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Here to serve but not your slave
My wife and I were fortunate enough to go on holiday this year to a beautiful island in the Caribbean. Palm Island, a stone’s throw, well 10-minute boat ride (I’m not prone to exaggeration you understand) from Union Island, and some 45 minutes by plane to Barbados is a unique paradise described as the Maldives in the Caribbean.
The circumstances of the people that work on Palm Island (and history) are perhaps not too dissimilar to those that work in Cape Verde, a subject of a previous blog. Wages are poor, the staff are not exactly affluent, and work is hard to come by. Many have gravitated to Palm Island from nearby islands to find work and have subsequently stayed on Union Island, commuting every day after a long shift. Others stay on Palm Island in staff accommodation, returning home to their families every few months in St. Vincent and elsewhere. Whilst guests enjoy luxurious accommodation, great food and plentiful drinks, the workers receiving low wages, relying on a percentage of the service charge and tips, do not even have the luxury of a constant water supply on Union Island. Palm Island has its own water processing plant, Union Island does not. Hence the gardener telling me he had to pay $250 dollars to have water delivered to his home; £100 for the water and $150 for the delivery. The dry season is hard going and financially precarious.
The Island shut down during Covid and many of the workers returned home with no wages for the duration. Poverty is not an alien concept to them. Their lives and that of the visitors couldn’t be further apart and yet are intertwined by capitalism in the form of tourism. They need the tourists to sustain the jobs, the more tourists, the more in service charges and tips. Of course, the owners of the island want more tourists because it brings in more revenue. A moral dilemma for some perhaps, well for me anyway. I won’t be pretentious and state that I go to the island to support the local economy, vis-a-vie the poor people, I go there for a really good holiday. But here is the crux of the matter, and hence the title, I try my utmost to treat the staff with respect. I recognise that they are paid to serve me and other guests, and they do a brilliant job, but they are not my servants or slaves (the historical significance should be obvious). And yet I have witnessed people demanding drinks without a please or thank you, “give me a vodka”, “she wants a rum and coke”. I have seen people coming off yachts with day passes for the island, they came, they saw, they made a complete mess and they left…. You can clear up our mess! Glasses left all over the beach, beach towels left wherever, they last used them. “What did your last servant die of”, I ask, as they slope off into the rum filled sunset? “It certainly wasn’t old age” I shout after them. But it just seems lost on them.
I ask myself would they have treated me like that had I been the one behind the bar? I think not, perhaps the lighter colour of my skin may have persuaded them that I am worthy of some courtesy. But then who knows, it seems that some people that have money have a certain arrogance and disregard for anyone else.
Not all of the customers were like that, most were polite and some very friendly with the staff. But we shouldn’t forget the power dynamics, and above all else the privilege that some of us enjoy. Above all else it is a useful reminder that when people are there to serve, they are not your servant nor your slave and they and the job they do deserves respect.
When This is Over: Reflections on an Unequal Pandemic
This week a book was released which I both co-edited and contributed to and which has been two years in the making. When This is Over: Reflections on an Unequal Pandemic is a volume combining a range of accounts from artists to poets, practitioners to academics. Our initial aim of the book was borne out of a need for commemoration but we cannot begin to address this without considering inequalities throughout the pandemic.
Each of the four editors had both personal and professional reasons for starting the project. I – like many – was (and still is) deeply affected by the COVID-19 pandemic. When we first went into lockdown, we were shown the data every day, telling us the numbers of people who had the virus and of those who had died with COVID-19. Behind these numbers, I saw each and every person. I thought about their loved ones left behind, how many of them died alone without being able to say goodbye other than through a video screen. I thought about what happened to the bodies afterwards, how death rites would be impacted and how the bereaved would cope without hugs and face to face social support. Then my grandmother died. She had overcome COVID-19 in the way that she was testing negative. But I heard her lungs on the day she died. I know. And so, I became even more consumed with questions of the COVID-19 dead, with/of debates. I was angry at the narratives surrounding the disposability of people’s lives, at people telling me ‘she had a good innings’. It was personal now.
I now understood the impact of not being able to hug my grandpa at my grandmother’s funeral, and how ‘normal’ cultural practices surrounding death were disturbed. My grandmother loved singing in choirs and one of the traumatic parts of our bereavement was not being able to sing at her funeral as she would have wanted and how we wanted to remember her. Lucy Easthope, a disaster planner and one of my co-authors speaks of her frustrations in this regard:
“we’ve done something incredibly traumatising to the families that is potentially bigger than the bereavement itself. In any disaster you should still allow people to see the dead. It is a gross inhumanity of bad planning that people couldn’t’t visit the sick, view the deceased’s bodies, or attend funerals. Had we had a more liberal PPE stockpile we could have done this. PPE is about accessing your loved ones and dead ones, it is not just about medical professionals.”
The book is divided into five parts, each addressing a different theme all of which I argue are relevant to criminologists and each part including personal, professional, and artistic reflections of the themes. Part 1 considered racialised, classed, and gendered identities which impacted on inequality throughout the pandemic, asking if we really are in this together? In this section former children’s laureate Michael Rosen draws from his experience of having COVID-19 and being hospitalised in intensive care for 48 days. He writes about disposability and eugenics-style narratives of herd immunity, highlighting the contrast between such discourse and the way he was treated in the NHS: with great care and like any other patient.
The second part of the book considers how already existing inequalities have been intensified throughout the pandemic in policing, law and immigration. Our very own @paulsquaredd contributed a chapter on the policing of protests during the pandemic, drawing on race in the Black Lives Matter protests and gender in relation to Sarah Everard. As my colleagues and students might expect, I wrote about the treatment of asylum seekers during the initial lockdown periods with a focus on the shift from secure and safe self-contained housing to accommodating people seeking safety in hotels.
Part three considers what happens to the dead in a pandemic and draws heavily on the experiences of crematoria and funerary workers and how they cared for the dead in such difficult circumstances. This part of the book sheds light on some of the forgotten essential workers during the pandemic. During lockdown, we clapped for NHS workers, empathised with supermarket workers and applauded other visible workers but there were many less visible people doing valuable unseen work such as caring for the dead. When it comes to death society often thinks of those who cared for them when they were alive and the bereaved who were left to the exclusion of those who look after the body. The section provides some insight into these experiences.
Moving through the journey of life and death in a pandemic, the fourth section focusses on questions of commemoration, a process which is both personal and political. At the heart of commemorating the COVID-19 dead in the UK is the National COVID Memorial Wall, situated facing parliament and sat below St Thomas’ hospital. In a poignant and political physical space, the unofficial wall cared for by bereaved family members such as Fran Hall recognises and remembers the COVID dead. If you haven’t visited the wall yet, there will be a candlelit vigil walk next Wednesday, 29th March at 7pm and those readers who live further afield can digitally walk the wall here, listening to the stories of bereaved family members as you navigate the 150,837 painted hearts.
The final part of the book both reflects on the mistakes made and looks forward to what comes next. Can we do better in the next pandemic? Emergency planner Matt Hogan presents a critical view on the handling of the pandemic, returning to the refrain, ‘emergency planning is dead. Long live emergency planning’. Lucy Easthope is equally critical, developing what she has discussed in her book When the Dust Settles to consider how and what lessons we can learn from the management of the pandemic. Lucy calls out for activism, concluding with calls to ‘Give them hell’ and ‘to shout a little louder’.
Concluding in his afterword, Gary Younge suggests this is ‘teachable moment’, but will we learn?
When This is Over: Reflections on an Unequal Pandemic is published by Policy Press, an imprint of Bristol University Press. The book can be purchased directly from the publisher who offer a 25% discount when subscribing. It can also be purchased from all good book shops and Amazon.
#CriminologyBookClub: Dying in Brighton
As you know by now, a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Hence the creation of #CriminologyBookClub! Building on on what has quickly become standard practice, we’ve decided to continue with all eight bloggers contributing! This title was the second chosen by @manosdaskalou and is our 14th book. Read on to find out what we thought….
I have no profound objection to self-published books but have read only one other. The rationale for reading the first one was to proof-read/copy edit for the author. That can’t really be called reading, because you miss the story by studying the text so closely. However, I digress. The blurb for this book sounded fascinating, individual narratives heading toward one place: Brighton. Unfortunately, whilst the idea for the book was clever, the writing was overly descriptive and at times, turgid. There is no space for the reader to imagine the characters or the places, everything is told in minute detail. There is a clear attempt to be inclusive with the choice of characters, but they are largely one-dimensional and lack authenticity. The final character talks about his supposed lack of representation as a white man in Brighton (with a white population of 90%) and at that point, I lost what little interest remained. In feminist circles, the question “what would a mediocre white man do?” is prevalent, a possible response could be; write this book. The only positive I have to offer is the support offered by sales to Shelter.@paulaabowles
The format and style of the book was unlike anything I had read before: and I really liked it. The characters were full of life: a life riddled with inequalities, harm and pain. Unlike other reads where I have failed to feel anything for the characters (or anything other than a serious dislike), Dying in Brighton evoked a number of emotions from myself towards the people in the book. However these emotions were left in a sort of vacuum, with myself feeling very ‘meh’ at the end of the book. I was disappointed with the final chapter. Whilst I can appreciate the ending and the manner in which it is told, I did not like it. I wanted to know more about how Akeem, Nicola, Wasim, Lori and Paul got to the end they got to. Considering the ‘end result’ and my emotions from the previous chapters, I feel I should have had a more powerful response to the end: but I did not. The short snippets were not enough for me: and I feel that the last chapter does not do their stories or their lives justice. Despite this, I would recommend!@jesjames50
The title Dying in Brighton does not leave much to the imagination. I am glad that the purchase of this book supports a charity. Unfortunately, I found this book to be problematic. I did not understand his selection of characters or how their stories linked. The book reads as though a heterosexual white man who is not disabled is congratulating the white men characters within the book for being friends with people who are migrants or LGBT. There is even a point where a character feels ‘underrepresented’ as a white man…I skimmed the book as I am sick of hearing similar to this in reality.@haleysread
This is a book that definitely divided the book club and I have to say the comments were by far more negative than positive. For my part, I found the narrative interesting in a strange sort of way. I didn’t find myself labouring on the description and attributes of the characters but rather took in an overall sense of ordinary people that were troubled and in trouble for some reason or another and therefore found themselves gravitating to Brighton; in fairness they could have gone anywhere. The book didn’t take long to read, and the narrative ends rather abruptly but I think that is probably the point. The book left me with a sense of sadness, and it reminded me that homeless people are real people with real lives and yet are very often invisible in our society. Would I read something from the same author again, probably not? Would I recommend the book, probably not, but it did hit a mark somewhere along the line?@5teveh
This book was a very quick read. Each chapter presented a very stereotypical view of a member of every marginalised group you can think of – a refugee, a trans woman, a troubled teenage girl. The book ended with a chapter about a rich white man with houses all over the world, finding himself feeling like he wasn’t represented. It turns out – spoiler alert – that all the marginalised people went to Brighton, became homeless and died. At the end a woman was selling craftwork with each of the dead, marginalised homeless person’s face. Now I can see how, to a critical criminologist, all this is problematic to say the least. However, the book carried a message that homeless people are invisible. People walk past them every day without a second glance. The author also donated profits of the book to Shelter so it was for a good cause. So, although the book was heavily criticised during our discussion, for people in many walks of life I’d like to think the book would quite literally open their eyes and say hello to a person living on the streets.@amycortvriend
This book centres around 5 different characters and their life experiences and choices that lead them to Brighton. When I first read the blurb, I assumed this book would take me on a thought-provoking journey about individuals that could be seen as outsiders within society, and how their stories are interwoven. What was thought provoking for me was how the representation of individuals can be so wrong. Throughout the book I was distracted by the problematic ways in which the characters were portrayed. I didn’t like the hyper sexualisation of Lori, I felt like this was an attempt to explore transgender issues without any understanding of transgender issues… it was tasteless and done from a male gaze. I also didn’t like the lack of context and understanding of refugees, this exploration was very tone deaf and seemed informed by how the ‘Western world’ views refugees. Usually when reading a book I have some emotion to the characters, however I felt far removed from all the characters and their stories. At the end of the book I also felt like the stories of the five individuals were rushed, there was no back story to why or how they had died in Brighton just that they were dead. I don’t know what angle the author was going for but for me the ending fell flat.@svr2727
This book sounded very promising and I usually really enjoy short stories about very different characters and their experiences and how they converge but this book was disappointing in so many ways. Obviously being self-published meant that it wasn’t as polished as it could’ve been and I find little mistakes to spelling and punctuation really distracting from a story. I wish this was my only complaint! The characters were badly written caricatures – you got the sense that the author had never spent any time with anyone from those backgrounds and that perhaps he wasn’t the right person to be telling these stories. The most authentic chapter of the book was the final one where the narrator (a successful white man) feels that he isn’t represented! Easily the worst book I’ve ever read.@saffrongarside
This is an anthology of different stories of people in very adverse circumstances all of whom are heading to Brighton. In most cases it is not clear why they are heading that way and what they hope from their move there. The short stories are independent from each other and there is no obvious connection between them. Each story explores a different character faced with different issues from abuse, sexuality and substance use. It sends out a signal of some of the social vulnerabilities people are exposed; this however is done as a matter of fact not exploring the social dimensions of the situation. The end brings the stories together but for me this was unsatisfactory. This book has a great idea, an interesting layout but its execution does not meet the goal. The stories are interesting but some of them feel a bit rushed; more character development would have allowed the reader to get closer to the situation and the social issues the author wants to alert people to. As I read it, I thought that some of the stories read more like vignettes that we use in exercises or training for making people aware of certain problems. In terms of literary merit, these are not quite there.@manosdaskalou
#CriminologyBookClub: The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared
As you know by now, a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Hence the creation of #CriminologyBookClub! Building on on what has quickly become standard practice, we’ve decided to continue with all eight bloggers contributing! This title was the second chosen by @paulaabowles and is our 13th book. Read on to find out what we thought….
I chose this book on the strength of its quirky title. In terms of quirkiness, it didn’t disappoint. What’s not to like about the adventures of a centenarian? Part history lesson, part Forrest Gump, the cast of characters includes Stalin, Chiang Kai-shek and Harry Truman, alongside Allan, Beauty and an elephant called Sonya (seems Criminology Book Club cannot escape elephants from our reading diet…)! The story, despite including all manner of improbable deaths, is a gentle read. In many ways, it reminded me of Leslie Thomas’ The Adventures of Goodnight and Loving and I do have to say I prefer that story. Nevertheless, it was lovely to see the representation of older characters in an adventurous tale.@paulaabowles
A centenarian is the most unlikely hero! Their mortality alone makes them too frail and fragile to be featured in a movie where villains end up dead in a path of carnage. In this book, the title is not a metaphor but most literal. A century old man is running away in his slippers dragging a stolen suitcase; somehow the story of what happens next, becomes compelling in this fast-paced action-packed adventure. The old man is carrying with him also a century of stories involving “who’s who” of the 20th century! At some point you are wondering if this is a comedy of errors, a farce or a spy thriller. The old man, in his back and forth stories, is bringing to light the absurdity of the 20th century, the political and ideological conflict of the time. This part of the story becomes a bit of a parody and the flashbacks become a bit tiresome as they seem to take us away from the main story, as you are left wondering will the old man live another day?@manosdaskalou
I found this book an absolute joy to read, laughing out loud throughout. The book was about a centenarian who gets into all kinds of adventures and has done throughout his life. Each story of how he accidentally fell into situations with various historical political figures made me chuckle. What I also liked was that the book was devoid of any emotion. The love stories were quite clinical, the life and death situations fearless but this is just what I needed, and I think it made the book even more funny. More slapstick humour than romcom, it was completely ridiculous and an unlikely tale but because of this I could laugh at the dinners with murderous war mongers and the protagonist’s penchant for blowing stuff up.@amycortvriend
We’ve come full circle in relation to book choices: it is Paula’s choice once again! And in all fairness, this book was more enjoyable than the Yellow Room. The Hundred-Year-Old Man Who Climbed Out the Window and Disappeared, was a book of two halves for me. The first half was witty, quick paced, and not like anything I had read before. However the second half of the book, was repetitive and without giving away any spoilers, the characters did not develop into the loveable rogues I thought they were. They remained quite stagnant. Nevertheless, I did really enjoy the book and found myself chuckling away at various points. Something which none of the other choices (excluding Inspector Chopra) have done. Good choice, @paulaabowles: I wonder how @manosdaskalou’s second choice will fare?@jesjames50
The 100 Year Old Man was a novelty for me. Prior to this I had never encountered a book where the main character at 100 years old gets up to all kinds of unintended mischief. The sense of adventure included within the book was something that I needed at the time, although I found that the appeal of the book began to wear off at the half-way point. I also found some descriptions to be problematic from my own point of view, but overall I enjoyed the book!@haleysread
I don’t suppose you get to be a hundred years old without having a few tales to tell. Allan’s life appears to have been a little more adventurous than most and his absconding from an old people’s home seems to be a continuation of mishaps and mayhem. A delightfully funny book, cleverly written to incorporate some historic characters into the narrative. The chapters jump from the past to the present and back again, sometimes leaving you wanting to skip a chapter to continue the narrative of the past or to find out what happens next in this tale of murder and destruction. Its amazing what you can get away with when you are a hundred years old. I can’t wait to get my hands on the next book.@5teveh
I haven’t read a book like this before and really enjoyed the whole concept of a much older than average ‘hero’ and their adventures both past and present. The glimpses into his colourful past and the famous faces from throughout history that he met along the way gave this book an interesting sense of time and place – both completely fictional and yet almost plausible in the real world. The writing style was also different from the other books we have read as a group and I found it very funny in places. Overall I found the book slightly too long – the novelty began to wear off and I found myself a little fed up with the alternating chapters between past and present ( I preferred those set in the present, though I know others in the group preferred those set in the past) but am still excited to find out what happens to him and his friends in the next book!@saffrongarside
I was not expecting what I was going to read….elephants, gangsters and men locked in freezers. This book is a light and easy read. It centres around the very colourful life of 100 year old Alan Karlsson. Throughout the book Alan takes you on a journey to meet some interesting historical figures such as Stalin and President Truman. In many ways Alan influences these characters, which in essence shapes events that have happened in history.
We also follow Alan’s life in present day, in which we follow outlandish characters through a very humorous story. Overall, I really enjoyed this book. It kept me entertained and wanting more. Although some parts of the book were about some dark things, such as Eugenics and abuse under the guise of ‘medicine’ the humorous present-day story of Alan’s journey balanced this book out, making it a light hearted tale.@svr2727
#CriminologyBookClub: The Guest List
As you know by now, a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Hence the creation of #CriminologyBookClub! Building on on what has quickly become standard practice, we’ve decided to continue with all eight bloggers contributing! This title was chosen by @svr2727and is our 12th book. Read on to find out what we thought….
I took one look at the cover and didn’t think the book would be for me. The cover gave the impression it would be scary, and I don’t do scary. One of the reasons for book club is to read things we wouldn’t ordinarily go for so I started reading – and couldn’t stop. The bitesize chapters not only enabled me to pick the book up more frequently, but they also made me want to keep reading. I would tell myself ‘just one more, another, last one now, this is definitely the last one then I’ll make tea/go to sleep/get out of bed. The second thing I liked about it was that the narrative viewpoint changed each chapter, flitting between the perspectives of each character. However, what was odd that I felt no strong connection to any of the characters. I am a pacifist and would not wish anyone dead in real life, but I desperately wanted Will to be the one to die. It was quite obvious he was a wrong ‘un early on. Each of the characters had been victimised in one way or another by Will at some point in their lives but it was almost as if the author wrote in barriers to building empathy with them, either in their personality or their actions. Jules was stuck up and pretentious, her sister wouldn’t tell us what was wrong with her for a long time, Johnno was complicit in the death of a child and we didn’t know about Aoife’s connection until the end. I liked this. It ties in nicely with one of my favourite concepts in victimology, Christie’s (1986) theory of the ‘Ideal Victim’, the idea that people will not fully be accepted as a victim unless they exhibit particular characteristics and behaviours. The book therefore tied right into my criminological interests. They say never judge a book by its cover and in this case the phrase could not be more accurate.
Christie, N., 1986. The Ideal Victim. In: Fattah, E. (Ed.), 1986. From Crime Policy to Victim Policy: Reorienting the Justice System. Basingstoke: Macmillan@amycortvriend
The most recent read for Book Club was very hard to put down, and equally difficult to pick up. Let me explain. Once reading, the story is interesting, swapping between narratives is ingenious but also frustrating as you don’t ever get a full picture. The characters are vile, so once the book was put down, I wasn’t in a hurry to get back to them: I did not warm to any of them, even the ones I think I was supposed to like. However the story was well worked, I did not see the many twists coming and I was exceptionally satisfied with who the unfortunate ‘victim?’ was. Overall it was a brilliant, fast-past read: I just wished I liked the characters! Looking forward to reading more of her work!@jesjames50
The Guest List is a good book for those that enjoy reading books of the thriller genre. Whilst reading this book you really feel that anticipation that you get from wanting to know what will happen next. The book illustrates some interesting themes about wealth and privilege. This is not really a book that is suited to my own tastes, as I tend to read books where the characters are likeable. Although, with a thriller, disliking the characters means that its feels ok if any of these dreadful characters are then brutally murdered.@haleysread
The story is told from the point of view of several different characters and has some clever twists that keep the reader guessing until near the end. Whilst I liked the style of writing, I wasn’t as enamoured with the storyline or the characters who seemed to display some very stereotypical traits. An enjoyable book but it just wasn’t different enough for me to consider it a ‘must read’.@5teveh
This is a proper old school “whodunnit”, reminiscent of Agatha Christie, particularly in terms of tying up most of the loose ends. The atmospheric island, full of dangerous hazards and damaged people takes you on a journey. Clues aplenty abound and you get the chance to explore each of the characters in terms of their back story. Like many of the others in the Criminology Book Club, I didn’t like the individual characters, far too reminiscent of the Bullingdon Club. and other arrogant influencers…. Nevertheless, I enjoyed using my wits to follow the clues and work out who was going to be murdered and who did the deed. Ideal reading for holidays, or during a pandemic lockdown!@paulaabowles
I really enjoyed losing myself in this story and read it very quickly. It was very atmospheric and I could really picture the island and the venue and the stormy weather. It all added up to create a real sense of foreboding. I enjoyed the way the story was paced – the flashes of the present interspersed with the back stories and leading up to the conclusion. It was also interesting to be trying to solve the crime and figure out who was the victim simultaneously (I didn’t solve it, I’m terribly bad at whodunnits but I still really enjoy them anyway!). I didn’t feel much empathy towards any of the characters however, and so by the end I didn’t really mind who did it!@saffrongarside
This was an enjoyable read. We follow a group of characters that are going on a very secluded island, off the coast of Ireland to attend a super exclusive and lavish wedding. The groom is portrayed as handsome charismatic man and he is also a reality TV star. The bride is portrayed as a smart, successful, and rich women……It appears they have everything one would desire.
The story is regressive as it starts with a murder at their wedding, but then you are quickly thrust back to the events leading up to the point of the murder. Each chapter is written as a point of view from the guests at the wedding. This is a great addition, as you see the development of the characters and the secrets, mysteries, and tensions between them. I would like to point out that none of the characters were particularly likeable. I won’t give away any spoilers, but based on their behaviour throughout the book, I would not have felt sad if any of them were the victims of the murder and it seemed they were all capable of being the murderer. However, you will be kept guessing, and you won’t find out until the last few chapters of the book.
I loved that you are pulled in the weary atmosphere of the story, and at times I could almost feel the cold air and hear the waves crashing on the rocks. This mystery thriller definitely whisks you away.
If you are looking for some light summer reading, I would highly recommend, you will not be disappointed.@svr2727
You are invited to a friend’s wedding in a remote island off the cost of Ireland and with the group of people that one is more obnoxious than the other, would you consider going? This was the question playing at the back of my head whilst I am reading this fast-moving whodunit thriller. The scenery is very pulpable and quite reminiscent of the Victorian crime novels; the mist that covers everything allowing crimes to happen whilst the guests look on terrified. Is this an accident or one of many to come? This is a tried and tested recipe brought into the 21st century, although I wonder if anyone can survive this long anymore without Wi-Fi! The story for the fans of the genre is culminating to an expected end with some interesting twists and turns. In the end I was just left wondering, why I did not care for any of the characters!@manosdaskalou
In case you struggle to imagine the island at the centre of The Guest List…thanks to Quinn and Paisley for their fabulous works of art.
#CriminologyBookClub: Bad Day at the Vulture Club
As you know by now, a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Hence the creation of #CriminologyBookClub! Building on on what has quickly become standard practice, we’ve decided to continue with all eight bloggers contributing! Our latest book was chosen by all of us (unanimously) after we fell in love with the first instalment. Without more ado, let’s see why we all adore Inspector Chopra (retired) et al. and why we’re all so very sad to reach the (temporary, we hope!) end of @vaseemk2‘s wonderful series:
The final of the Chopra series was delightful. As with the previous books, the story is a crime novel but there is a continuance of a broader (and arguably) more damaging topic, social harm. I found this book so interesting to read as Vaseem shines a light on Parsee culture that was unknown to myself until reading this book. Although this is a series of fictional books, parts of these books are based on real life events and I think this allows for a lot of reflection. I finished the book thinking about the plight of the vultures and the impact that this has on humans. Book Club is yet to find another book that we all collectively enjoy, let alone a series. This series is wonderful.@haleysread
The fifth book of the series introduces us to the community of the Parsees. Inspector Chopra is exploring a world full of secrecy, hidden messages and innuendos. Is it a family dispute gone wrong or an attack on a small community that is flickering away? The victim is powerful, well respected and without any obvious foes. Maybe the death is an accident or one of those unfortunate events? Chopra doesn’t think so! With the help of his pet elephant he uncovers the truth, despite the authorities’ incompetence collecting evidence and the need of many in the circle of suspects to withhold information. This is a more mature outing of the detective as the case makes him question his own mortality when he is faced with ancient customs. The team remains the same although the addition of a recovering vulture makes the group as surreal as ever. The dialogues are lively and the exchanges are sharp but in the end, what is the truth? Who is going to crack when Inspector Chopra reveals “whodunit”?@manosdaskalou
As a latecomer to book club, this was my second of the Chopra series and once again I loved it. @vaseemk2 writes in such a way that he brings everything to life with vibrancy. This book featured a vulture who developed a personality of its own and just like the previous book, I enjoy the characters of the animals. Aside from the characters, the author is very good at introducing real life events or people. This book introduced the Parsee community which I had not heard of and it encouraged me to go away and learn more. I am looking forward to playing Chopra catch up over summer.@amycortvriend
I approached this book with mixed feelings. I desperately wanted to immerse myself into the sunshine and colour of India. However, I also was very aware this was the (current!) last book in Vaseem Khan’s awesome series (I am seriously hoping for many more, take note @vaseemk2!). Fortunately, I forgot the latter, as I immersed myself in the former. As with previous Inspector Chopra cases there is the theme of institutional violence, of ordinary people, elephants and vultures subjected to the vagaries of powerful people. In 1967, Howard Becker asked “whose side are we on? and answered, the powerless. Vaseem’s series takes the same approach, there is a sense of camaraderie and empathy towards those who are different, those who are outside of mainstream society, the underdogs. Whether they are eunuchs, Parsees or even vultures, compassion is present in Chopra et al.’s responses and actions. Although gutted that the series has come to a (temporary!) halt, this book was a joy to read. I’m going to miss all the characters but will simply pretend they’ve gone on a holiday!@paulaabowles
Bad Day at the Vulture Club was yet another wonderful investigation involving the Book Club’s favourite motley crew! The story was intriguing, the characters charming (although some of them not so much), scenery vivid and as always, overall utterly brilliant! This is the last book in the Inspector Chopra series, so far, and if I’m being overly critical it did not feel like an ending. Maybe there will be more to come? Hint Hint @vaseemk2!@jesjames50
Having read the previous books in the series and having become embroiled in the Baby Ganesh Agency’s quirky and endearing machinations, I picked up this final book with eagerness, anticipation and dread in equal measure. Why dread, well it’s the last in the series (I know I’ve already said that but its worth restating), no more Insp. Chopra (Retd), no more Ganesha, Poppy, Irfan or the erstwhile Rangwalla. As we have become accustomed to, the book paints a colourful and wonderful picture of Mombai and its inhabitants whilst also providing saddening detail of the darker side of corruption and desperate poverty. With the usual twists and turns, injections of humour and triumph coupled with some interesting historical backdrops the story line is both intriguing and captivating. Another page turner, but as each page disappears, so too is the recognition that it is all going to come to an end. Whilst all the characters deserve a well-earned rest, it would seem a travesty for the redoubtable Insp. Chopra and his less than ordinary sidekick Ganesha to permanently retire@5teveh
Goodbye for now, Inspector…….
Another great addition to the inspector Chopra series. More wacky characters, great comedy, and a great mysterious plot. I have also learned some interesting things about India’s culture, which has encouraged me to do further reading.
Reflecting on my time reading this series, I have enjoyed every single book. Like the other 4 books prior, Bad Day at the Vulture Club gives you delightful excitement and adventure which is far from what has been present in real life. During uncertain times and difficult lockdowns these books have provided much need escapism. During the final chapters I did feel a wave of sadness, as I knew this was the last book in the series. But I hopeful we will see a return of baby Ganesh, Poppy and Inspector Chopra, as we have still not unlocked the mystery of Ganesh. I recommend the complete series, if you like courageous elephants and want a light hearted page turner.@svr2727
It goes without saying that I loved this book. I’ve so enjoyed following the exploits of Chopra and Ganesha over the last year and a half and there’s definitely a bit of a hole in my life now! I’ll admit that I read it with trepidation – worried that something awful would befall the characters I had come to care about, given that it’s the final book in the series. But I needn’t have worried! I found myself once again immersed in a mystery and following the threads through India – learning loads about the country and the culture on the way. I almost loved the vulture as much as I love the elephant. I really hope this isn’t the last we hear from these characters!@saffrongarside
We shall leave the final thought to some younger fans of Baby Ganesha and the Vulture….thanks to Quinn and Paisley for their fabulous artistry
#CriminologyBookClub: Murder at the Grand Raj Palace
As you know from our last #CriminologyBookClub entry a small group of us decided the best way to thrive in lockdown was to seek solace in reading and talking about books. Building on on what has quickly become standard practice, we’ve decided to continue with all seven bloggers contributing! Our latest book was chosen by all of us (unanimously) after we fell in love with the first instalment. Without more ado, let’s see why we all adore Inspector Chopra (retired) et al.:
What a great read! I was extremely excited to read another book in the Baby Ganesh Agency Series and once again I was not disappointed. There was more mystery, a rich subplot and of course my favourite baby elephant. Vaseem, charmingly immerses the reader into the colourful and picturesque Grand Raj Palace. The way the book is written sets your mind up as though you are watching a film. The story allows you to escape from the uncertainty and mundane realities of life. Which is always welcome! And thrusts you into a mystery within a mystery. I would advise any reader that is interested in reading the series to definitely consider starting at the beginning, with the Unexpected Inheritance of Inspector Chopra. Although the stories do not pick up from each other, you definitely get an appreciation for the characters as they grow and change throughout the series. I liked the way Poppy is taken out of her supporting character role and is put centre stage, while investigating her own mystery. With laugh out loud humour, dark revenge and whacky characters, this is a book that will entertain you from start to finish.@svr2727
In this instalment of the baby Ganesh Agency investigates a homicide of a very important person in a very important hotel. Inspector Chopra (retired) is on the case with his very unusual sidekick, investigating the world of corporations, big business and luxury. In the meantime, the Chopra universe is expanding and the characters are becoming more intricate and multifaceted. The household, now apart from the striking tenacious baby elephant, has little Irfan a child Chopra and his wife Poppy so desperately wanted. The story takes us through a different world paying homage to some corporate crimes that made it to the news. The conclusion of the drama is a reveal of whodunit in a very classic revelation scene. One thing you are left wondering, what will happen when the baby elephant grows to his full size?@manosdaskalou
So far I have loved each of the Baby Ganesh Agency books. They have brightened my day and taken my attention away from life in a pandemic. As ever, with @vaseemk2’s series, you get the heat, the smells, the tastes, the views of India, attacking your senses. In this book, there is a striking contrast between light and dark in the cases resolved by Inspector Chopra (Rtd) and the wonderful Poppy. For me, the exploration of institutional violence caught my attention, the parallels to the Bhopal disaster, drawn clear and bright. Even in fictionalised form, institutional violence takes your breath away in the harm perpetuated and the complete absence of official interest. Lives lost without remark, without empathy. Without giving away any spoilers, equally striking was the almost Agatha Christie-like sleight of hand, where readers are encouraged to embrace their prejudices, only to have them destroyed with the denouement. At this point, I have the 5th book in hand and whilst I am excited to get started, I am also seriously worried. I really don’t want this series and its wonderful characters to come to an end….@paulaabowles
Murder at the Grand Raj Palace was by far my favourite of the Baby Ganesh Agency novels! I particularly enjoyed the closeness of both cases, the uncomfortableness of Chopra in the presence of a beautiful woman who was not his wife, and Poppy’s strong and independent, yet interconnected, storyline. The twist on who committed the murder at the Grand Raj Palace, and why: I can honestly say I did not see coming! Without trying to give too much away: it is a must read which entwines themes of justice, family and social ills! Inspector Chopra does not disappoint: YET AGAIN!@jesjames50
What is there to say about this series that we haven’t already? I love these books! They are vibrant and colourful and genuinely immerse you in another place with characters that feel like old friends now. The fourth book was possibly my favourite of the series so far: the setting of the Grand Raj Hotel, the monkey movie star’s assaults on Ganesha, spending more time with Poppy as she solves a mystery of her own, Chopra’s uncompromising resolve to crack the case and his grand unmasking of the criminal at the end. I didn’t want it to be over – bring on book 5!@saffrongarside
This book includes my favourite sub-plot of the Chopra series so far. Poppy herself plays detective! I thought that it was great that the sub-plot and the main plot were based within the same setting, this made the book seem action-packed. Usually with the Chopra books I enjoy reading at a steady pace but I found this book difficult to put down, and this is not a bad thing. Sometimes when I read books I am disappointed by the ending, with this Chopra series this has not happened yet. Perhaps this is why these books are so pleasing to read. I was very pleased with what happened at the end with the women in red.@haleysread
As the newest member of book club, I had missed out on the previous books in the Chopra series. Although the book is part of a series, I never felt as though I had missed anything or that I needed to catch up. I immediately liked the characters, particularly Poppy and the baby elephant, Ganesha. I identified with Poppy as a strong woman and Ganesha, despite being an elephant has the personality of a human. Secondly, I enjoyed the way in which the author wrote about India and how his fictional version reflected reality. Having been to India I was instantly reminded of the sights, sounds and smells. Members of the royal families and the fuss around the wedding recalled memories of my sister’s Indian wedding. Indeed, it was Poppy’s investigation which engaged my attention more than the murder. In the end, I was more concerned with the whereabouts of the bride than I was the uncovering of the murderer. This was a joy to read during the Christmas after a frantic first term of lecturing in the pandemic. I have already made a start on the final Chopra episode but I will definitely return to the first few books.@amycortvriend