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‘Guilty’ of Coming Out Daily – Abroad. #BlackenAsiaWithLove

I am annoyed that our apartment-building manager told my husband that a two-bedroom had recently become available, and that we should move in because we would be “more comfortable.” My husband always takes such statements at face value, then performs his own cost/benefits analysis. Did the manager offer a discount, I asked? I mean, if he’s genuinely concerned about our comfort, shouldn’t he put his money where his mouth is? That’s probably just the American in me talking: He was either upselling the property or probing us to see what the deal was – not at all concerned about our comfort. I speak code, too.
The most homophobic thing that anyone has ever said to me is not any slur, but that gay people should not “flaunt it.” As if concealing our identities would magically erase homophobia. This reveals that the speaker either doesn’t know – or doesn’t care to know – how readily people everywhere speak about our personal lives. There are random people I have met in every single part of the world, that ask my marital status. It comes shortly after asking my name and where I’m from. The words used are revealing – just ask any divorced person who has engaged with any society’s traditions. Is it deceptive to say that they are “single,” instead? What’s more, regardless of language, preferred terms like “unmarried” reveal the value conferred upon this status. You’re not a whole person until you’re married, and a parent. It is only then that one is genuinely conferred what we sociologists call ‘personhood’. Also, are married lesbians called two Mrs.?
Come out, come out wherever you are.
In many parts of the world, being ‘out’ carries the death penalty, including parts of my father’s homeland, Nigeria. I’ve literally avoided visiting Nigeria because of the media-fueled fear of coming out. I hate the distance it’s wedged between my people, our culture and I. There was a time when coming out was literally the hardest thing I ever had to do. Now, l must come out daily.
Back in the UK, many educators would like to believe that they don’t discuss their personal lives with students. But who hasn’t been casually asked how one spent the weekend? Do I not say “My husband and I…” just as anyone else might? Abroad, do I correct co-workers when they refer to us as ‘friends’? Yesterday, I attended an academic conference. All the usual small talk. I came out a dozen times by lunch.
In teaching English here in Asia, isn’t it unfair for me to conceal from my students the gender of my “life-partner,” which is actually our formal legal status? Am I politicising my classroom by simply teaching gender-neutral terms like ‘spouse’ or ‘partner’? Or, do I simply use the term ‘husband’ and skim over their baffled faces as they try to figure out if they have understood me properly? Am I denying them the opportunity to prepare for the sought-after life in the west? Further, what about the inevitability of that one ‘questioning’ student in my classroom searching for signs of their existence!
I was recently cornered in the hallway by the choreographer hired by our department to support our contribution to the university’s staff talent competition (see picture below*). She spoke with me in German, explaining that she’d lived several years in the former GDR. There are many Vietnamese who’d been ‘repatriated’ from the GDR upon reunification. So, given the historical ties to Communism, it’s commonplace to meet German (and Russian) speakers here. Naturally, folks ask how/why I speak (basic) German. My spouse of seventeen years is German, so it’d be weird if I hadn’t picked up any of the language. It’s really deceptive to conceal gender in German, which has three. I speak German almost every day here in Hanoi.

The word is ‘out’.
In Delhi, we lived in the same 2-bedroom flat for over 7 years. It became clear to our landlady very early on that we slept in one bedroom. Neighbours, we’re told, also noticed that we only ever had one vehicle between us and went most places together. Neither the landlady nor any neighbour ever confronted us, so we never had to formally come out. Yet, the chatter always got back to us.
As a Peace Corps volunteer in rural Mali in the late 90’s, I learned to speak Bambara. Bambara greetings are quite intimate: One normally asks about spouses, parents and/or children, just as Black-Americans traditionally would say “How yo’ momma doin?’” In Mali, village people make it their business to get single folks hitched. Between the Americans, then, it became commonplace to fake a spouse, just so one would be left in peace. Some women wore wedding bands for added protection, as a single woman living alone was unconscionable. The official advice for gays was to stay closeted L. While I pretended to be the husband of several volunteers, I could never really get the gist of it in my village. Besides, at 23 years old, being a single man wasn’t as damning as it is for women. I only needed excuses to reject the young women villagers presented to me. Anyhow, as soon as city migrants poured back to the village for Ramadan, I quickly discovered that there are plenty of LGBTQ+ folks in Mali! This was decades before Grindr.
Here in Hanoi, guys regularly, casually make gestures serving up females, as if to say: ‘Look, she’s available, have her’. I’ve never bothered to learn the expected response, nor paid enough attention to how straight men handle such scenarios. Recently, as we left a local beer hall with another (gay) couple, one waiter rather cheekily made such gestures at a hostess. In response, I made the same gestures towards him; he then served himself up as if to say ‘OK’. That’s what’s different about NOW as opposed to any earlier period: Millennials everywhere are aware of gay people.
A group of lads I sat with recently at a local tea stall made the same gestures to the one girl in their group. After coming out, the main instigator seamlessly gestured towards the most handsome in his clique. When I press Nigerian youth about the issue, the response is often the same: We don’t have a problem with gay people, we know gay people, it’s the old folk’s problem. Our building manager may be such a relic.
*Picture from The 2019 Traditional Arts Festival at Hanoi University of Science and Technology (HUST)
100% of the emotional labour, 0% of the emotional reward: #BlackenAsiawithLove

Last night over dinner and drinks, I spoke about race in the classroom with two white, upper-middle-class gay educators. Neither seemed (able) to make any discernable effort to understand any perspective outside their own. I had to do 100% of the emotional labour, and got 0% of the emotional reward. It was very sad how they went on the attack, using both passive and active aggression, yet had the nerve to dismiss my words as ‘victimhood discourse’. This is exactly why folks write books, articles, and blogs like ‘Why I’m No Longer Talking to White People About Race’.
Worse, they both had experienced homophobia in the classroom, at the hands of both students and parents. Nonetheless, they had no ability to contribute to the emotional labour taking place as we spoke about race. Even worse, the one in charge of other educators had only 24 hours earlier performed the classic micro-aggression against me: The brown blur. He walked right past me at our initial meeting as I extended my hand introducing myself while mentioning the mutual friend who’d connected us because, as he said, he was “expecting” to see a white face. He was the one to raise that incident, yet literally threw his hands in the air, nodding his head dismissively as he refused any responsibility for the potential harm caused.
“I’m an adult,” I pled, explaining the difference between me facing those sorts of aggressions, versus the young people we all educate. This all fell on deaf ears. Even worse still, he’d only moments earlier asked me to help him understand why the only Black kid in one of his classes called himself a “real nigger.” Before that, he had asked me to comment on removing the N-word from historical texts used in the classroom, similar to the 2011 debate about erasing the N-word and “injun” from Huckleberry Finn, first published in 1884. According to the Guardian, nigger is “surely the most inflammatory word in the English language,” and “appears 219 times in Twain’s book.”
Again, he rejected my explanations as “victimhood.” He even kept boasting about his own colorblindness – a true red flag! Why ask if you cannot be bothered to listen to the answer, I thought bafflingly? Even worse, rather than simply stay silent – which would have been bad enough – the other educator literally said to him “This is why I don’t get involved in such discussions with him.” They accused me of making race an issue with my students, insisting that their own learning environments were free of racism, sexism and homophobia.
They effectively closed ranks. They asserted the privilege of NOT doing any of the emotional labour of deep listening. Neither seemed capable of demonstrating understanding for the (potential) harm done when they dismiss the experiences of others, particularly given our differing corporealities. I thought of the “Get Out” scene in the eponymously named film.
“Do you have any Black teachers on your staff,” I asked knowing the answer. OK, I might have said that sarcastically. Yet, it was clear that there were no Black adults in his life with whom he could pose such questions; he was essentially calling upon me to answer his litany of ‘race’ questions.
Armed with mindfulness, I was able to get them both to express how their own corporeality impacts their classroom work. For example, one of the educators had come out to his middle-school students when confronted by their snickers when discussing a gay character in a textbook. “You have to come out,” I said, whereas I walk in the classroom Black.” Further still, they both fell silent when I pointed out that unlike either of them, my hips swing like a pendulum when I walk into the classroom. Many LGBTQ+ people are not ‘straight-acting’ i.e. appear heteronormative, as did these two. They lacked self-awareness of their own privilege and didn’t have any tools to comprehend intersectionality; this discussion clearly placed them on the defense.
I say, 100% of the emotional labour and none of the emotional reward, yet this is actually untrue. I bear the fruits of my own mindfulness readings. I see that I suffer less in those instances than previously. I rest in the comfort that though understanding didn’t come in that moment, future dialogue is still possible. As bell hooks says on the first page in the first chapter of her groundbreaking book Killing Rage: Ending Racism: “…the vast majority of black folks who are subjected daily to forms of racial harassment have accepted this as one of the social conditions of our life in white supremacist patriarchy that we cannot change. This acceptance is a form of complicity.” I accept that it was my decision to talk to these white people about race.
I reminded myself that I had foreseen the micro-aggression that he had committed the previous day when we first met. A mutual friend had hooked us up online upon his visit to this city in which we now live. I doubted that she’d mentioned my blackness. Nonetheless, I had taken the chance of being the first to greet our guest, realizing that I am in a much safer space both in terms of my own mindfulness, as well as the privilege I had asserted in coming to live here in Hanoi; I came here precisely because I face such aggression so irregularly in Vietnam that these incidents genuinely stand out.
—
Works mentioned:
Eddo-Lodge, R. (2018). Why I’m No Longer Talking to White People About Race. London: Bloomsbury Publishing.
Hanh, T. (2013). The Art of Communicating. New York: HarperOne.
hooks, b. (1995). Killing rage: Ending racism. New York: Henry Holt and Company, Inc.
A Love Letter: in praise of art
Some time ago, I wrote ‘A Love Letter: in praise of poetry‘, making the case as to why this literary form is important to understanding the lived experience. This time, I intend to do similar in relation to visual art.
Tomorrow, I’m plan to make my annual visit to the Koestler Arts’ Exhibition on show at London’s Southbank Centre. This year’s exhibition is entitled Another Me and is curated by the musician, Soweto Kinch. Previous exhibitions have been curated by Benjamin Zephaniah, Antony Gormley and prisoners’ families. Each of the exhibitions contain a diverse range of unique pieces, displaying the sheer range of artistic endeavours from sculpture, to pastels and from music to embroidery. This annual exhibition has an obvious link to criminology, all submissions are from incarcerated people. However, art, regardless of medium, has lots of interest to criminologists and many other scholars.
I have never formally studied art, my reactions and interpretations are entirely personal. I reason that the skills inherent in criminological critique and analysis are applicable, whatever the context or medium. The picture above shows 4 of my favourite pieces of art (there are many others). Each of these, in their own unique way, allow me to explore the world in which we all live. For me, each illustrate aspects of social (in)justice, social harms, institutional violence and the fight for human rights. You may dislike my choices. arguing that graffiti (Banksy) and photography (Mona Hatoum) have no place within art proper. You may disagree with my interpretation of these pieces, dismissing them as pure ephemera, forgotten as quickly as they are seen and that is the beauty of discourse.
Nonetheless, for me they capture the quintessential essence of criminology. It is a positive discipline, focused on what “ought” to be, rather than what is. To stand small, in front of Picasso’s (1937) enormous canvas Guernica allows for consideration of the sheer scale of destruction, inherent in mechanised warfare. Likewise, Banksy’s (2005) The Kissing Coppers provides an interesting juxtaposition of the upholders of the law behaving in such a way that their predecessors would have persecuted them. Each of the art pieces I have selected show that over time and space, the behaviours remain the same, the only change, the level of approbation applied from without.
Art galleries and museums can appear terrifying places, open only to a select few. Those that understand the rules of art, those who make the right noises, those that have the language to describe what they see. This is a fallacy, art belongs to all of us. If you don’t believe me, take a trip to the Southbank Centre very soon. It’s not scary, nobody will ask you questions, everyone is just there to see the art. Who knows you might just find something that calls out to you and helps to spark your criminological imagination. You’ll have to hurry though…closes 3 November, don’t miss out!
Come Together

For much of the year, the campus is busy. Full of people, movement and voice. But now, it is quiet… the term is over, the marking almost complete and students and staff are taking much needed breaks. After next week’s graduations, it will be even quieter. For those still working and/or studying, the campus is a very different place.
This time of year is traditionally a time of reflection. Weighing up what went well, what could have gone better and what was a disaster. This year is no different, although the move to a new campus understandably features heavily. Some of the reflection is personal, some professional, some academic and in many ways, it is difficult to differentiate between the three. After all, each aspect is an intrinsic part of my identity.
Over the year I have met lots of new people, both inside and outside the university. I have spent many hours in classrooms discussing all sorts of different criminological ideas, social problems and potential solutions, trying always to keep an open mind, to encourage academic discourse and avoid closing down conversation. I have spent hour upon hour reading student submissions, thinking how best to write feedback in a way that makes sense to the reader, that is critical, constructive and encouraging, but couched in such a way that the recipient is not left crushed. I listened to individuals talking about their personal and academic worries, concerns and challenges. In addition, I have spent days dealing with suspected academic misconduct and disciplinary hearings.
In all of these different activities I constantly attempt to allow space for everyone’s view to be heard, always with a focus on the individual, their dignity, human rights and social justice. After more than a decade in academia (and even more decades on earth!) it is clear to me that as humans we don’t make life easy for ourselves or others. The intense individual and societal challenges many of us face on an ongoing basis are too often brushed aside as unimportant or irrelevant. In this way, profound issues such as mental and/or physical ill health, social deprivation, racism, misogyny, disablism, homophobia, ageism and many others, are simply swept aside, as inconsequential, to the matters at hand.
Despite long standing attempts by politicians, the media and other commentators to present these serious and damaging challenges as individual failings, it is evident that structural and institutional forces are at play. When social problems are continually presented as poor management and failure on the part of individuals, blame soon follows and people turn on each other. Here’s some examples:
Q. “You can’t get a job?”
A “You must be lazy?”
Q. “You’ve got a job but can’t afford to feed your family?
A. “You must be a poor parent who wastes money”
Q. “You’ve been excluded from school?”
A. “You need to learn how to behave?”
Q. “You can’t find a job or housing since you came out of prison?”
A. “You should have thought of that before you did the crime”
Each of these questions and answers sees individuals as the problem. There is no acknowledgement that in twenty-first century Britain, there is clear evidence that even those with jobs may struggle to pay their rent and feed their families. That those who are looking for work may struggle with the forces of racism, sexism, disablism and so on. That the reasons for criminality are complex and multi-faceted, but it is much easier to parrot the line “you’ve done the crime, now do the time” than try and resolve them.
This entry has been rather rambling, but my concluding thought is, if we want to make better society for all, then we have to work together on these immense social problems. Rather than focus on blame, time to focus on collective solutions.
The Bride of Frankenstein

The classic novel by Mary Shelley back in the early 19th century was an apocalyptic piece of work that imagined the future in a world where technology appeared to be a marvel that professes to make everyday people into gods. The creation of a man by a man (deliberately gendered) in accordance to his wishes, and morals. The metaphysical constraints of the soul seemingly absent, until all comes to head. This was dystopic, but at the same time philosophical, of the future of humanity.
In the 20th century John B. Watson believed that he could shape the behaviour of anyone, mostly children in any possible way. Some of his ideas even made it into popular psychology where he offered advice to parents of how to raise their children. Although no monster is mentioned, there is still the view that a man can shape a child in whatever way he chooses. A creationist and most importantly, arrogant view of the world.
Decades later Robert Martinson, a sociologist will look at all these wonderful and great programmes designed to challenge behaviours and change people, so they can rehabilitate leaving criminality behind. He found the results to be disappointing. In the meantime, child psychologists could not achieve this leap that Watson seem to think they could make in changing people.
In the 21st century we began to realise at a discipline level that forcing change upon people is rather impossible. How about a man creating a man? Can you develop a new human that will be developed espousing the creator’s desired attributes and thus become a model citizen? In recent years we have been talking about designer babies, gene harvesting and genetic modification. Such a surprising concept considering the Lebensborn experience during the Nazi regime. That super-man concept was shattered in thousands little pieces, and for many relegated to history books. Therefore, designer babies are such a cautionary tale.
As a society we are still curious on what can technology can achieve, how far can we go and what can we develop. Still in science there are seeds of creationism proposing ideas of that we can develop; a world of people without illness, disorder and deviance. Pure, healthy and potentially exceptional individuals who may be physiologically right but sadly devoid of humanity. Why devoid? Because what makes a person? Our imperfections, deviances and foibles. These add to, rather than substract from, our uniqueness and individuality.
In a recent twitter discussion one of my colleagues engaged in a discussion about the repatriation of one of those women called “Isis brides”. The colleague posed the question, why not allow her to return, only to receive in response, because these are no humans. As I read it I thought, well this is a new interpretation of the monster. A 21st century monster that we can chase out of the proverbial village with torches because its alive and it shouldn’t be. We can wish for people to be good to us, open armed and happy all the time, but that is not necessarily how it is. We know that this is the case and of course we want to be reminded of our humanity, not for the positives but for the negatives. Not what we can be but what the others are not. So, we can always be the villagers and never the monster.
Mary Shelley (1888) Frankenstein or The Modern Prometheus, London, George Routledge and Sons.


The more painful question few bother asking is why commercial rap music focuses so keenly on pimps, thugs, b*tches and whores? Like other commodities, commercial rap is tailored to the primary consumer base, which isn’t (fellow) Black people, but white youth. What is it about contemporary white youth that craves images of salacious, monstrous, licentious and violent Black people boasting about killing and maiming one another? Describing this mass commercial “Misogynistic rap music,” hooks states: “It is the plantation economy, where black males labor in the field of gender and come out ready to defend their patriarchal manhood by all manner of violence against women and men whom they perceive to be weak and like women” (hooks: 57-8). Plainly, the root of commercial rap’s global prominence is the reenactment of “sadomasochistic rituals of domination, of power and play” (hooks: 65).




