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The ‘other’ BBC worldservice.
If you google “BBC+Mandingo,” please be aware that it is NSFW. Use your imagination. Now, imagine an auction block. Imagine a slave standing there. Breeding slaves underpinned the ‘white supremacist, capitalist, patriarchal’ system that placed their bodies upon that auction block. Hyper-sexualisation of Black bodies began right there. It is bell hooks’ Intersectionality lens that’s necessary for a holistic gaze upon consumer commodification.
Now, imagine that one Black boy in class, vying for attention just as any other adolescent, yet he’s got an entire multitude of hyper-sexualised images filling the heads of virtually everyone in the room. By the time they hit the locker-room, everyone is expecting to see this kid’s BBC. I’ve had many (non-Black) adults say that to me explicitly, inexplicably in any given situation where one might not otherwise imagine penis size would surface so casually in conversation. Hence, we can all imagine that with the crudeness of adolescent male vernacular: Your kid is asking my kid why his penis isn’t what all the rappers rap about.
Why are so many commercially successful rappers’ fantasies reduced to “patriarchal f*cking?” Reading Michael Kimmel’s essay “Fuel for Fantasy: The Ideological Construction of Male Lust,” in her seminal book We Real Cool: Black Masculinity, bell hooks clarifies: “In the iconography of black male sexuality, compulsive-obsessive fucking is represented as a form of power when in actuality it is an indication of extreme powerlessness” (hooks: 67-8).
It’s auto-asphyxiation, a kind of nihilistic sadomasochism that says, if the world thinks of me as a beast, then a beast I shall be. Plenty of kids work this out by the time they hit the playground. “Patriarchy, as manifest in hip-hop, is where we can have our version of power within this very oppressive society,” explains writer/activist Kevin Powell (qtd. in hooks: 56). Ironically, Powell came to fame in the 90’s on MTV through the original reality show aptly entitled “The Real World.”
Plantation Politics 101
Since at least 2017, commercial rap has been the most widely sold musical genre; it’s pop. Beyond roughly 700,000 sales, Black people are not the primary purchasers of commercialised rap, as explained in the documentary Hip-Hop: Beyond Beats and Rhymes. It takes millions to earn ‘multi-platinum’ status. Yet, while created by and for Black and brown people in ghettoized communities, it has morphed into a transnational commodity having little to do with the realities of its originators, save for the S&M fantasies of wealth beyond imagination. And what do they boast of doing with that power, read as wealth? Liberating the masses from poverty? Intervening on the Prison Industrial Complex? Competing with the “nightmare” racist landlords like Donald Trump’s dad Fred? No! They mimic the very gangsters they pretend to be. Once Italian-Americans held hard that stereotype, but now it’s us. It’s always about power. Truly, ‘it’s bigger than Hip-Hop’.
The more painful question few bother asking is why commercial rap music focuses so keenly on pimps, thugs, b*tches and whores? Like other commodities, commercial rap is tailored to the primary consumer base, which isn’t (fellow) Black people, but white youth. What is it about contemporary white youth that craves images of salacious, monstrous, licentious and violent Black people boasting about killing and maiming one another? Describing this mass commercial “Misogynistic rap music,” hooks states: “It is the plantation economy, where black males labor in the field of gender and come out ready to defend their patriarchal manhood by all manner of violence against women and men whom they perceive to be weak and like women” (hooks: 57-8). Plainly, the root of commercial rap’s global prominence is the reenactment of “sadomasochistic rituals of domination, of power and play” (hooks: 65).
Hyper-sexualisation is a form of projection onto Black people a mass white anxiety about our shared “history of their brutal torture, rape, and enslavement of black bodies” (hooks: 63). She goes on to explain: “If white men had an unusual obsession with black male genitalia it was because they had to understand the sexual primitive, the demonic beast in their midst. And if during lynchings they touched burnt flesh, exposed private parts, and cut off bits and pieces of black male bodies, white folks saw this ritualistic sacrifice as in no way a commentary on their obsession with black bodies, naked flesh, sexuality” (ibid). Hence the BBC obsession finds a consumer home safely in pop music!
“I am ashamed of my small penis,” a stranger recently mentioned to me in a grilled wing joint I happened upon here in Hanoi. The confession came from nowhere, having nothing to do with anything happening between us at the time. Is this the locker-room banter I always hear about? Are straight men really so obsessed with their penises? Given his broken English and my non-existent Vietnamese, I tried comforting him by explaining in the simplest terms the saying: “It’s not the size of the wave but the motion of the ocean.” Colloquialisms never translate easily, but I did at least deflect the subject away from ethno-sexual myths spread worldwide through contemporary consumer culture.
We’ve got to talk about ethno-sexual myths with openness, honesty and integrity. Silence is the master’s tool; silence = death! Further, echoing ‘black, lesbian, mother, warrior, poet’ Audre Lorde, ‘The master’s tools will never dismantle the master’s house”. I am Black in Asia, and there are perhaps no two groups of men at polar opposites of ethno-sexual myths. Like the hyper-sexualisation of women of colour, these myths reveal that neither Blackness nor Asianess is at the centre of these globally circulated myths. Hyper-sexual in comparison to who or what? Hegemonic heteronormative whiteness. Say it with me: Duh!
To get In-formation:
hooks, b. (2004) We Real Cool: Black Men and Masculinity. New York: Routledge.
Lorde, A. (1984) Sister Outsider: Essays and Speeches. Berkeley: Crossing Press.
Sam is a 2017 graduate having read BA Criminology with Sociology. His blog entry reflects on the way in which personal experience and research can sometimes collide. His dissertation is entitled Old Merseyside, New Merseyside: An investigation into the long-term relationship of the Merseyside public and the police, following the Hillsborough Stadium Disaster, 1989.
This little piece has been inspired by the process of writing a dissertation that, having focused on the Hillsborough Stadium Disaster of 1989, the police, government and the media, inherently highlighted issues of class and punitive attitudes. It is one of completely subjective nature that I can not possibly explain or explore in enough depth here, but it is certainly not a proclamation of superiority of one social class over another.
The 1980s Conservative Government (namely, Thatcher), football fans, violence and football hooliganism, media and police; all have their links to one another, all have links to the working-class. The Hillsborough Stadium Disaster, prior to, during and even some 28 years later was influenced by all of these. Who Suffered? The working-class. They were victims, offenders, liars and hooligans. In many respects, this was the ultimate fruition of the aforementioned elements, and could now justify further punitive action against socially constructed concepts of working-class, masculine-fuelled disorder by the Government. Step Forward, Professor Phil Scraton.
Mr Hillsborough, Phil Scraton, the working-class boy that redefined the notion of inferiority amongst a typically working-class Merseyside. He sketched new boundaries for the working-class, but not before he himself felt ‘totally estranged’ to be at University and that it was not ‘for the likes of him’ (Scraton, 2017) . This is what I term the inner-battle.
I can relate. The working-class background I classify myself as growing up in does not mean I am any better or worse than any other class members. As a child, often working-class means nothing to you apart from the occasional taunts and the disappointment of not having the top gadgets of other children, or the most expensive shoes. This kind of belittlement can embed and settle within your mind, to costly effect in later life. But it does differentiate me, I feel, in the way I am able to reflect on situations. Sunday 15th September, 2013, the day after moving into University, I felt the same. Yet I had a habit at school of proving people wrong and thriving on it. I didn’t simply succumb to the pressure of knowing people expected me to fail or simply didn’t believe I would succeed . And here we are with a substantial issue in criminology; the notion of working-class inferiority through stereotypes. Socially constructed ideas of working-class and crime and consequently the self-fulfilling prophecy, which then authenticates the original concept. This is a psychological battle. Undeniably, the working class are not strictly exclusive to psychological battles with themselves, but it is a unique battle in a way.
In this same way, the Hillsborough families could have read the headlines, acknowledged the power of the institutions they were dealing with, and accepted their fate and their injustice, especially given the numerous setbacks over the years. Yes they will say they would never give up, but they are only human, and could be forgiven for thinking of succumbing to the inner-pressure, caused by the external, institutional pressure and ultimately just lose the battle. 28 years later they are gaining more and more momentum and are overturning all the social, institutional injustice of the past 3 decades. Individual families may not have been so working-class, but the representation of them was as a working-class mob all those years ago. They fought the inferiority battle.
Professor Phil Scraton did not succumb to his inner battle of feeling out of place, like a small fish in a very large ocean. But all too often working-class people seem to give in, having accepted their early experiences as pronouncing their social inferiority. I sit here now, having failed one dissertation and coming much closer to failing the resit than I would have ever imagined in August last year. The battle was not between University and myself. It was the inner-processes that lie between myself and the end of University. Forcing yourself to do things that at times, you don’t believe you can do, and others especially do not, in order to reach the end goal.
Ultimately, meeting Professor Phil Scraton and hearing of some of the families experiences and their unrelenting desire and growing momentum in obtaining their long-awaited justice first-hand, sparked the realisation that it is simply a mental barrier, a fight within regarding inferiority that stood between them and justice. Had they have lost their inner-battle twenty years ago, they would not still be fighting so effectively, if at all. This is completely applicable to many other situations regarding working-class people in everyday life.
Undoubtedly, this is a view based on experience that is biased in some way, yet challenges the issue of stereotypes. It is also open to blogging and academic retaliation by those of other backgrounds. These socially constructed notions and stereotypes have longstanding effects on so many people, yet I would argue is overlooked and simply put down to being lazy by outsiders and “can’t-do”, inferior attitudes of those in the working-class circle. Interestingly, this debate has not even touched upon racial, ethnic, gender/sex issues, for which the idea of inferiority could often be a detrimental inner-battle, stemming from discriminatory, stereotypical views.
Scraton, P. (2017). Hillsborough: Resisting Injustice, Recovering Truth. [Professional presentation]. University of Liverpool. 15th February. Available at https://www.youtube.com/watch?v=I0K4iDgrJQo