Home » Entertainment
Category Archives: Entertainment
Criminology for all (including children and penguins)!
As a wise woman once wrote on this blog, Criminology is everywhere! a statement I wholeheartedly agree with, certainly my latest module Imagining Crime has this mantra at its heart. This Christmas, I did not watch much television, far more important things to do, including spending time with family and catching up on reading. But there was one film I could not miss! I should add a disclaimer here, I’m a huge fan of Wallace and Gromit, so it should come as no surprise, that I made sure I was sitting very comfortably for Wallace & Gromit: Vengeance Most Fowl. The timing of the broadcast, as well as it’s age rating (PG), clearly indicate that the film is designed for family viewing, and even the smallest members can find something to enjoy in the bright colours and funny looking characters. However, there is something far darker hidden in plain sight.
All of Aardman’s Wallace and Gromit animations contain criminological themes, think sheep rustling, serial (or should that be cereal) murder, and of course the original theft of the blue diamond and this latest outing was no different. As a team we talk a lot about Public Criminology, and for those who have never studied the discipline, there is no better place to start…. If you don’t believe me, let’s have a look at some of the criminological themes explored in the film:
Sentencing Practice
In 1993, Feathers McGraw (pictured above) was sent to prison (zoo) for life for his foiled attempt to steal the blue diamond (see The Wrong Trousers for more detail). If we consider murder carries a mandatory life sentence and theft a maximum of seven years incarceration, it looks like our penguin offender has been the victim of a serious miscarriage of justice. No wonder he looks so cross!
Policing Culture
In Vengeance Most Fowl we are reacquainted with Chief Inspector Mcintyre (see The Curse of the Were-Rabbit for more detail) and meet PC Mukherjee, one an experienced copper and the other a rookie, fresh from her training. Leaving aside the size of the police force and the diversity reflected in the team (certainly not a reflection of policing in England and Wales), there is plenty more to explore. For example, the dismissive behaviour of Mcintyre toward Mukherjee’s training. learning is not enough, she must focus on developing a “copper’s gut”. Mukherjee also needs to show reverence toward her boss and is regularly criticised for overstepping the mark, for instance by filling the station with Wallace’s inventions. There is also the underlying message that the Chief Inspector is convinced of Wallace’s guilt and therefore, evidence that points away from should be ignored. Despite this Mukherjee retains her enthusiasm for policing, stays true to her training and remains alert to all possibilities.
Prison Regime
The facility in which Feathers McGraw is incarcerated is bleak, like many of our Victorian prisons still in use (there are currently 32 in England and Wales). He has no bedding, no opportunities to engage in meaningful activities and appears to be subjected to solitary confinement. No wonder he has plenty of time and energy to focus on escape and vengeance! We hear the fear in the prison guards voice, as well as the disparaging comments directed toward the prisoner. All in all, what we see is a brutal regime designed to crush the offender. What is surprising is that Feathers McGraw still has capacity to plot and scheme after 31 years of captivity….
Mitigating Factors
Whilst Feathers McGraw may be the mastermind, from prison he is unable to do a great deal for himself. He gets round this by hacking into the robot gnome, Norbot. But what of Norbot’s free will, so beloved of Classical Criminology? Should he be held culpable for his role or does McGraw’s coercion and control, renders his part passive? Without, Norbot (and his clones), no crime could be committed, but do the mitigating factors excuse his/their behaviour? Questions like this occur within the criminal justice system on a regular basis, admittedly not involving robot gnomes, but the part played in criminality by mental illness, drug use, and the exploitation of children and other vulnerable people.
And finally:
Above are just some of the criminological themes I have identified, but there are many others, not least what appears to be Domestic Abuse, primarily coercive control, in Wallace and Gromit’s household. I also have not touched upon the implicit commentary around technology’s (including AI’s) tendency toward homogeneity. All of these will keep for classroom discussions when we get back to campus next week đ
The Problem with True Crime

There has been a huge spike in interest in true crime in recent years. The introduction to some of the most notorious crimes have been presented on Netflix and other streaming platforms, that has further reinforced the human interest in the gore of violent crimes.
Recently I went to the theatre to watch a show title the Serial Killer Next Door, which highlights some of the most notorious crimes to sweep the nation. From the Toy Box Killer (David Ray-Parker) and his most brutal violence against women to Ed Kemper and the continuous failing by the FBI to bring one of the most violent and prolific killers to justice. While I was horrified by the description both verbal and photographic of the crimes committed, by the serial killers. I was even more shocked at the reaction of the audience and how the cases were presented. The show attempted to sympathise with the victims but this fell short as the entertainment value of the audience was paramount and thus, the presenter honed in on the âcomedicâ factor of the criminal and the crimes committed. Graphic pictures of the naked bodies of men, women and children brutalised at the hands of the most sadistic monsters were put on screens for speculation and entertainment. Audience members enjoyed popcorn and crisps while lapping up the horror displayed.
I did not stay for the full showâŚ..
The level of distaste was too much for me but from what I did watch made me reflect deeply and led me to the age-old topic among criminologists and victimologists that question where the victims are and why do they continue to be dehumanised. Victims of these heinous crimes are rarely remembered and depicted in a way that moves them away from being viewed as human and instead commodities and after thoughts of crime.
The true crime community on YouTube has been criticized for the sensationalist approach crime. With niche story telling while applying oneâs makeup and relaying the most brutal aspects of true crime cases to audiences. I ask the question when and how did we get to this point in society where entertainment trumps victims and their families. Later, this year I will be bringing this topic to a true crime panel to further explore the damage that this type of entertainment has on both the consumer and the victimâs legacy. The dehumanisation of victims and desensitisation of consumers for entertainment tells us something about the society we live in that should be addressedâŚ..I am sure there will be other parts to this post that will explore the issues with true crime and its problematic and exploitative nature.
The True Crime Genre and Me

I have always enjoyed the true crime genre, I enjoyed the who dunnit aspect that the genre feeds into, I also enjoyed âlearningâ about these crimes, and why people committed them. I grew up with an avid interest in homicide, and the genre as a result. So, studying criminology felt like it was the best path for me. Throughout the three years, this interest has stayed with me, resulting in me writing my dissertation on how the true crime genre presents homicide cases, and how this presentation influences peopleâs engagement with the genre and homicides in general.
With this being my main interest within the field of criminology, it was natural that True Crime and Other Fictions (CRI1006) module in first year caught my attention. This module showed me that my interest can be applied to the wider study of criminology, and that the genre does extend into different areas of media and has been around for many years. Although this module only lasted the year, and not many other modules- at least of the ones that I took- allowed me to continue exploring this area, the other modules taught me the skills I would need to explore the true crime genre by myself. Something- in hindsight- I much prefer.
I continued to engage with the wider true crime genre in a different way than I did before studying criminology- using the new skills I had learnt. Watching inaccurate and insensitive true crime dramas on Netflix, watching YouTubers doing their makeup whilst talking about the torture of a young girl, podcasts about a tragic loss a family suffered intercut with cheery adverts. This acts as a small snapshot of what the genre is really like, whereas when I originally engaged with it, it was simple retellings of a range of cases, each portrayed in slightly different ways- but each as entertaining as the next. To me, I think this is where the genre begins to fall apart, when the creators see what they are producing as entertainment, with characters, rather than retellings of real-life events, that affects real people.
Having spent so much time engaging with the genre and having the skills and outlook that comes with studying criminology, you canât help but to be critical of the genre, and what you are watching. You begin to look at the reasoning behind why the creators of this content choose to present it in such ways, why they skip out on key pieces of information. It all makes a bit more sense. Its just entertainment. A sensationalist retelling of tragic events.
Although studying criminology may have ruined how I enjoy my favourite genre of media, it also taught me so many skills, and allowed me to develop my understating in an area Iâve always been interested in. These skills can be applied in any area, and I think that is the biggest take away from my degree. Considering I now work as the Vice President of Welfare at the Students Union– and getting some odd looks when I say what my degree was- I have no regrets. Even if I walk away from my time at university and never use the knowledge I gained from my studies, I can walk away and know that my time was not wasted, as the skills I have learnt can be applied to whatever I do moving forward.
Things I used to could do without a phone. #BlackenAsiaWithLove
A Spoken Word poem for young people everywhere, esp Youth in Asia, who may never know WE LIVED before smartphonesâŚand live to tell about it.
Walk.

Walk down the street.
Find my way.
Go someplace.
Go someplace I had previously been.
Go someplace I had previously not been.
Meet.
Meet friends.
Meet friends at a specific time and place.
Meet new people.
Meet new people without suspicion.
Strike up a conversation with a stranger.
Make myself known to a previously unknown person.
Now, everything and everyone unknown is literally described as âweirdâ.

Eat.
Eat in a restaurant by myself.
Pay attention to the waiter.
Wait for my order to arrive.
Sit.
Sit alone.
Sit with others.
Listen.
Listen to the sound of silence.
Listen to music.
Listen to a whole album.
Listen to the cityscape.
Overhear othersâ conversations in public.
Watch kids play.

Shop.
Share.
Share pictures.
Take pictures.
Develop pictures.
Frame pictures.
See the same picture in the same spot.
Read.
Read a book.
Read a long article.
Read liner notes.
Pee.
I used to be able to stand at a urinal and focus on what I was doing,
Not feeling bored,
Not feeling the need to respond to anything that urgently.
Nothing could be so urgent that I could not, as the Brits say, âtake a weeâ.
Wait.
Wait at a traffic light.
Wait for a friend at a pre-determined place and time.

Wait for my turn.
Wait for a meal I ordered to arrive.
Wait in an office for my appointment.
Wait in line.
Wait for anything!
I used to appreciate the downtime of waiting.
Now waiting fuels FOMO.
I used to enjoy people watchingâŚ
Now I just watch people on their phones.
Itâs genuine anxiety.
Walk.
Walk from point A to B.
I used to could walk between two known points without having to mark the moment with a post.
Now I canât walk down the hall,
Or through the house or even to the toilet without checking my phone.
I avoid eye contact with strangers.
Anyone I donât already know is strange.
I used to could muscle through this awkwardness.
Talk.
Have a conversation.
A friend and I recently lamented about how you used to could have a conversation and
Even figure out a specific thing that you couldnât immediately recallâŚ
Just by talking.
I also appreciate the examples we discussed.
Say you wanted to mention a world leader but couldnât immediately remember their name. What would you do before?
Rattle off the few facts you could recall and in so doing youâd jog your memory.
Who was the 43rd US president?
If you didnât immediately recall his name,
You might have recalled that the current one is often called â45â since
Many folks avoid calling his name.
You know Obama was before him, therefore he mustâve been number â44.â
You know Obama inherited a crap economy and several unjust wars,

Including the cultural war against Islam. And
That this was even one of the coded racial slurs used against him: âA Muslim.â
Putting these facts together,
Youâd quickly arrive at Dubya! And
His whole warmongering cabinet. And
Condi Rice. And
General Powellâs botched PowerPoint presentation at the UN. And
Big dick Cheney, Halliburton and that fool shooting his friend while hunting.
That whole process might have taken a full minute,
But so would pulling up 43âs name on the Google.
This way, however, you havenât lost the flow of conversation nor the productive energy produced between two people when they talk.
(Itâs called âlimbic resonanceâ, BTW).
Yeah, I used to be able to recall thingsâŚ
Many more things about the world without my mobile phone.

Wonder.
Allow my mind to wander.
Entertain myself with my own thoughts.
Think.
Think new things.
Think differently just by thinking through a topic.
I used to know things.
Know answers that werenât presented to me as search results.
I used to trust my own knowledge.
I used to be able to be present, enjoying my own company,
Appreciating the wisdom that comes with the mental downtime.
Never the fear of missing out,
Allowing myself time to reflect.
It is in reflection that wisdom is born.
Now, most of us just spend our time simply doing:
Surfing, scrolling, liking, dissing, posting, sharing and the like.
Even on a wondrous occasion, many of us would rather be on our phones.
Not just sharing the wonderful occasion –
Watching an insanely beautiful landscape through our tiny screens,
Phubbing the people weâre actually with,
Reducing a wondrous experience to a well-crafted selfie –

But just making sure weâre not missing out on something rather mundane happening back home.
I used to could be in the world.
Now, Iâm just in cyberspace.
I used to be wiser.
The logic of racism

A few weeks ago, Danny Rose the Tottenham and England footballer was in the headlines for all the wrong reasons. He indicated he couldnât wait to quit football because of racism in the game. Heâs not the only black player that has spoken out, Raheem Stirling of Manchester City and England had previously raised the issue of racism and additionally pointed to the way the media portrayed black players.
I have no idea what its like to be subjected to racist abuse, how could I, Iâm a white, middle class male? I have however, lived in and was for the best part of my life brought up in, a country dominated by racism. I lived in South Africa during the apartheid regime and to some extent I suppose I suffered some racism there, being English, a rooinek (redneck) but it was in the main limited to name calling from the other kids in school and after all, I was still white. There was some form of logic in apartheid; separate development was intended to maintain the dominance of the white population. Black people were viewed as inferior and a threat, kaffirs (non-believers) even though the majority were probably more devout than their white counterparts. I understand the logic of the discourse around âforeigners coming into this country and taking our jobs or abusing our servicesâ, if you are told enough times by the media that this is the case then eventually you believe. I always say to colleagues they should read the Daily Mail newspaper and the like, to be informed about what news fables many of the population are fed.
I understand that logic even though I cannot ever condone it, but I just donât get the logic around football and racism. Take the above two players, they are the epitome of what every footballing boy or girl would dream of. They are two of the best players in England, they have to be to survive in the English Premiership. In fact, the Premiership is one of the best football leagues in the world and has a significant proportion of black players in it, many from other parts of the world. It is what makes the league so good, it is what adds to the beautiful game.
So apart from being brilliant footballers, these two players are English, as English as I am, maybe more so if they spent all of their lives in this country and represent the country at the highest level. They donât âspongeâ off the state, in fact through taxes they pay more than I and probably most of us will in my lifetime. They no doubt donate lots of money to and do work for charities, there arenât many Premiership footballers that donât. The only thing I can say to their detriment, being an avid Hammers fan, is that they play for the wrong teams in the Premiership. Iâm not able to say much more about them because I do not know them. And therein lies my problem with the logic behind the racist abuse they and many other black players receive, where is that evidence to suggest that they are not entitled to support, praise and everything else that successful people should get. The only thing that sets them aside from their white fellow players is that they have black skins.
To make sense of this I have to conclude that the only logical answer behind the racism must be jealousy and fear. Jealousy regarding what they have and fear that somehow there success might be detrimental to the racists. They are better than the racists in so many ways, and the racists know this. Just as the white regime in South Africa felt threatened by the black population so too must the racists* in this country feel threatened by the success of these black players. Now admit that and I might be able to see the logic.
*I canât call them football supporters because their behaviour is evidence that they are not.
Halloween Prison Tourism

Haley Read is an Associate Lecturer teaching modules in the first and third years.
Yes, that spooky time of the year is upon us! Excited at the prospect of being free to do something at Halloween but deterred by the considerable amount of effort required to create an average-looking carved pumpkin face, I Google, âThings to do for Halloween in the Midlandsâ.
I find that âprison (and cell) ghost toursâ are being advertised for tourists who can spend the night where (in)famous offenders once resided and the âcondemned soulsâ of unusual and dangerous inmates still âhauntâ the prison walls today. I do a bit more searching and find that more reputable prison museums are also advertising similar events, which promise a âfunâ and âaction packedâ family days out where gift shops and restaurants are available for all to enjoy.
Of course, the lives of inmates who suffered from harsh and brutal prison regimes are commodified in all prison museums, and not just at Halloween related events. What appears concerning is that these commercial and profit-based events seem to attract visitors through promotional techniques which promise to entertain, reinforce common sensical, and at times fabricated (see Barton and Brown, 2015 for examples) understandings of history, crime and punishment. These also present sensationalistic a-political accounts of the past in order to appeal to popular fascinations with prison-related gore and horror; all of which aim to attract customers.
The fascination with attending places of punishment is nothing new. Barton and Brown (2015) illustrates this with historical accounts of visitors engaging in the theatrics of public executions and of others who would visit punishment-based institutions out of curiosity or to amuse themselves. And I suppose modern commercial prison tourism could be viewed as an updated way to satisfy morbid curiosities surrounding punishment and the prison.
The reason that this concerns me is that despite having the potential to educate others and challenge prison stereotypes that are reinforced through the media and True Crime books, commercialised prison events aim to entertain as well as inform. This then has the danger of cementing popular and at times fictional views on the prison that could be seen as being historically inaccurate. Barton and Brown (2015) exemplify this idea by noting that prison museums present inmates as being unusual, harsh historical punishments as being necessary and the contemporary prison system as being progressive and less punitive. However, opposing views suggest that offenders are more ordinary than unusual, that historical punishments are brutal rather than necessary and that many contemporary prisons are viewed as being newer versions of punitive discipline rather than progressive.
Perhaps it could be that presenting a simplified, uncritical and stereotyped version of the past as entertainment prevents prison tourists from understanding the true pains experienced by those who have been incarcerated within the prison (see Barton and Brown, 2015, Sim, 2009). Truer prison museum promotions could inform visitors of staff corruption, the detrimental social and psychological effects of the prison, and that inmates (throughout history) are more likely to be those who are poor, disempowered, previously victimised and at risk of violence and self-harm upon entering prison. But perhaps this would attract less visitors/profit…And so for another year I will stick to carving pumpkins.
Photo by Markus Spiske temporausch.com on Pexels.com
Barton, A and Brown, A. (2015) Show me the Prison! The Development of Prison Tourism in the UK. Crime Media and Culture. 11(3), pp.237-258. Doi: 10.1177/1741659015592455.
Sim, J. (2009)Â Punishment and Prisons: Power and the Carceral State. London: Sage.


Thereâs the saying âFind your passion and youâll never work a day in your life,â however I much prefer the updated version âFind your passion and youâll work every day of your lifeâ BUT youâll love it. Criminology and the law are everything to me and I enjoy my profession and my ability to work in a field that allows me to direct my interests. It is a very special position to be in and not something I take for granted. I am fortunate to be starting at The University of Northampton this coming semester as a criminology lecturer and Iâm looking forward to meeting and getting to know all my colleagues and students.