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Time alone, socially with ourselves, can be a truly healing ordeal. When we’re alone, we tend to think. Thinking is hard work. It really takes a disciplined mind to reflect, to look at different items in life and piece them together differently than they are presented to us.…perhaps with more clarity. We may experience anxiety, left with our own thoughts in the solitude of quarantine. From whatever source or another, you may feel anxious about being alone. Develop calming practices. Curate calming activities in your life that bring you peace.
You may experience restlessness. What to do with all that time? Many of you will want to be productive. Do something you enjoy. What do you like to do with your (wrestling) hands? Hold a book? Saw wood? Bake? Knit me a scarf?!?
Whether you enjoy listening to music and talking about the memories and times music evokes, explore what you like to do. Me? I dance, read, write, binge on TV series, and digging my hands in dirt to grow stuff. I especially love propagating plants. I try any plant I can get ahold of. In my garden, I have a beautiful crawling flower I clipped in Barcelona. It spreads over soil and has bright green leaves with bright red flowers that unfold into a star at dusk. Curate creative activities in your life that bring you peace.
Solitude gives us time for introspection – a kind of dialogue with ourselves. We love all forms of art because of the internal dialogue with ourselves as we observe a movie, painting, sculpture, fashion, performance, etc. We know at the heart of each of those creations, there was an artist in solitude.
In my solitude…
Alice walker sat and wrote The Color Purple with pen and paper. The screenwriters later came along and did the same. Each actor received their own script. On screen we watch Ms. Sofia tell Ms. Celie to “bash Mister’s head in and think about heaven later,” after confronting her for telling her step-son to beat her. Imagine how Oprah read all of THAT from just a few letters to god. On the page, Celie acknowledges her jealousy of Sofia’s power – she’s just as “poor, Black and ugly” as she. She apologizes and reconciles by helping Harpo’s next woman recognize her own power. There’s a whole storyline about this. The book more keenly develops more characters and their transformations. In our solitude, we read The Color Purple and for the first time view it in Technicolor.
In the book, of course, we neither see the bruises and blood nor hear the screams the children must have hears when Mister beats Celie senselessly throughout their marriage. We read how Celie gained the courage to leave this batterer. Oh, and the grandest surprise is that Shug reveals to Celie that God ain’t a man, and he ain’t white, neither. If God were a white man, neither could believe in him, according to the book. Both their redemptions came from there, not as the film shows. In the film, Shug is a floozy who redeems herself by becoming ‘respectable’. The film doesn’t question the heteropatriarchal god, a central narrative in the book.
The book is really queer. Harpo loves to cook, clean and take care of kids while his woman works. Harpo resolves his Oedipal dilemma by accepting that he’s not a patriarch like his father. The film depicts his struggle but not this resolution. In the book, there’s an entire sub-narrative about how Celie’s kids in Africa – raised by her sister Nettie – reject the traditional gender roles. This is only hinted at in the film.
Of course, Celie’s a lesbian, Shug’s bisexual and Mister is cool with their love triangle. In the book, Mister’s redemption is there, literally becoming just a tiny bit more feminist, though still not nearly as the flashy boxer Shug later marries. Another big twist is that in the book is that Shug and her husband split amicably; he moves south of the border with Harpo’s woman, Mary Agnes, to run their very own marijuana plantation.
Celie encouraged Mary Agnes to stop people from calling her Squeak, a sub-narrative that only is hinted at in the film’s iconic Thanksgiving scene, aka Celie’s uprising. I love Celie’s nasty retort to Mister’s sinister dad in this scene: “Seem like if he hadn’t been your boy, he might a made somebody a halfway decent man.” Shug helps Mary Agnes have her own singing career, as implied in the Thanksgiving scene when she says she’s leaving with Celie and Shug Avery. In a deep hearty laugh that breaks the dramatic tension, Sofia declares: “Oh, Sofia(‘s) home.”
Self-love and women supporting women are huge themes that can’t be captured in a movie, it needs a whole mini-series to watch at home. Serendipitously, at the end of the scene when their boarding the car, Celie’s hex on Mister is almost taken directly from the pages. “Until you do right by me, ev’ry thing you even think about gonna fail!”
Finally, in the book, Celie and Mister eventually become friends. Come back with her long-lost kids and the dear sister Nettie he’d banished and “whoop his ass.” I love, love, love the film, but all of this was erased from book to script. I discovered all of this in my solitude.
The Color Purple was originally written as Celie’s prayers, the way she escaped the hell of her existence. In the book, she found this through love. On the paper, we can see that she stops writing to “God” and instead addresses the letters to her sister Nettie, the one who taught her to read (in both versions). The pages, not the movie, clearly reveal this spiritual transformation. Celie continues to write to Nettie, not knowing anything of her fate, only having found the old letters Mister had stashed away for years. Their love was so strong that in her solitude, writing the letters brought her peace. Curate writing activities that bring you peace.
Do you keep a journal, dabble in poetry, admire the prose in your head? Set aside time as a family for writing and reading. Experience solitude together. Share your work. Curate activities that bring you peace. Use this quarantine to strengthen your capacity to love.
The ‘other’ BBC worldservice.
If you google “BBC+Mandingo,” please be aware that it is NSFW. Use your imagination. Now, imagine an auction block. Imagine a slave standing there. Breeding slaves underpinned the ‘white supremacist, capitalist, patriarchal’ system that placed their bodies upon that auction block. Hyper-sexualisation of Black bodies began right there. It is bell hooks’ Intersectionality lens that’s necessary for a holistic gaze upon consumer commodification.
Now, imagine that one Black boy in class, vying for attention just as any other adolescent, yet he’s got an entire multitude of hyper-sexualised images filling the heads of virtually everyone in the room. By the time they hit the locker-room, everyone is expecting to see this kid’s BBC. I’ve had many (non-Black) adults say that to me explicitly, inexplicably in any given situation where one might not otherwise imagine penis size would surface so casually in conversation. Hence, we can all imagine that with the crudeness of adolescent male vernacular: Your kid is asking my kid why his penis isn’t what all the rappers rap about.
Why are so many commercially successful rappers’ fantasies reduced to “patriarchal f*cking?” Reading Michael Kimmel’s essay “Fuel for Fantasy: The Ideological Construction of Male Lust,” in her seminal book We Real Cool: Black Masculinity, bell hooks clarifies: “In the iconography of black male sexuality, compulsive-obsessive fucking is represented as a form of power when in actuality it is an indication of extreme powerlessness” (hooks: 67-8).
It’s auto-asphyxiation, a kind of nihilistic sadomasochism that says, if the world thinks of me as a beast, then a beast I shall be. Plenty of kids work this out by the time they hit the playground. “Patriarchy, as manifest in hip-hop, is where we can have our version of power within this very oppressive society,” explains writer/activist Kevin Powell (qtd. in hooks: 56). Ironically, Powell came to fame in the 90’s on MTV through the original reality show aptly entitled “The Real World.”
Plantation Politics 101
Since at least 2017, commercial rap has been the most widely sold musical genre; it’s pop. Beyond roughly 700,000 sales, Black people are not the primary purchasers of commercialised rap, as explained in the documentary Hip-Hop: Beyond Beats and Rhymes. It takes millions to earn ‘multi-platinum’ status. Yet, while created by and for Black and brown people in ghettoized communities, it has morphed into a transnational commodity having little to do with the realities of its originators, save for the S&M fantasies of wealth beyond imagination. And what do they boast of doing with that power, read as wealth? Liberating the masses from poverty? Intervening on the Prison Industrial Complex? Competing with the “nightmare” racist landlords like Donald Trump’s dad Fred? No! They mimic the very gangsters they pretend to be. Once Italian-Americans held hard that stereotype, but now it’s us. It’s always about power. Truly, ‘it’s bigger than Hip-Hop’.
The more painful question few bother asking is why commercial rap music focuses so keenly on pimps, thugs, b*tches and whores? Like other commodities, commercial rap is tailored to the primary consumer base, which isn’t (fellow) Black people, but white youth. What is it about contemporary white youth that craves images of salacious, monstrous, licentious and violent Black people boasting about killing and maiming one another? Describing this mass commercial “Misogynistic rap music,” hooks states: “It is the plantation economy, where black males labor in the field of gender and come out ready to defend their patriarchal manhood by all manner of violence against women and men whom they perceive to be weak and like women” (hooks: 57-8). Plainly, the root of commercial rap’s global prominence is the reenactment of “sadomasochistic rituals of domination, of power and play” (hooks: 65).
Hyper-sexualisation is a form of projection onto Black people a mass white anxiety about our shared “history of their brutal torture, rape, and enslavement of black bodies” (hooks: 63). She goes on to explain: “If white men had an unusual obsession with black male genitalia it was because they had to understand the sexual primitive, the demonic beast in their midst. And if during lynchings they touched burnt flesh, exposed private parts, and cut off bits and pieces of black male bodies, white folks saw this ritualistic sacrifice as in no way a commentary on their obsession with black bodies, naked flesh, sexuality” (ibid). Hence the BBC obsession finds a consumer home safely in pop music!
“I am ashamed of my small penis,” a stranger recently mentioned to me in a grilled wing joint I happened upon here in Hanoi. The confession came from nowhere, having nothing to do with anything happening between us at the time. Is this the locker-room banter I always hear about? Are straight men really so obsessed with their penises? Given his broken English and my non-existent Vietnamese, I tried comforting him by explaining in the simplest terms the saying: “It’s not the size of the wave but the motion of the ocean.” Colloquialisms never translate easily, but I did at least deflect the subject away from ethno-sexual myths spread worldwide through contemporary consumer culture.
We’ve got to talk about ethno-sexual myths with openness, honesty and integrity. Silence is the master’s tool; silence = death! Further, echoing ‘black, lesbian, mother, warrior, poet’ Audre Lorde, ‘The master’s tools will never dismantle the master’s house”. I am Black in Asia, and there are perhaps no two groups of men at polar opposites of ethno-sexual myths. Like the hyper-sexualisation of women of colour, these myths reveal that neither Blackness nor Asianess is at the centre of these globally circulated myths. Hyper-sexual in comparison to who or what? Hegemonic heteronormative whiteness. Say it with me: Duh!
To get In-formation:
hooks, b. (2004) We Real Cool: Black Men and Masculinity. New York: Routledge.
Lorde, A. (1984) Sister Outsider: Essays and Speeches. Berkeley: Crossing Press.
I am annoyed that our apartment-building manager told my husband that a two-bedroom had recently become available, and that we should move in because we would be “more comfortable.” My husband always takes such statements at face value, then performs his own cost/benefits analysis. Did the manager offer a discount, I asked? I mean, if he’s genuinely concerned about our comfort, shouldn’t he put his money where his mouth is? That’s probably just the American in me talking: He was either upselling the property or probing us to see what the deal was – not at all concerned about our comfort. I speak code, too.
The most homophobic thing that anyone has ever said to me is not any slur, but that gay people should not “flaunt it.” As if concealing our identities would magically erase homophobia. This reveals that the speaker either doesn’t know – or doesn’t care to know – how readily people everywhere speak about our personal lives. There are random people I have met in every single part of the world, that ask my marital status. It comes shortly after asking my name and where I’m from. The words used are revealing – just ask any divorced person who has engaged with any society’s traditions. Is it deceptive to say that they are “single,” instead? What’s more, regardless of language, preferred terms like “unmarried” reveal the value conferred upon this status. You’re not a whole person until you’re married, and a parent. It is only then that one is genuinely conferred what we sociologists call ‘personhood’. Also, are married lesbians called two Mrs.?
In many parts of the world, being ‘out’ carries the death penalty, including parts of my father’s homeland, Nigeria. I’ve literally avoided visiting Nigeria because of the media-fueled fear of coming out. I hate the distance it’s wedged between my people, our culture and I. There was a time when coming out was literally the hardest thing I ever had to do. Now, l must come out daily.
Back in the UK, many educators would like to believe that they don’t discuss their personal lives with students. But who hasn’t been casually asked how one spent the weekend? Do I not say “My husband and I…” just as anyone else might? Abroad, do I correct co-workers when they refer to us as ‘friends’? Yesterday, I attended an academic conference. All the usual small talk. I came out a dozen times by lunch.
In teaching English here in Asia, isn’t it unfair for me to conceal from my students the gender of my “life-partner,” which is actually our formal legal status? Am I politicising my classroom by simply teaching gender-neutral terms like ‘spouse’ or ‘partner’? Or, do I simply use the term ‘husband’ and skim over their baffled faces as they try to figure out if they have understood me properly? Am I denying them the opportunity to prepare for the sought-after life in the west? Further, what about the inevitability of that one ‘questioning’ student in my classroom searching for signs of their existence!
I was recently cornered in the hallway by the choreographer hired by our department to support our contribution to the university’s staff talent competition (see picture below*). She spoke with me in German, explaining that she’d lived several years in the former GDR. There are many Vietnamese who’d been ‘repatriated’ from the GDR upon reunification. So, given the historical ties to Communism, it’s commonplace to meet German (and Russian) speakers here. Naturally, folks ask how/why I speak (basic) German. My spouse of seventeen years is German, so it’d be weird if I hadn’t picked up any of the language. It’s really deceptive to conceal gender in German, which has three. I speak German almost every day here in Hanoi.
In Delhi, we lived in the same 2-bedroom flat for over 7 years. It became clear to our landlady very early on that we slept in one bedroom. Neighbours, we’re told, also noticed that we only ever had one vehicle between us and went most places together. Neither the landlady nor any neighbour ever confronted us, so we never had to formally come out. Yet, the chatter always got back to us.
As a Peace Corps volunteer in rural Mali in the late 90’s, I learned to speak Bambara. Bambara greetings are quite intimate: One normally asks about spouses, parents and/or children, just as Black-Americans traditionally would say “How yo’ momma doin?’” In Mali, village people make it their business to get single folks hitched. Between the Americans, then, it became commonplace to fake a spouse, just so one would be left in peace. Some women wore wedding bands for added protection, as a single woman living alone was unconscionable. The official advice for gays was to stay closeted L. While I pretended to be the husband of several volunteers, I could never really get the gist of it in my village. Besides, at 23 years old, being a single man wasn’t as damning as it is for women. I only needed excuses to reject the young women villagers presented to me. Anyhow, as soon as city migrants poured back to the village for Ramadan, I quickly discovered that there are plenty of LGBTQ+ folks in Mali! This was decades before Grindr.
Here in Hanoi, guys regularly, casually make gestures serving up females, as if to say: ‘Look, she’s available, have her’. I’ve never bothered to learn the expected response, nor paid enough attention to how straight men handle such scenarios. Recently, as we left a local beer hall with another (gay) couple, one waiter rather cheekily made such gestures at a hostess. In response, I made the same gestures towards him; he then served himself up as if to say ‘OK’. That’s what’s different about NOW as opposed to any earlier period: Millennials everywhere are aware of gay people.
A group of lads I sat with recently at a local tea stall made the same gestures to the one girl in their group. After coming out, the main instigator seamlessly gestured towards the most handsome in his clique. When I press Nigerian youth about the issue, the response is often the same: We don’t have a problem with gay people, we know gay people, it’s the old folk’s problem. Our building manager may be such a relic.
Last night over dinner and drinks, I spoke about race in the classroom with two white, upper-middle-class gay educators. Neither seemed (able) to make any discernable effort to understand any perspective outside their own. I had to do 100% of the emotional labour, and got 0% of the emotional reward. It was very sad how they went on the attack, using both passive and active aggression, yet had the nerve to dismiss my words as ‘victimhood discourse’. This is exactly why folks write books, articles, and blogs like ‘Why I’m No Longer Talking to White People About Race’.
Worse, they both had experienced homophobia in the classroom, at the hands of both students and parents. Nonetheless, they had no ability to contribute to the emotional labour taking place as we spoke about race. Even worse, the one in charge of other educators had only 24 hours earlier performed the classic micro-aggression against me: The brown blur. He walked right past me at our initial meeting as I extended my hand introducing myself while mentioning the mutual friend who’d connected us because, as he said, he was “expecting” to see a white face. He was the one to raise that incident, yet literally threw his hands in the air, nodding his head dismissively as he refused any responsibility for the potential harm caused.
“I’m an adult,” I pled, explaining the difference between me facing those sorts of aggressions, versus the young people we all educate. This all fell on deaf ears. Even worse still, he’d only moments earlier asked me to help him understand why the only Black kid in one of his classes called himself a “real nigger.” Before that, he had asked me to comment on removing the N-word from historical texts used in the classroom, similar to the 2011 debate about erasing the N-word and “injun” from Huckleberry Finn, first published in 1884. According to the Guardian, nigger is “surely the most inflammatory word in the English language,” and “appears 219 times in Twain’s book.”
Again, he rejected my explanations as “victimhood.” He even kept boasting about his own colorblindness – a true red flag! Why ask if you cannot be bothered to listen to the answer, I thought bafflingly? Even worse, rather than simply stay silent – which would have been bad enough – the other educator literally said to him “This is why I don’t get involved in such discussions with him.” They accused me of making race an issue with my students, insisting that their own learning environments were free of racism, sexism and homophobia.
They effectively closed ranks. They asserted the privilege of NOT doing any of the emotional labour of deep listening. Neither seemed capable of demonstrating understanding for the (potential) harm done when they dismiss the experiences of others, particularly given our differing corporealities. I thought of the “Get Out” scene in the eponymously named film.
“Do you have any Black teachers on your staff,” I asked knowing the answer. OK, I might have said that sarcastically. Yet, it was clear that there were no Black adults in his life with whom he could pose such questions; he was essentially calling upon me to answer his litany of ‘race’ questions.
Armed with mindfulness, I was able to get them both to express how their own corporeality impacts their classroom work. For example, one of the educators had come out to his middle-school students when confronted by their snickers when discussing a gay character in a textbook. “You have to come out,” I said, whereas I walk in the classroom Black.” Further still, they both fell silent when I pointed out that unlike either of them, my hips swing like a pendulum when I walk into the classroom. Many LGBTQ+ people are not ‘straight-acting’ i.e. appear heteronormative, as did these two. They lacked self-awareness of their own privilege and didn’t have any tools to comprehend intersectionality; this discussion clearly placed them on the defense.
I say, 100% of the emotional labour and none of the emotional reward, yet this is actually untrue. I bear the fruits of my own mindfulness readings. I see that I suffer less in those instances than previously. I rest in the comfort that though understanding didn’t come in that moment, future dialogue is still possible. As bell hooks says on the first page in the first chapter of her groundbreaking book Killing Rage: Ending Racism: “…the vast majority of black folks who are subjected daily to forms of racial harassment have accepted this as one of the social conditions of our life in white supremacist patriarchy that we cannot change. This acceptance is a form of complicity.” I accept that it was my decision to talk to these white people about race.
I reminded myself that I had foreseen the micro-aggression that he had committed the previous day when we first met. A mutual friend had hooked us up online upon his visit to this city in which we now live. I doubted that she’d mentioned my blackness. Nonetheless, I had taken the chance of being the first to greet our guest, realizing that I am in a much safer space both in terms of my own mindfulness, as well as the privilege I had asserted in coming to live here in Hanoi; I came here precisely because I face such aggression so irregularly in Vietnam that these incidents genuinely stand out.
Eddo-Lodge, R. (2018). Why I’m No Longer Talking to White People About Race. London: Bloomsbury Publishing.
Hanh, T. (2013). The Art of Communicating. New York: HarperOne.
hooks, b. (1995). Killing rage: Ending racism. New York: Henry Holt and Company, Inc.
For much of the year, the campus is busy. Full of people, movement and voice. But now, it is quiet… the term is over, the marking almost complete and students and staff are taking much needed breaks. After next week’s graduations, it will be even quieter. For those still working and/or studying, the campus is a very different place.
This time of year is traditionally a time of reflection. Weighing up what went well, what could have gone better and what was a disaster. This year is no different, although the move to a new campus understandably features heavily. Some of the reflection is personal, some professional, some academic and in many ways, it is difficult to differentiate between the three. After all, each aspect is an intrinsic part of my identity.
Over the year I have met lots of new people, both inside and outside the university. I have spent many hours in classrooms discussing all sorts of different criminological ideas, social problems and potential solutions, trying always to keep an open mind, to encourage academic discourse and avoid closing down conversation. I have spent hour upon hour reading student submissions, thinking how best to write feedback in a way that makes sense to the reader, that is critical, constructive and encouraging, but couched in such a way that the recipient is not left crushed. I listened to individuals talking about their personal and academic worries, concerns and challenges. In addition, I have spent days dealing with suspected academic misconduct and disciplinary hearings.
In all of these different activities I constantly attempt to allow space for everyone’s view to be heard, always with a focus on the individual, their dignity, human rights and social justice. After more than a decade in academia (and even more decades on earth!) it is clear to me that as humans we don’t make life easy for ourselves or others. The intense individual and societal challenges many of us face on an ongoing basis are too often brushed aside as unimportant or irrelevant. In this way, profound issues such as mental and/or physical ill health, social deprivation, racism, misogyny, disablism, homophobia, ageism and many others, are simply swept aside, as inconsequential, to the matters at hand.
Despite long standing attempts by politicians, the media and other commentators to present these serious and damaging challenges as individual failings, it is evident that structural and institutional forces are at play. When social problems are continually presented as poor management and failure on the part of individuals, blame soon follows and people turn on each other. Here’s some examples:
Q. “You can’t get a job?”
A “You must be lazy?”
Q. “You’ve got a job but can’t afford to feed your family?
A. “You must be a poor parent who wastes money”
Q. “You’ve been excluded from school?”
A. “You need to learn how to behave?”
Q. “You can’t find a job or housing since you came out of prison?”
A. “You should have thought of that before you did the crime”
Each of these questions and answers sees individuals as the problem. There is no acknowledgement that in twenty-first century Britain, there is clear evidence that even those with jobs may struggle to pay their rent and feed their families. That those who are looking for work may struggle with the forces of racism, sexism, disablism and so on. That the reasons for criminality are complex and multi-faceted, but it is much easier to parrot the line “you’ve done the crime, now do the time” than try and resolve them.
This entry has been rather rambling, but my concluding thought is, if we want to make better society for all, then we have to work together on these immense social problems. Rather than focus on blame, time to focus on collective solutions.
In a previous blog post, I spoke how the attention of the public is captivated by crime stories. Family tragedies, acts of mindless violence and other unusual cases, that seem to capture the Zeitgeist, with public discussion becoming topics in social situations. It happened again; Friday March 15 after 1:00 local time, a lone gunman entered the local Mosque in Christchurch and started shooting indiscriminately, causing the death of 50 and injuring as many, entering what the New Zealand Prime Minister would later call, in a televised address, one of NZ’s darkest days.
The singular gunman entering a public space and using a weapon/or weaponised machine (a car, nail bomb) is becoming a familiar aberration in society that the media describe as the “lone wolf”. A single, radicalised individual, with or without a cause, that leaves a trail of havoc described in the media using the darkest shades, as carnage or massacre. These reports focus on the person who does such an act, and the motivations behind it. In criminology, this is the illusive “criminal mind”. A process of radicalisation towards an ideology of hate, is usually the prevailing explanation, combined with the personal attributes of the person, including personality and previous lifestyle.
In the aftermath of such attacks, communities go through a process of introspection, internalising what happened, and families will try to come together to support each other. 23 years ago, a person entered a school in Dunblane, Scotland and murdered 16 children and their teacher. The country went into shock, and in the subsequent years the gun laws changed. The community was the focus of national and international attention, until the lights dimmed, the cameras left, and the families were left alone in grief.
Since then numerous attacks from little people with big weapons have occurred from Norway to USA, France to Russia and to New Zealand, as the latest. And still, we try to keep a sense of why this happened. We allow the media to talk about the attacker; a lone wolf is always a man, his history the backstory and his victims, as he is entitled to posthumous ownership of those he murdered. The information we retain in our collective consciousness, is that of his aggression and his methodology of murder. Regrettably as a society we merely focus on the gun and the gunman but never on the society that produces the guns and raises gunmen.
At this point, it is significant to declare that I have no interest in the “true crime” genre and I find the cult of the lone wolf, an appalling distraction for societies that feed and reproduce violence for the sake of panem et circenses. Back in 2015, in Charleston another gunman entered a church and murdered another group of people. Families of the victims stood up and court and told the defendant, that they would pray for his soul and forgive him for his terrible act. Many took issue, but behind this act, a community took matters into their own hands. This was not about an insignificant person with a gun, but the resilience of a community to rise above it and their pain. A similar response in the aftermath of the shooting in Orlando in 2016, where the LGBTQ+ community held vigils in the US and across the world (even in Northampton). In New Zealand, the Prime Minister, Jacinda Ardern was praised for her sombre message and her tribute to the community, not mentioning the gunman by name, not even once. This is not a subject that I could address in a single blog post (I feel I should come back to it in time) but there is something quite empowering to know the person who did the act, but to deliberately and publicly, ignore him. We forget the importance celebrity plays in our culture and so taking that away, from whomever decides to make a name for themselves by killing, is our collective retribution. In ancient Egypt they rubbed off the hieroglyphs of the columns. Maybe now we need to take his name from the newspaper columns, do not make the story about him, but reflect instead, on the way we live as a community and the people who matter.
This year the American Society of Criminology conference (Theme: Institutions, Cultures and Crime) is in Atlanta, GA a city famous for a number of things; Mitchell’s novel, (1936), Gone with the Wind and the home of both Coca-Cola, and CNN. More importantly the city is the birthplace and sometime home of Dr Martin Luther King Jr and played a pivotal role in the Civil Rights Movement. Throughout the city there are reminders of King’s legacy, from street names to schools and of course, The King Center for Non-Violent Social Change.
This week @manosdaskalou and I visited the Center for Civil and Human Rights, opened in 2014 with the aim of connecting the American Civil Rights Movement, to broader global claims for Human Rights. A venue like this is an obvious draw for criminologists, keen to explore these issues from an international perspective. Furthermore, such museums engender debate and discussion around complex questions; such as what it means to be free; individually and collectively, can a country be described as free and why individuals and societies commit atrocities.
According to a large-scale map housed within the Center the world is divided up into countries which are free, partially free and not free. The USA, the UK and large swathes of what we would recognise as the western world are designated free. Other countries such as Turkey and Bolivia are classified as partially free, whilst Russia and Nigeria are not free. Poor Tonga receives no classification at all. This all looks very scientific and makes for a graphic illustration of areas of the world deemed problematic, but by who or what? There is no information explaining how different countries were categorised or the criteria upon which decisions were made. Even more striking in the next gallery is a verbatim quotation from Walter Cronkite (journalist, 1916-2009) which insists that ‘There is no such thing as a little freedom. Either you are all free, or you are not free.’ Unfortunately, these wise words do not appear to have been heeded when preparing the map.
Similarly, another gallery is divided into offenders and victims. In the first half is a police line-up containing a number of dictators, including Hitler, Pol Pot and Idi Amin suggesting that bad things can only happen in dictatorships. But what about genocide in Rwanda (just one example), where there is no obvious “bad guy” on which to pin blame? In the other half are interactive panels devoted to individuals chosen on the grounds of their characteristics (perceived or otherwise). By selecting characteristics such LGBT, female, migrant or refugee, visitors can read the narratives of individuals who have been subjected to such regimes. This idea is predicated on expanding human empathy, by reading these narratives we can understand that these people aren’t so different to us.
Museums such as the Center for Civil and Human Rights pose many more questions than they can answer. Their very presence demonstrates the importance of understanding these complex questions, whilst the displays and exhibits demonstrate a worldview, which visitors may or may not accept. More importantly, these provide a starting point, a nudge toward a dialogue which is empathetic and (potentially) focused toward social justice. As long as visitors recognise that nudge long after they have left the Center, taking the ideas and arguments further, through reading, thinking and discussion, there is much to be hopeful about.
In the words of Martin Luther King Jr (in his 1963, Letter from Birmingham Jail):
‘Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly’