really, all you can do is laugh.

Photo by Muhammad Haikal Sjukri on Unsplash

White British people organising events on behalf of Black / brown people on themes that impact us more than them, on symptoms that were originally created by the White elite – in the jaws of colonisation and the whims of European empires. The times that made Britain “great” – imperialism in the tint of gold, glory and god, eclipsed by the Ritz in London’s southwest as I bump into austerity and homelessness, like cold corpses by Green Park.

In the making of Westminster Higher Education Forum Keynote Seminar: Priorities for Tackling Racial Harassment, the White middle class stands tall as colonialism walks with us in the present. The bellowing voice of White privilege. I know plenty of students that would have come to this. Alas, this forum fell into the trap that many discussions have fallen into. Well-meaning White people telling us what we ought to do about racism.

Photo by Eye for Ebony on Unsplash

Whilst I made some valuable connections, the wider narrative of whitesplaining ran riot, like Robert Redford and Meryl Streep spread-eagled across the plains in Out of Africa. Diversity in panel discussions is a must. It was functional in concept, but the swaggering thoughtlessness in venue, entry fee and panellists left for a very awkward-feeling in the audience.

If these types of conferences aren’t done properly (from diverse panels to organisational competence), are we not just feeding the racist systems we want to deconstruct?

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