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In criminological discourses the term “war crime” is a contested one, not because there are no atrocities committed at war, but because for some of us, war is a crime in its own right. There is an expectation that even in a war there are rules and therefore the violation of these rules could lead to war crimes. This very focused view on war is part of a wider critique of the discipline. Several criminologists including, Ruggiero, DiPietro, McGarry and Walklate, to name a few, have argued that there is less focus on war as a crime, instead war is seen more as part of a metaphor used in response to social situations.
As far back as the 1960s, US President Johnson in his state of the union address, announced “The administration today here and now declares unconditional war on poverty in America”. What followed in the 1964 Economic Opportunity Act, was seen as the encapsulation of that proclamation. In some ways this announcement was ironic considering that the Vietnam war was raging at the time, 4 years before the well documented My Lai massacre. A war crime that aroused the international community; despite the numbers of soldiers involved in the massacre, only the platoon leader was charged and given a life sentence, later commuted to three and a half years incarceration (after a presidential intervention). Anyone can draw their own conclusion if the murder of approximately 500 people and the rape of women and children is reflected in this sentence. The Vietnam war was an ideological war on communism, leaving the literal interpretation for the historians of the future. In a war on ideology the “massacre” was the “collateral damage” of the time.
After all for the administration of the time, the war on poverty was the one that they tried to fight against. Since then, successive politicians have declared additional wars, on issues namely drugs and terror. These wars are representations of struggles but not in a literal sense. In the case of drugs and terrorism criminology focused on trafficking, financing and organised crimes but not on war per se. The use of war as a metaphor is a potent one because it identifies a social foe that needs to be curtailed and the official State wages war against it. It offers a justification in case the State is accused being heavy handed. For those declaring war on issues serves by signalling their resolve but also (unwittingly or deliberately) it glorifies war as an cleansing act. War as a metaphor is both powerful and dangerous because it excuses State violence and human rights violations. What about the reality of war?
As early as 1936, W.A Bonger, recognised war as a scourge of humanity. This realisation becomes ever more potent considering in years to come the world will be enveloped in another world war. At the end of the war the international community set up the international criminal court to explore some of the crimes committed during the war, namely the use of concentration camps for the extermination of particular populations. in 1944 Raphael Lemkin, coined the term genocide to identify the systemic extermination of Jews, Roma, Slavic people, along with political dissidents and sexual deviants, namely homosexuals.
In the aftermath of the second world war, the Nuremberg trials in Europe and the Tokyo trials in Asia set out to investigate “war crimes”. This became the first time that aspects of warfare and attitudes to populations were scrutinised. The creation of the Nuremberg Charter and the outcomes of the trials formulated some of the baseline of human rights principles including the rejection of the usual, up to that point, principle of “I was only following orders”. It also resulted in the Nuremberg Code that set out clear principles on ethical research and human experimentation. Whilst all of these are worthwhile ideas and have influenced the original formation of the United Nations charter it did not address the bigger “elephant” in the room; war itself. It seemed that the trials and consequent legal discourses distanced themselves from the wider criminological ideas that could have theorised the nature of war but most importantly the effects of war onto people, communities, and future relations. War as an indiscriminate destructive force was simply neglected.
The absence of a focused criminological theory from one end and the legal representation as set in the original tribunals on the other led to a distinct absence of discussions on something that Alfred Einstein posed to Sigmund Freud in early 1930s, “Why war?”. Whilst the trials set up some interesting ideas, they were criticised as “victor’s justice”. Originally this claim was dismissed, but to this day, there has been not a single conviction in international courts and tribunals of those who were on the “victors’” side, regardless of their conduct. So somehow the focus changed, and the international community is now engaged in a conversation about the processes of international courts and justice, without having ever addressed the original criticism. Since the original international trials there have been some additional ones regarding conflicts in Yugoslavia and Rwanda. The international community’s choice of countries to investigate and potentially, prosecute has brought additional criticism about the partiality of the process. In the meantime, international justice is only recognised by some countries whilst others choose not to engage. War, or rather, war crimes become a call whenever convenient to exert political pressure according to the geo-political relations of the time. This is not justice, it is an ad hoc arrangement that devalues the very principles that it professes to protect.
This is where criminology needs to step up. We have for a long time recognised and conceptually described different criminalities, across the spectrum of human deviance, but war has been left unaccounted for. In the visions of the 19th and 20th century social scientists, a world without war was conceptualised. The technological and social advancements permitted people to be optimistic of the role of international institutions sitting in arbitration to address international conflicts. It sounds unrealistic, but at the time when this is written, we are witness to another war, whilst there are numerous theatres of wars raging, leaving a trail of continuous destruction. Instead of choosing sides, splitting the good from the bad and trying to justify a just or an unjust war, maybe we should ask, “Why war”? In relation to youth crime, Rutherford famously pondered if we could let children just grow out of crime. Maybe, as an international community of people, we should do the same with war. Grow out of the crime of war. To do so we would need to stop the heroic drums, the idolisation of the glorious dead and instead, consider the frightened populations and the long stain of a violence which I have blogged about before: The crime of war
Indifference is not a beginning; it is an end. And, therefore, indifference is always a friend to the enemy, for it benefits the aggressor – never his victimElie Wiesel
I have been fortunate enough in my life to have been able to live and travel abroad, a luxury you should never take for granted. Having traveled in every continent there are plenty of things I will never forget, mostly good but one thing that will stay with me will be Auschwitz. It is hard to get excited about visiting Auschwitz, but it is also hard to not get excited about visiting Auschwitz. The day I visited Auschwitz, on the journey there a flurry of strange thoughts went through my head, perhaps ones you would only have when attending a funeral where you are supposed to be in grief. What do you wear, should I smile, what do you talk about, essentially you are creating a rule book inside your head of how not to be offensive. It’s a strange thought process and perhaps completely irrational, one of which I will probably never go through again. If I had to describe Auschwitz in one word, that word would be haunting and I could write for hours about Auschwitz without ever being able to get across the feeling of visiting it, but instead, I am going to share with you a poem I wrote on the journey back from Auschwitz, this poem has never seen the light of day and has been in my diary for over a decade, until now, but it feels like a perfect time to finally share, it’s called secrets of the ground.
Dark skies and tearful eyes,
only God knows the secrets this ground hides.
The flowers mask the crimes of old,
the walls are chipped by bullet holes.
Haunting sounds drowned out by hymns,
the shoes of children too scared to blink.
A cold wind howls in these Polish fields,
one million people how can this be real.
A train stands alone on the blackened track,
barb wire fences to hold them back.
The secrets out, the grounds have spoken,
we must never forget the lives that were taken.
My love of poetry came in my sleep like a dream, a fever I could not escape and in little hours of the day I would read some poetry from different people who voice the volume of their emotions with words. In one of those poems by Elleni Vakalo How he became a bad man, she introduced me to a new understanding of criminological thinking. The idea of consequences, that lead a seemingly good person to become bad, without the usual motivational factors, other than fear. This was the main catalyst that became the source of this man’s turn to the bad.
This almost surrealistic description of criminal motivation has since fascinated me. It is incredibly focused, devoid of social motivations and personal blame. In fact, it demonstrates a social cognition that once activated is powerful enough to lead a seemingly decent person to behave in uncharacteristic moves of violence. This interesting perspective was forged during the war and the post war turmoil experienced. Like Camus, the act of evil is presented as a matter of fact and the product of thoughts that are originally innocent and even non-threatening.
The realisation in this way of thinking, is not the normalisation of violence, but the simplicity that violence in innate to everyone. The person who commits it, is not born for it, does not carry an elaborate personal story or trauma and has no personal compulsion to do it. In some ways, this violence is more terrifying, as criminality can be the product of any person without any significant predispositions, an everyday occurrence that can happen any time.
The couple that will meet, fall in love, cohabit, and get married, starting a family, follow all the normal everyday stages that millions of people follow or feel socially obliged to follow. In no part of this process do they discuss how he will control her, demean her, call her names, slap her, hit her or kick her. There is no plan or discussion of how terrified she will become, socially isolated and humiliated. At no point in the planning, will she be thinking of ways to exit their home, access helplines or spend a day in court. It happens, as a product of small thoughts and expressed emotions, that convert into micro aggressions, that become overt hostility, that leads to violence. No significant changes, just a series of events that lead to a prolonged suffering.
In some way, this matter of fact violence explains the confusion the victims feel, trapped in a relationship that they cannot recognise as abusive, because all other parts fall under the normality of everyday life. Of course, in these situations, emotion plays a key role and in a way that rearranges logic and reason. We are driven by emotion and if we are to leave criminological theory for a minute a series of decisions, we will make daily take a journey from logic to emotions and back.
This emotional change, the manifestation of thoughts is not always criminal nor destructive. The parents who are willing to fight an entire medical profession so that their newborn has a fighting chance are armed with emotion. Many stories come to mind of those who owe their lives to their determination of their parents who fought logic and against the odds, fought to keep them alive. Friends and partners of people who have been written off by the criminal justice system that assessed them as high risk for society and stuck with them, holding on to emotion as logic departs.
In Criminology, we talk about facts and figures, we consider theories and situations, but above all as a social science we recognise that we deal with people; people without emotions do not exist. So how do you/how do I become a bad man? Simple…the same way you are/I am a good man.
This is the poem by Eleni Vakalo, with my painful translation:
How He Became A Bad Man
I will tell you how it happened
In that order
A good little man met on his way
a battered man
the man was so close from him laying
he felt sad for him
He was so sad
That he became frightened
Before approaching him to bend down to
help him, he thought better
“What do you want, what are you looking for”
Someone else will be found by so many around here,
to assist this poor soul
I have never seen him
And because he was scared
So he thought
Would he not be guilty, after all no one is hit without being guilty?
And they did him good since he wanted to play with the nobles
So he started as well
To hit him
Beginning of the fairy tale
Pt. 1: Somewhere Over the Rainbow
There’s country music blasting from the speakers in this restaurant, and the young woman serving me has such a twang, you’d think she’s about to sing…her own rendition of Achy Breaky Heart.
The waitress calls me ‘Sweetie’ though she’s clearly half my age.
I’d much rather be called ‘sweetie’ than sir, not that I’m ashamed of being middle-aged.
I appreciate coming back down south and feeling this cosy feeling from virtually everyone I meet. Plus she’s sincere, too. I can see that the staff here are mixed, and yet I have this burning feeling that there’s more here than meets the eye.
In this part of the country, we pride ourselves on our gentile ways. For years I’ve wondered if this is just how we southerners learned to cope with an excessively violent past.
My grandparents fled from here in the 40’s, just after the war, so terrorized were they of establishing a life of dignity outside the cotton fields they plucked as kids. Now, there is a localised justice initiative to mark the numerous racial hate crimes known as lynching.
The initiative has an eerie collection of jars filled with actual soil from (known) lynching sites. There’s at least one of these large pickle jars full-o-dirt from every county in this state alone. You know it’s Bama, too; there’s so much of that familiar chalky, red clay that’s still all around us. Dirt so red, you now wonder if it’s ferrous or blood!
Notoriously, lynching is NOT a practice of the antebellum south, for black labour was far too valuable to just maim, torture and burn up black bodies like what’s done in these heinous hate crimes then.
I know not every white person down here is a descendant of slave-holders, slave-drivers or slave-catchers. Many may have never owned a single slave, yet…
Yet, any white person down here benefits from white-skin-privilege. Even white immigrants have famously fallen into line, capitalising on the slave economy, commoditizing King Cotton in one way or another. Not only Stevie Wonder, but even Wikipedia can see that.
The Wiki history entry of the in-famous commodities firm Lehman Brothers’ opens dryly like this: “In 1844, 23-year-old Henry Lehman, the son of a Jewish cattle merchant, emigrated to the United States from Rimpar, Bavaria. He settled in Montgomery, Alabama, where he opened a dry-goods store…”
Henry’s brothers came over within a few years – legally, supposedly – and thus began the in-famous firm. The brothers quickly saw that the farmers were rich during harvest and broke when it came time to plant. The dry-goods store quickly began accepting raw cotton as a form of payment. They hoarded cotton when it was plentiful and cheap, selling it when stocks drew low; economics running counter-cyclical to farm life. Did it matter to the brothers that the cotton was produced by slaves?
The brothers opened their first branch in NYC in 1858. That’d be New Yawk ‘fore the Northern War of aggression, y’all. Their firm dug so deep into the commodities trading economy that the youngest Lehman brother’s son, Herbert, was eventually a senator, 4-time governor of New York, and among other accolades is quoted in the current US passports espousing the value of immigrants to the nation’s roots and success. Lehman Brothers’ 2008 bankruptcy has been called “the biggest corporate failure in history!”
Did you know there are entire regions of the United Kingdom that evolved on the back of King Kotton as a commodity? Manchester, “famed as the world’s first industrial city,” was nicknamed Cottonopolis. The Industrial Revolution was fuelled by slavery! Ironically, the liberation of one group of people depended upon the enslavement of another. His-story should tell both sides, else it’s a damn lie. Did you know those cotton mill workers were sent aid by the Union government when the Civil War curtailed these cheap exports?
But anyone down south was in one way or another entangled in the slave economy as much as all of us today can’t have a smartphone free of labour and land exploitation. The fact that I may never see a child mining tin in Indonesia, or set sights on bonded labourers toiling away for cobalt in the Congo, does not admonish me and my gadgetry from any responsibility to do better.
So, the pleasantries that we southerners find necessary are well-crafted ways of disarming one another from a past filled with mass artilleries in everyday life.
I am a Black son of the south.
Free from these chains, I hasten to think what life was like for my grandparents. Armed with their southern draws, having actually grown up cultivating the region’s cash crops, what life could they possibly have imagined for themselves as adults there?
What I do know, however, and I’ve heard this from my own elders, is that while they couldn’t imagine a future there for themselves, they did dream of that vision for us.
And so, here I am living my life…somewhere. Over the rainbow.
Over a century ago in Sarajevo (Serbia), an Austrian archduke was shot. And next, millions more non-archdukes were shot, faffing about at The Front. And for what? And to me, learning about this war at school, it seemed more of a class war than anything else. Kaiser Wilhelm II being the grandson of Queen Victoria and his cousins being the monarchs of Britain and its vast empire, from India, to the Caribbean and bits of Africa.
And I never saw anyone that looked like me; I thought this war was for White people. And, I know now over four million non-Whites contributed, giving their lives, but that’s not the narrative I was sold at school. And at eleven o’clock on the 11th November 1918, screams sang into silence.
Knowing what I know now about history, even if it is just a basic knowledge (I’m no historian) Armistice Day does not mark peacetime. The fallout of the war to end all wars was a Pandora’s Box no signed treaty could contain. And in all conflicts it’s always the working-class who suffer most.
And it would be the archdukes of that world who would be having a jolly old time as if nothing had happened. But 1919 ushered in a wind of change: mass unemployment and uncertainty followed working-class communities from France and Belgium onto the streets of London, Cardiff and Liverpool.
When I think Armistice, I’m scratching my head as to when peacetime really does begin. 1919 brought in the Liverpool Race Riots where a one Charles Wotten was lynched at Albert Dock. Films like Doctor Zhivago depicting the Russian Civil War (1917 – 1922) remind me of the violence that occurred outside of the main narrative of the war (during and after). What of those calls for independence, Easter Risings on streets of Dublin?
HBO’s Watchmen, based on the Alan Moore comic – a vivid depiction of Tulsa, a section of American history most people haven’t heard of, including Black people. Why would people have heard of it? Vital parts of our own history have been erased, (I think) because it makes “the victors” look bad.
Tulsa, Oklahoma 1921:
Often referred to as the Tulsa Race Massacre (or Riot), this was when a White mob attacked the residents, livelihoods, homes and businesses of the majorly Black Greenwood area of Tulsa in the state of Oklahoma. This was what we’d now call a White supremacist attack and an act of domestic terrorism, or even genocide. Hundreds killed and thousands displaced.
In 1915, D. W. Griffith’s Birth of a Nation was released and has often been blamed for the resurgence of the Klu Klux Klan. After The War, there was a spike in racial tension in America, and Tulsa was basically Black Wall Street. The U. S Army was racially segregated in itself too. 1921 Greenwood was booming, a success story for Black business owners, despite high crime rates and racial segregation. However, history is a hotbed for Black excellence, but when Black people gain momentum, the establishment shoots them down, literally – from Fred Hampton to Medgar Evers.
At school, I was not taught, not once, about the four million non-Whites non-European that fought and laboured in those four years. I think if I was able to see myself in this history from when I was a child, I would have more time for Armistice. The great stage of the First and Second World War is tied up in Britain’s popular memory / national identity, and British identity is in crisis. Still, today, I’ve found to be British, is to be White.
The yearly cycle of remembrance; from the procession in Northampton to interviews on BBC with veterans of the Second World War, I’ve always found it’s the voices of White British people. But there was racism at the front. The imperial mindset of European colonialism ran rampant in the British and German armies, tools of institutional racism, and by extension an instrument to whip up hate and institutional violence against colonial servicemen from places that included Senegal, China and the West Indies.
“Troops formed of coloured individuals belonging to savage tribes and barbarous races should not be employed in a war between civilised states. The enrolling, however, of individuals belonging to civilised coloured races and the employment of whole regiments of disciplined coloured soldiers is not forbidden.”
1914 Manual of Military Law
“Commissions in the special reserves of officers are given to qualified candidates who are natural-born or naturalised British subjects of pure European descent.”
1914 Manual of Military Law
Where are those stories of race at war? To be a soldier of colour, British-born or otherwise would not be the same as being a White (European) soldier, soldiers that toiled in France but also in the skirmishes of the African continent, Asia and the Middle East – erased out of our nationhood.
Over a million soldiers from what was then British India (pre-1947) fought for the allies, along with over two million from French Indo-China, as well as 100,000 Chinese labourers. But I did not have this on my history curriculum, when we looked at the stories between 1914 – 1918. But I was bludgeoned with images of White European soldiers having a great time.
To me, Armistice Day is in remembrance of a White Man’s war. And to (begrudgingly) mimic poet, colonialist and Jungle Book author Rudyard Kipling, it feels like a “White man’s burden,” even if people of colour fought too. In seeing how Britain portrays those wars in schools but also how they are represented in popular memory, can you blame activists and academics looking at the stories of race and racism on the front lines under a microscope?
Race / racial identity are massive factors in these conflicts, as historian David Olusoga talks about in his article. We would not need to keep talking about race if race wasn’t treated like a minor inconvenience and those often treating it like an that are White people, refusing to acknowledge their own whiteness and White Privilege.
However, if we really are serious about Armistice, we have to acknowledge that working-class people yet again were at the whim of the titled and the entitled. We remember the soldiers but never their victims, portraying death (murder) as honorable, as said in Wilfred Owen’s (from Horace) Dulce et Decorum Est “pro patria mori” (“it is sweet and proper to die for one’s country”). What is sweet about sending good men to the slaughterhouse?
Both wars are riddled with nationalism, and portray patriotism with grandeur. Great Britain raised at half-mast, celebrating Britain’s militarism –from Churchill to the Dreadnought (but no love for Bengal or Dresden). In how the wars are taught (popular nationalism), we encourage the living to join the dead, an ode to the Union Jack, even today in a postcolonial world.
“The colour bar on non-regular officers in the armed forces, designed and imposed by the political and military, is explicitly in the Short Guide to Observing a Commission in the Special Reserve of Officers, published by His Majesty’s Stationary Office in 1912.” – Phil Vasili
The world wars are full of people that are products of empire, in the ruins of class but also race. An archduke gets shot and millions of non-archdukes pay the price. Millions dead. After the war – widespread unemployment, uncertainty, race riots, class divides, The Depression, a grim state of affairs.
When you add the layer of race into that, it makes it more complex. Colonial soldiers coming to Britain after the First World War who were left out of the victory parades. Charles Wotten’s lynching in Liverpool. Men from British colonies who came here after the Second World War – to fill in labour shortages – White Supremacist fever and contested Britishness.
The narrative of Black soldiers goes all the way back to Roman Britain. Olusoga stated “Black soldiers were expendable – then forgotten” and I agree. In erasing Black and brown soldiers from the narrative, it’s a declaration of White lives being worth more than Black / brown lives.
And yes, we have the red poppy which is supposed to include everyone but it feels very exclusionary; and Britain’s popular memory is selective and needs to explore its colonial legacy – how imperial racial thinking played a role in both wars, otherwise we are continuing to tell stories that only include the experiences and memories of a White European majority.
“Black subjects had their actions during the war written out of history.” – Emma Dabiri
1914 Manual of Military Law
BBC Stories. “Alt History: White-washing black soldiers from WW1- BBC Stories.” YouTube. 27/06/19. Online. 10/11/19.
BBC Stories. “Alt History: A British lynching – BBC Stories.” YouTube. 13/07/19. Online. 10/11/19/
Birth of a Nation. Dir. D. W. Griffith. 1915, Epoch Producing Company. YouTube.
Channel 4 Documentary. “Dulce Et Decorum Est by Wilfred Owen: Read by Christopher Eccleston | Remembering World War 1 | C4”. Youtube. 07/11/13. Online. 08/09/19.
Doctor Zhivago. Dir. David Lean. 1965, MGM. DVD
History.com Editors. “Tulsa Race Massacre.” History.com. 2019. Web. Accessed: 10/11/19.
Lindeloff, Damien, creator. Watchmen. White Rabbit, Paramount Television, DC Entertainment, Warner Bros. Television, 2019.
Olusoga, David. “Black soldiers were expendable – then forgettable.” theguardian.com. 2018. Web. Accessed: 09/11/19
Vasili, Phil. Walter Tull, 1888 – 1918 Officer, Footballer […] Surrey: Raw Pres, 2010. Print.
Today marks 100 years since the end of the First World War and commemorations will be taking place across the land. I will be overseas for much of the pomp and circumstance, but the build-up each year appears to begin earlier and earlier. As a pacifist, I always find this time of year very troubling, particularly the focus on the Royal British Legion [RBL] poppy.
Most combatants (both axis and allies) in both world wars were conscripted, that is they were legislatively compelled into military uniform. This was also the case in the UK, with the passing of the Military Service Act, 1916, Military Training Act, 1939 and National Service Act, 1948 ensuring that men had little option but to spend a period of time in the military. Objections on the grounds of conscience were legally tolerated, although not always upheld. As I have written about previously, this was a particularly treacherous path to follow in WWI.
So, for many men* during the period of 1916-1960, military service was not a choice, thus it makes sense to talk about a society which owes a debt to these individuals for the sacrifice of their time, energy and in some cases, lives. Remember these men were removed from their jobs and their families, any aspirations had to be put on hold until after the war, and who knew when that was likely to occur?
Since 1960, military service in the UK has been on a voluntary basis, although, we can of course revisit criminological discussions around free will, to ascertain how freely decisions to enlist can truly be. Nevertheless, there is a substantive difference between servicemen during that period and those that opt for military service after that period. Such a distinction appears to pass by many, including the RBL, who are keen to commemorate and fetishize the serviceman as intrinsically heroic and worthy of society’s unquestioning support.
The decision to wear a poppy, whether RBL red or peace pledge union [ppu] white is a personal one. The former is seen as the official national symbol of commemoration, designed to recognise the special contribution of service personnel and their families. The latter is often attacked as an affront to British service personnel, although the ppu explicitly note that the white poppy represents everybody killed during warfare, including all military combatants and victims. It draws no distinctions across national borders, neither does it privilege the military over the civilian victims. These different motifs, each with their own specific narratives, pose the question of what it is as individuals and as a society we mean by ‘Lest we forget’.
- Do we want to remember those conscripted soldiers and swear that as a society we will not force individuals into the military, regardless of their personal viewpoints, desires, aspirations?
- Do we want to remember soldiers and swear that as a society we will not go to war again?
If it is the latter, we should take more notice of the work of RBL, who although coy about their relationships with arms dealers, accept a great deal of money from them (cf. Tweedy, 2015, BAE Systems, 2018). We should also consider the beautiful and poignant display at the Tower of London in 2014, entitled Blood Swept Lands and Seas of Red (Cummins and Piper, 2014). The week after this display began to be dismantled, a dinner for arms dealers was held at the same venue. Whilst RBL is keen to deny that their poppy is partisan and political, it is evident that this little paper flower is not neutral. Discussions and arguments on social media have demonstrated that this motif can and is used as a battering ram to close down questions, anxieties and deliberation. Even more worrying is the rewriting of history, that WWI and WWII were won by British forces, neglecting that these were world wars, involving individuals; men, women and children, from all over the globe. This narrative seems to have attached itself to the furor around Brexit, “we saved Europe, they owe us”!
For me, on an extremely personal level, we should be looking to end war, not looking for ways in which to commemorate past wars.
*For more detail around the conscription of women during WWII see Nicholson (2007) and Elster and Sørensen (2010).
BAE Systems, (2018), ‘Supporting the Armed Forces,’ BAE Systems, [online]. Available from: https://www.baesystems.com/en-uk/our-company/corporate-responsibility/working-responsibly/supporting-communities/supporting-the-armed-forces [Last accessed 20 October 2018]
Cummins, Paul, (2016), ‘Important Notice,’ Paul Cummins Ceramics, [online]. Available from: https://www.paulcumminsceramics.com/important-notice/ [Last accessed 11 November 2016]
Cummins, Paul and Piper, Tom, (2014), Blood Swept Lands and Seas of Red, [Ceramic Installation], (London: Tower of London)
Elster, Ellen and Sørensen, Majken Jul, (2010), ‘(Eds), Women Conscientious Objectors: An Anthology, (London: War Resisters’ International)
Military Service Act, 1916, (London: HMSO)
Military Training Act, 1939, (London: HMSO)
Milmo, Cahai, (2014), ‘The Crass Insensitivity’ of Tower’s Luxury Dinner for Arms Dealers, Days After Poppy Display, i-news, Thursday 27 November 2014, [online]. Available from: https://www.independent.co.uk/news/uk/home-news/the-crass-insensitivity-of-tower-s-luxury-dinner-for-arms-dealers-days-after-poppy-display-9888507.html [Last accessed 27 November 2014]
National Service Act, 1948, (London: HMSO)
Nicholson, Hazel, (2007), ‘A Disputed Identity: Women Conscientious Objectors in Second World War Britain,’ Twentieth Century British History, 18, 4: 409-28
peace pledge union [ppu], (2018), ‘Remembrance & White Poppies,’ peace pledge union, [online]. Available from: https://ppu.org.uk/remembrance-white-poppies [Last accessed 11 November 2018]
Tweedy, Rod, (2015), My Name is Legion: The British Legion and the Control of Remembrance, (London: Veterans for Peace UK), [online]. Available from: http://vfpuk.org/wp-content/uploads/2016/10/my_name_is_legion-web.pdf [Last accessed 14 May 2017]