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A Christmas blog
What is Christmas? A date in the calendar in winter towards the end of the year to celebrate one of the main religious festivals of the Christian calendar. The Romans replaced a pagan festival with the birth of the head of the, then new, religion. Since then as time progresses, more customs and traditions are added, to make this festival more packed with meaning and importance. The gift of the 20th century’s big corporations was the addition to the date, the red Santa Claus who travels the planet on his sledge from the North Pole in a single day, offering gifts to all the well-behaved kids. The birth of Christ is miles away from the Poles but somehow the story’s embellishment continues.
In schools, kids across the world will re-enact the nativity scene, a romantic version of the birth of Jesus, minus their flight to Egypt and the slaughter of the infants. The nativity, is for many, their first attempt at theatre and most educators’ worst nightmare, as they will have to include all children regardless of talent or interest to this production. The play consists mostly of male characters (usually baby Jesus is someone’s doll) except for one. That of the mother of Jesus. The virgin Mary is located centre stage, sitting quietly, the envy of all other parent’s that their kid was not cast in such a reverent role. In recent years, charlatans tried to add more female roles by feminising the Angels and even giving the Inn keeper a daughter or even a wife. In most cases it was the need of introducing more characters in the play. Most productions now include barn animals (cats and dogs included), reindeers, trees, villagers, stars and even a moon. All castable parts not necessarily with a talking part.
The show usually feels that it lasts longer than it does. The actors become nervous, some forget their lines, others remember different lines, the music is off key and the parents jostle to get to prime position in order to record this show, that very few will ever watch. The costumes will be coming apart almost right after the show and the props are just about holding on with a lot of tape and superglue. The play will signal the end of the school season carrying the joyful message from the carpark to the people’s homes. This tradition carries on regardless of religious sentiments and affiliations. People to commemorate the birth of a man that billions of people consider the head of their faith.
Nativity is symbolic but its meaning changes with the times, leaving me wondering what our nativity will be in the 21st century. Imagine a baby Jesus floating face down on torrential Aegean waters, a virgin Mary hoping that this will be the last client for the day on the makeshift brothel maybe today is the day she gets her passport back; Joseph a broken man, laying by the side of the street on a cardboard; the angel a wingless woman living alone in emergency accommodation, living in fear, the villagers stunned in fear and everyone carrying on . Not as festive as the school production but after all, people living for year in austerity, and a lockdown and post-referendum decisions make it difficult to be festive. Regardless of the darkness that we live in, the nativity has a more fundamental message: life happens irrespective of circumstances and nothing can stop the birth of a new-born.
Merry Christmas to all from the Criminology Team
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Yorkshire Ripper: Not an Obituary
Wilma McCann, 28
Emily Jackson, 42
Irene Richardson, 28
Patricia Atkinson, 32
Jayne MacDonald, 16
Jean Jordan, 21
Yvonne Pearson, 22
Helen Rytka, 18
Vera Millward, 40
Josephine Whitaker, 19
Barbara Leach, 20
Marguerite Walls, 47
Jacqueline Hill, 20
As the team northerner I took it upon myself to write about Peter Sutcliffe after hearing of his death. Sutcliffe was a serial killer who operated in West Yorkshire and the North West of England. He was convicted of murdering 13 women and attempting to kill 7 more in the 1970s, and was serving 20 life sentences for his crimes.
Ironically, the ripper was killed by covid-19, the deadliest killer of 2020 (incidentally I asked students to imagine covid-19 being a serial killer in a lecture yesterday). Reports suggest that he was in ill health prior to contracting the coronavirus, was obese and had diabetes. He died 2 days after his diagnosis after refusing treatment.
When I started writing about the Yorkshire Ripper, I couldn’t help but think about his victims. Those he killed (named above – remember them), those he harmed and who survived, the relatives of both and the women in the areas in which he would prey on his victims, who feared leaving their homes every day for half a decade. These are the people I am thinking about, those who are in my thoughts. How do they feel about the news of his death? How have they felt every time they have heard his name for the last few decades? How, 40+ years later, are the living victims coping?
I didn’t know a lot about Peter Sutcliffe. It was before my time so when I read about the secondary victimisation as a result of police and the prosecution blaming the victims it made me angry. Peter Sutcliffe would prey on women, often prostitutes. The police at the time differentiated between the victims who were sex workers and the victims who weren’t and referred to those that weren’t as ‘innocent victims’, insinuating that the sex workers were not entirely blameless and may have precipitated their fate. Thankfully, West Yorkshire Police have issued a statement to apologise for the language and tone used at the time but the damage has already done.
I’d like to say society has learned from its mistakes, but sadly I don’t think we have. There is still evidence of victim blaming, particularly in cases of femicide and rape. Think of the Grace Millane murder and the protests in Ireland after a barrister suggest the jury consider the victim’s underwear, questioning consent. I hope one day we, as a society, learn. I hope the victims of Peter Sutcliffe get some sort of relief from both his passing and the apology from West Yorkshire Police.
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The ‘other’ BBC worldservice. #BlackenAsianWithLove
The ‘other’ BBC worldservice.
If you google “BBC+Mandingo,” please be aware that it is NSFW. Use your imagination. Now, imagine an auction block. Imagine a slave standing there. Breeding slaves underpinned the ‘white supremacist, capitalist, patriarchal’ system that placed their bodies upon that auction block. Hyper-sexualisation of Black bodies began right there. It is bell hooks’ Intersectionality lens that’s necessary for a holistic gaze upon consumer commodification.
Now, imagine that one Black boy in class, vying for attention just as any other adolescent, yet he’s got an entire multitude of hyper-sexualised images filling the heads of virtually everyone in the room. By the time they hit the locker-room, everyone is expecting to see this kid’s BBC. I’ve had many (non-Black) adults say that to me explicitly, inexplicably in any given situation where one might not otherwise imagine penis size would surface so casually in conversation. Hence, we can all imagine that with the crudeness of adolescent male vernacular: Your kid is asking my kid why his penis isn’t what all the rappers rap about. 
Why are so many commercially successful rappers’ fantasies reduced to “patriarchal f*cking?” Reading Michael Kimmel’s essay “Fuel for Fantasy: The Ideological Construction of Male Lust,” in her seminal book We Real Cool: Black Masculinity, bell hooks clarifies: “In the iconography of black male sexuality, compulsive-obsessive fucking is represented as a form of power when in actuality it is an indication of extreme powerlessness” (hooks: 67-8).
It’s auto-asphyxiation, a kind of nihilistic sadomasochism that says, if the world thinks of me as a beast, then a beast I shall be. Plenty of kids work this out by the time they hit the playground. “Patriarchy, as manifest in hip-hop, is where we can have our version of power within this very oppressive society,” explains writer/activist Kevin Powell (qtd. in hooks: 56). Ironically, Powell came to fame in the 90’s on MTV through the original reality show aptly entitled “The Real World.”
Plantation Politics 101
Since at least 2017, commercial rap has been the most widely sold musical genre; it’s pop. Beyond roughly 700,000 sales, Black people are not the primary purchasers of commercialised rap, as explained in the documentary Hip-Hop: Beyond Beats and Rhymes. It takes millions to earn ‘multi-platinum’ status. Yet, while created by and for Black and brown people in ghettoized communities, it has morphed into a transnational commodity having little to do with the realities of its originators, save for the S&M fantasies of wealth beyond imagination. And what do they boast of doing with that power, read as wealth? Liberating the masses from poverty? Intervening on the Prison Industrial Complex? Competing with the “nightmare” racist landlords like Donald Trump’s dad Fred? No! They mimic the very gangsters they pretend to be. Once Italian-Americans held hard that stereotype, but now it’s us. It’s always about power. Truly, ‘it’s bigger than Hip-Hop’.
The more painful question few bother asking is why commercial rap music focuses so keenly on pimps, thugs, b*tches and whores? Like other commodities, commercial rap is tailored to the primary consumer base, which isn’t (fellow) Black people, but white youth. What is it about contemporary white youth that craves images of salacious, monstrous, licentious and violent Black people boasting about killing and maiming one another? Describing this mass commercial “Misogynistic rap music,” hooks states: “It is the plantation economy, where black males labor in the field of gender and come out ready to defend their patriarchal manhood by all manner of violence against women and men whom they perceive to be weak and like women” (hooks: 57-8). Plainly, the root of commercial rap’s global prominence is the reenactment of “sadomasochistic rituals of domination, of power and play” (hooks: 65).
Hyper-sexualisation is a form of projection onto Black people a mass white anxiety about our shared “history of their brutal torture, rape, and enslavement of black bodies” (hooks: 63). She goes on to explain: “If white men had an unusual obsession with black male genitalia it was because they had to understand the sexual primitive, the demonic beast in their midst. And if during lynchings they touched burnt flesh, exposed private parts, and cut off bits and pieces of black male bodies, white folks saw this ritualistic sacrifice as in no way a commentary on their obsession with black bodies, naked flesh, sexuality” (ibid). Hence the BBC obsession finds a consumer home safely in pop music!
“I am ashamed of my small penis,” a stranger recently mentioned to me in a grilled wing joint I happened upon here in Hanoi. The confession came from nowhere, having nothing to do with anything happening between us at the time. Is this the locker-room banter I always hear about? Are straight men really so obsessed with their penises? Given his broken English and my non-existent Vietnamese, I tried comforting him by explaining in the simplest terms the saying: “It’s not the size of the wave but the motion of the ocean.” Colloquialisms never translate easily, but I did at least deflect the subject away from ethno-sexual myths spread worldwide through contemporary consumer culture.
We’ve got to talk about ethno-sexual myths with openness, honesty and integrity. Silence is the master’s tool; silence = death! Further, echoing ‘black, lesbian, mother, warrior, poet’ Audre Lorde, ‘The master’s tools will never dismantle the master’s house”. I am Black in Asia, and there are perhaps no two groups of men at polar opposites of ethno-sexual myths. Like the hyper-sexualisation of women of colour, these myths reveal that neither Blackness nor Asianess is at the centre of these globally circulated myths. Hyper-sexual in comparison to who or what? Hegemonic heteronormative whiteness. Say it with me: Duh!
To get In-formation:
hooks, b. (2004) We Real Cool: Black Men and Masculinity. New York: Routledge.
Lorde, A. (1984) Sister Outsider: Essays and Speeches. Berkeley: Crossing Press.
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A little case of murder
In recent weeks a man serving in the military was arrested by the police accused of the murder of 5 women and 2 children. At this stage this is an open investigation and the police has left the possibility that there may be more victims added to the list.
So, what do we know so far? A man using dating apps approached women using the alias “Orestes[1]” allegedly for a relationship or something serious. The alleged date was when they were murdered never to be seen or heard of. In two of the cases the women had children which he also murdered, in order as he testified to the police, to cover his tracks. It took the local community by storm and caused the usual true crimes sensation which in no doubt will continue as more of the story’s dimensions unfold.
The investigation will be followed by the media in order to explain the kind of mind that led a seemingly “normal functioning” individual to do such a thing. Murder is a crime committed with “malice aforethought”. For the purposes of an open investigation that is the correct procedure; we explore a murderer’s motives, whereabouts, social and personal habits until we find enough evidence that allow the investigative team to connect the dots and make a compelling case that will be sent to court.
Professionally however when we are asked to comment on cases such as this one, our perspective is quite different. In my case, I begin asking the question of harm caused and how this happened. Seven people went missing. How? All women involved so far worked as domestic help and all were migrants. At this point I shall refrain from offering more information or analysis on the women as that unfortunate psychologist who went on the media talking about the submissive nature of the Philippine women that made me sick! One of the victims so far is from Romania so what’s what happens when experts say whatever comes to mind!
In years to come other experts will interview the murderer and ask him all sorts and test him on everything possible to ascertain what made him do it. I shall stand on what we know. He was a soldier, ranked officer, trained in interrogation techniques. He was also an accomplished photographer who approached several women with the intent to photograph them for their portfolio, those who wanted a modelling career. A person of contradictions that will fill the true crime libraries with more gruesome tales. Of course, for one more time we shall wonder if it is necessary to train people to kill without considering the implication of such training may have in their welfare and interpersonal relations.
What about the wider picture? To put the whole case in some perspective. The volume of victims (still ongoing) some of the victims have been missing for over a year, indicates an impunity that only comes from a society that fails to register those people missing. In this case migrant women, working in low paid jobs, that the justice system failed because their disappearance did not raise any alarms. A collective failing to ask the most basic question; where this person gone? In previous similar cases, we have been confronted with the same issue. The biggest accomplisher to murder is social apathy. The murder is a crude reminder that there are groups of people in any society we care very little of. Whether those are hire help, homeless or streetworkers. The murderer usually produces a story that tries to justify why he chose his victims, but the painful reality is that his focus is on people or groups of people that have become invisible. In an interesting research Dr Lasana Harris, identified that we perceptually censor our perception of homeless to stop us empathising. In social sciences we have been aware of the social construction of dehumanising effects but now we can see that these processes can affect our own physiology. The murderer may be caught, and the details of his deeds may scandalize some as we have since Jack the Ripper, but his accomplishes are still out there and it is all of us who become incredibly tribal in an ever-expanding global society.
After all that talk of murder, I feel like having a cup of my favourite tea and a marron glace to take the bitterness away.
Harris LT,
Fiske ST (2018), Dehumanizing the lowest of the low: Neuroimaging responses to
extreme out-groups, in Fiske S, Social Cognition; selected works of Susan
Fiske, London, Routledge.
[1] A cautionary tale…Orestes was the mythological character who murdered his mother and her lover; what’s in a name!
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What Price Peace? The Belfast Agreement 20 years on
Image from January 2019: red white and blue curb stones demark this as a loyalist area in Belfast
Dr Helen Poole is Deputy Dean in the Faculty of Health and Society and Lead for University of Northampton’s Research Centre for the Reduction of Gun Crime, Trafficking and Terrorism
I recently had the privilege to join a Law Masters field trip to Northern Ireland. I had few pre-conceptions when I left, but I had come to understand the 1998 Belfast Agreement, often deemed to be under threat from BREXIT arrangements, was tenuous at best, regardless of the any deal or no deal situation with Europe. Indeed, our trip to Derry had to be cancelled due to a car bomb explosion a few days before, reported in some press to be motivated by BREXIT, but more likely designed to mark 100 years since the start of the Irish War of Independence.
What became clear after long discussions with representatives from the Police Service of Northern Ireland (PSNI), an ex-political prisoner, and a member of the suspended Legislative Assembly at Stormont, is that Northern Ireland has been far from peaceful in the last 20 years, but the nature of the threat has changed. Furthermore, the risks of returning to the days of political conflict are dependent not only on whatever BREXIT brings, but also on the fact that there has been no effective Assembly in Northern Ireland for over 2 years, increasing the chances of a return to direct rule from Westminster. Furthermore, the complexity of the situation is considerable, with multiple groups active within discreet areas of Belfast and elsewhere in Northern Ireland.
There is much being discussed at the moment regarding the crime-terror nexus, the idea that criminals and terrorists cooperate, co-exist or perhaps adopt one another’s tactics in order to further their respective causes: financial gain and ideology respectively. However, it is perhaps more accurate to say that terrorists in Northern Ireland moved from organised criminal activity to support their ideological plight, a sort of necessary evil, to becoming predominately organised criminals using ideology to legitimise their activities, which include drug dealing, prostitution, money laundering, extortion, and the trafficking of fuel, tobacco, alcohol, drugs, people and firearms.
This loose alignment of organised criminals to distinct groups who were active in the conflict provides them with a legitimacy in communities, which enables them to continue with their activities largely unchallenged. Coupled with this, years of distrust of the Royal Ulster Constabulary, now replaced with the PSNI, means that those masquerading as para-militaries, are often the communities first port of call when they are experiencing difficulties. These groups provide not only protection through a form of policing largely comprised of violence and intimidation, but also act as a pseudo-Citizen’s Advice Bureau, coaching individuals on maximising their benefit awards for example. It is well-known that these groups exert their own form of justice, such as pre-arranged shootings, which has led the Government to release a media campaign in an attempt to tackle this. We have thus reached a situation where organised criminal groups are running some communities by a form of consent as a result of a perceived lack of any other legitimate authority to represent them.
Thoughts from the criminology team 