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What the fluff
“History is not just stuff that happens by accident, we are the products of the history that our ancestors chose, if we are White. If we are Black we are products of the history our ancestors most likely didn’t choose.”
Kevin Gannon, 13th
And many of our cities in Britain are this melting pot due to the very same history our ancestors chose / didn’t choose; and the reason Britain has a variation of different faces is much to do (but not only) because of Britain’s colonial ambition.
Episode seven of the latest series of Who Do You Think You Are? was on TV entertainer Sharon Osbourne. Her family were victims of the Irish Potato Famine. Whilst the episode skirts over it, saying it occurred due to crop failures (with no real explanation), some would suggest that it was due to heavy-handed (British) colonial rule which assured those crop failures, leading to mass migration, starvation and death. For a show that is basically a series of history lectures, it does a good job of tiptoeing around uncomfortable (truths) bits of history.
As the late Jamaican philosopher and academic Stuart Hall said, “We are here because you were there” and we are now all here together, the products of our ancestors’ choices. I’ve been following this series of Who Do You Think You Are? with great interest and fascination. Almost every episode has had me hooked. And this latest episode with Sharon Osbourne was heartbreaking, with her great-grandmother Annie being the sole survivor of her six siblings, after disease and weakness took them.
The family emigrated to Massachusetts, USA in the mid-19th century and they worked in a cotton mill, the biggest in America and the second biggest in the world, only dwarfed by one in Manchester, Lancashire.
What irked me was the lack of contextual explanation around cotton during this time. Why wasn’t there any explanation regarding the history of cotton in the United States? Moreover, that relationship between American cotton and the mills of Lancashire and Cheshire (some 4500 mills in Lancashire and southern Scotland). What about the Industrial Revolution and how colonialism and the enslaved Black people that paid for it?
In a country still living in the aftermath of The Slave Trade, you cannot talk about cotton in America without talking about where the cotton came from. The same cotton made into cloth in Massachusetts would have came from cotton plantations, whether picked by African-Americans slaves (pre-1865) or “like-labour,” post-Civil War – since after abolition, the establishment entered into something called convict leasing. Prisoners loaned to plantation owners for a period, which (in itself) was legalised slavery. A loophole in the 13th Amendment stated that you could not be a slave, unless you were a criminal and imprisoned, thus America enters mass incarceration.
Black people in America were arrested for minor crimes like theft and vagrancy, and then imprisoned in mass. These prisoners were “rented” and put to work on plantations through the South – sugar, tobacco, cotton and more. The fact they didn’t feel the need to mention the context behind cotton in America is astounding, nor how the American cotton trade impacted Britain, for example the Lancashire Cotton Famine (1861 – 1865).
Yes, this episode is about Sharon Osbourne’s ancestors, but they were part of a longer story – a subtler history – the other half of cotton’s history that isn’t taught at school. And in places like Mississippi, where cotton was sailed down the Mississippi River by paddle steam, the local planters said:
“Cotton Is King.”
In Britain, we learn about spinning jennies. We learn about water frames and the Child Labour Act (1833), but not where cotton came from. This is American history and British history. It’s also working-class history. But in addition, it’s Black (British) history.
We are here because you were there; this is the history our ancestors chose, if you are White. But if you are Black, it’s the history your ancestors didn’t choose. And the least we can do is tell it right.
Bibliography
13th. Dir. Ava DuVernay. Netflix. 2016. Streaming platform.
Alexander, Michelle. The New Jim Crow. New York: The New Press, 2010. Print.
Olusoga, David. Black and British: A Forgotten History. London: Macmillan, 2016. Print.
Is unconscious bias a many-headed monster?
When I was fourteen, I was stopped and searched in broad daylight. I was wearing my immaculate (private) school uniform – tie, blazer, shoes… the works. The idea I went to private school shouldn’t matter, but with that label comes an element of “social class.” But racial profiling doesn’t see class. And I remember being one of those students who was very proud of his uniform. And in cricket matches, we were all dressed well. I remember there being a school pride to adhere to and when we played away, we were representing the school and its reputation that had taken years to build. And within those walls of these private schools, there was a house pride.
Yet when I was stopped, it smeared a dark mark against the pride I had. I was a child. Innocent. If it can happen to me – as a child – unthreatening – it can really happen to anyone and there’s nothing they can to stop it. Here I saw unconscious bias rear its ugly head, like a hydra – a many-headed monster (you have to admire the Greeks, you’re never stuck for a metaphor!)
If we’re to talk about unconscious bias, we must say that it only sees the surface level. It doesn’t see my BA Creative Writing nor would it see that I work at a university. But unconscious bias does see Black men in hoodies as “trouble” and it labels Black women expressing themselves as “angry.”
Unconscious bias forces people of colour to censor their dress code – to not wear Nike or Adidas in public out of fear that it increases your chances of being racially profiled. Unconscious bias pushes Black and Asians to code-switch. If a White person speaks slang, it’s cool. When we do it, it’s ghetto. That’s how I grew up and when I speak well, I’ve had responses such as “What good English you speak.” Doomed if you do, doomed if you don’t.
How you speak, what you wear – all these things are scrutinised more when you don’t have White Privilege. And being educated doesn’t shield non-White people (British people of colour included) from racist and xenophobic attacks, as author Reni Eddo-Lodge says in her book:
“Children of immigrants are often assured by well-meaning parents that educational access to the middle classes can absolve them from racism. We are told to work hard, go to a good university, and get a good job.”
The police can stop and question you at any time. The search comes into play, depending on the scenario. But when I was growing up, my parents gave me The Talk – on how Black people can get hassled by police. For me, I remember my parents sitting me down at ten years old. That at some point, you could be stopped and searched at any time – from aimlessly standing on a street corner, to playing in the park. Because you are Black, you are self-analysing your every move. Every footstep, every breath.
And to be stopped and searched is to have your dignity discarded in minutes. When it happened, the officer called me Boy – like Boy was my name – hello Mr Jim Crow – like he was an overseer and I was a slave – hands blistering in cotton fields – in the thick of southern summertime heat. Call me Boy. Call me Thug. No, Call me Target. No, slave. Yes master, no master, whatever you say master. This was not Mississippi, Selma or Spanish Town – this was Northamptonshire in the 2000s and my name is Tré.

Yes, Northamptonshire. And here in 2019, the statistics are damning. Depending on which Black background you look at, you are between six and thirteen times more likely to be stop and searched if you are Black than if you are White (British). And reading these statistics is an indication of conversations we need to be having – that there is a difference between a Black encounter with the police and a White encounter. And should we be discussing the relationship between White Privilege and unconscious bias?
Are these two things an overspill of colonialism? Are they tied up in race politics and how we think about race?
Whilst these statistics are for Northamptonshire, it wouldn’t be controversial to say that stop and search is a universal narrative for Black people in Europe and the Americas. Whether we’re talking about being stopped by police on the street or being pressed for papers in 1780s Georgia. Just to live out your existence; for many its tiring – same story, different era.
You are between six and thirteen times more likely to be stopped if you are Black than if you are White (British) – but you know… let’s give Northamptonshire police tasers and see what happens. Ahem.
Bibliography
Eddo-Lodge, Reni. Why I’m No Longer Talking to White People About Race. London: Bloomsbury Publishing, 2018. Print
A Love Letter: in praise of poetry

Avoid loud and aggressive persons,
they are vexations to the spirit.
If you compare yourself with others,
you may become vain and bitter;
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans
(Max Ehrmann, 1927)
Last week marked International Poetry Day (21 March 2019, to be precise) and it seems only right to consider this form of narrative in more detail. When I was younger (so much younger than today)[i] poetry left me rather cold. Why read short, seemingly impenetrable bursts of language when you could read whole books? To me, it seemed as if poetry was simply lyrics that no-one had got around to putting music to.[ii] Looking back, this may have been the folly of youth, alternatively, I simply was unable at that time to see the value, the beauty of poetry, both written and spoken.
Poetry isn’t meant to be consumed whole, like fast food to be gobbled in between anything and everything else, fuel to get you through the day. Neither is it like googling facts, just enough to enable you to know what you need to know at that instant. Instead, it’s meant to be savoured, to stay with you; like many good things in life, it takes time to ponder and digest. In turn, it takes on its own distinct and entirely personal meaning. It offers the opportunity for all of us, individually, to reflect, ruminate and interpret, at our own pace, according to our own place in time and space. The extract which opens this entry comes from Desiderata which carries particular resonance for me and my academic journey. It may or may not do the same for you, but it’s worth having a look at the entirety of the text, just in case.
An obvious criminological place to start to explore poetry, was always a favourite. Long before I discovered criminology, I discovered the work of Oscar Wilde (1854-1900). Starting with his novels, it wasn’t long before I stumbled upon his Ballad of Reading Gaol. With its haunting refrain; ‘each man kills the thing he loves’ it is difficult not to captured by its innate melody, as well as the story of the murderous soldier. After studying criminology and spending time in prison (albeit not serving a sentence), the verses take on a different dimension. It is difficult not to be moved by his description of the horror of the prison, even more so, given his practical experience of surviving in this hostile and unforgiving environment:
With sudden shock the prison-clock
Smote on the shivering air,
And from all the gaol rose up a wail
Of impotent despair,
Like the sound that frightened marshes hear
From a leper in his lair
(Oscar Wilde, 1898)
On the surface, poets like the Greek, civil servant C. P. Cavafy (1863-1933) have nothing to say about my life, yet his words make my heart ache. Cavafy’s tale of a mystical and mythical journey to Ithaka which seems to me to represent my educational journey in ways that I am only just beginning to appreciate. Replace the mythical Ithaka, with my all too real experience of doctoral study and you get the picture.
Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich
(C. P Cavafy, 1910/1911)
Furthermore, The Satrapy appears to represent ambition, desire and above all, the necessity of educating oneself in order to become something more. To truly realise your humanity and not just your mere existence, is a constant struggle. Cavafy’s words offer encouragement and a recognition that individual struggle is a necessity for independence of thought.
Your soul seeks other things, weeps for other things;
the praise of the public and the Sophists,
the hard-won and inestimable Well Done;
the Agora, the Theater, and the Laurels
(C. P. Cavafy, 1911)
Poets like Maya Angelou celebrate gender and race (among many other aspects), identifying intersectionality and the struggles fought and won, and the struggles still ongoing. Despite historical and contemporaneous injustice, to be able to shout from the rooftops Still I Rise in answer to the questions she poses, is truly inspirational:
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?
(Maya Angelou, 1978)
Likewise, Hollie McNish utilises her anger and frustration to powerful effect, targeting racism with the linguistic gymnastics and logic of Mathematics , demonstrating that immigration is one of the greatest things to happen in the UK. To really get the full force, you should watch the video!
Cos sometimes one that comes makes two
And sometimes one can add three more
And sometimes two times two is much much more
Than four
And most times immigrants bring more
Than minuses
(Hollie McNish, 2013).
To conclude, you have nothing to lose by immersing yourself in a bit of poetry, but everything to gain. The poets and poems above are just some of my favourites (what about Akala, Cooper Clarke, McGough, Plath, Tempest, Zephaniah, the list goes on) they may not be yours, but it doesn’t matter. Don’t rush it, read a little something and read it again. Let the words and imagery play around in your head. If it sings to you, try to remember the name and the poet, and you can return again and again. If it doesn’t sing to you, don’t lose hope, choose another poet and give their work a chance to inveigle its way into your life. I promise you, it will be worth it
Selected Bibliography
Angelou, Maya, (1978/1999), And Still I Rise, (8th ed.), (London: Virago Press)
Cavafy, C. P., (2010), Collected Poems, tr. from the Greek by Daniel Mendelsohn, (New York: Alfred A. Knopf)
Lennon, John and McCartney, Paul, (1965) Help!, [CD], Recorded by The Beatles in Help!. Parlophone, [s.l.], Apple
Wilde, Oscar, (1898), The Ballad of Reading Gaol by C. 3. 3., (London: Leonard Smithers)
[i] Lennon and McCartney, (1965).
[ii] Not always the case, as can be seen by the Arctic Monkey’s (2013) musical rendering of John Cooper Clarke’s I Wanna Be Yours
‘The Problem We All Live With’

The title of this blog and the picture above relate to Norman Rockwell’s (1964) painting depicting Ruby Bridges on her way to school in a newly desegregated New Orleans. In over half a century, this picture has never lost its power and remains iconic.
Attending conferences, especially such a large one as the ASC, is always food for thought. The range of subjects covered, some very small and niche, others far more longstanding and seemingly intractable, cause the little grey cells to go into overdrive. So much to talk about, so much to listen to, so many questions, so many ideas make the experience incredibly intense. However, education is neither exclusive to the conference meeting rooms nor the coffee shops in which academics gather, but is all around. Naturally, in Atlanta, as I alluded to in my previous entry this week, reminders of the civil rights movement are all around us. Furthermore, it is clear from the boarded-up shops, large numbers of confused and disturbed people wandering the streets, others sleeping rough, that many of the issues highlighted by the civil rights movement remain. Slavery and overt segregation under the Jim Crow laws may be a thing of the past, but their impact endures; the demarcation between rich and poor, Black and white is still obvious.
The message of civil rights activists is not focused on beatification; they are human beings with all their failings, but far more important and direct. To make society fairer, more just, more humane for all, we must keep moving forward, we must keep protesting and we must keep drawing attention to inequality. Although it is tempting to revere brave individuals such as Ruby Bridges, Claudette Colvin, Martin Luther King Jr, Rosa Parks, Malcolm X to name but a few, this is not an outcome any of them ascribed to. If we look at Martin Luther King Jr’s ‘“The Drum Major Instinct” Sermon Delivered at Ebenezer Baptist Church’ he makes this overt. He urges his followers not to dwell on his Nobel Peace Prize, or any of his other multitudinous awards but to remember that ‘he tried’ to end war, bring comfort to prisoners and end poverty. In his closing words, he stresses that
If I can help somebody as I pass along,
If I can cheer somebody with a word or song,
If I can show somebody he’s traveling wrong,
Then my living will not be in vain.
If I can do my duty as a Christian ought,
If I can bring salvation to a world once wrought,
If I can spread the message as the master taught,
Then my living will not be in vain.
These powerful words stress practical activism, not passive veneration. Although a staunch advocate for non-violent resistance, this was never intended as passive. The fight to improve society for all, is not over and done, but a continual fight for freedom. This point is made explicit by another civil rights activist (and academic) Professor Angela Davis in her text Freedom is a Constant Struggle. In this text she draws parallels across the USA, Palestine and other countries, both historical and contemporaneous, demonstrating that without protest, civil and human rights can be crushed.
Whilst ostensibly Black men, women and children can attend schools, travel on public transport, eat at restaurants and participate in all aspects of society, this does not mean that freedom for all has been achieved. The fight for civil rights as demonstrated by #blacklivesmatter and #metoo, campaigns to end LGBT, religious and disability discrimination, racism, sexism and to improve the lives of refugees, illustrate just some of the many dedicated to following in a long tradition of fighting for social justice, social equality and freedom.










